Tesis doctoral IGNACIO CARBÓ DEL MORAL             Tutora PILAR DE INSAUSTI MACHINANDIARENA	

LANDSCAPES IN MOVEMENT
Urban dynamic scenes among the art and the architecture at the end of the SXX

The carrying out of this thesis has as one fundamental aim, which is analyze and think about those urban and architectural scenes of new generation arisen at the end of the 20th century and beginning of the 21th century which, in my opinion, are transforming in a radical way the physiognomy of our cities and our territory.
We speak about dynamic spaces that place among the art and the architecture, and in which, the movement, the tour and the processes are determinant. With this idea, we will move throughout the thesis from the architectural creation towards the plastic arts and vice versa. We will come closer to artists and architects who have thought about the environment in which they live- and which they have sometimes to transform -and who have found in the landscape the most valuable tool of knowledge.
In the conclusions we will verify the appearance in our cities of some Architectures - landscapes which share the same concerns than the experiences we have seen and known, and which they are transforming our reality. These conclusions will present three differentiated parts: the first part includes theoretical analysis of diverse paradigmatic architectures of the entire thesis; the second part raises a personal tour for the city of Paris, where I experienced the possibility of creating a real project of landscape from the discovery of the city in a proper way; and finally, the presentation of a personal project of scenery carried out last year. I am referring right now to the design of the space for the exhibition Malas Calles opened to the public, in the Valencian Institute of Modern Art (IVAM), from February to June, 2010. The scenery for Malas Calles sought to make participant the spectator of a “landscape in movement ". With such an intention I created a fluid and constant tour for the contemplation of the works of art. The project done for Malas Calles sought to demonstrate us that the traditional interrelationship between the art, the architecture and the urbanism has been transgressed in some occasions and consequently the limits, the borders between the different disciplines, yesterday perfectly clear, nowadays fade away when not directly they lack sense. It is very stimulating to verify the different dialogs, the feedback, the crossings and interferences, produced between the above mentioned disciplines and how all of them interbreed and relate, in numerous occasions, thanks to the landscape. All this demonstrates us that we cannot already continue raising the above mentioned relations in terms of clash or disinterest between questions which are obliged to dialogue.