The Doctoral Thesis Postconceptual Figuration. Spanish Painting: New Figuration Madrilena the Neometaf’sica (1970-2010) proposes a reading of continuity between these currents are a strong pictorial and artistic phenomenon contemporary Spanish plausible, close to postmodern thinking. The story of these forty years of history in its context, since its inception in the late 1960's in Spain, to its activity in the early twenty-first century, includes a systematic study of all the exhibitions program developed: 1980 (1979), Madrid D. F. (1980), Other figures (1981), The return of the prodigal son (1991-1992), Muelle de Levante (1994), Visions without center (1998- 1999), Song of the figures (1999), Figuraciones (1999-2003 ) and The schizos of Madrid (2009). From the study of the authors and their works are formulated key poetic aesthetic, these artists give a family resemblance that identifies them to other positions artistic contemporaries. Among those keys include its firm commitment to tackle pictorial image and the regeneration of traditional figurative painting, especially at a time coincident with the emergence and spread of Conceptual Art. Despite maintaining an individualistic and independent, post-conceptual artists share Figuration each other interests such as recuperating the narrative and the poetic character of the painting, redefining figuration, the positioning of resistance to or advocacy media image of iconic latent semantics. Our research includes a listing of the authors linked to this phenomenon, which gathers a variety of formal solutions and career of historical impact and / or critical diverse, they all developed in very different contexts. This listing is accompanied by a detailed chronology of exhibition activities undertaken. Doctoral Thesis also has an extensive "Appendix documentary" which includes the contribution of original and unpublished sources consist of a series of texts by the artists themselves, as well as interviews with the protagonists. The most famous painters of those included in our study were: Carlos Alcolea, Guillermo PŽrez Villalta, Carlos Franco, Chema Cobo, Jaime Aledo, Sigfrido Mart’n BeguŽ, Carlos Forns, Dis Berlin, Antonio Rojas, Mar’a G—mez, Manuel S‡ez, Pelayo Ortega, Angelica Kaak, çngel Mateo Charris, Paco de la Torre, Dami‡n Flores, Jo‘l Mestre, Teresa Moro, Fernando Cord—n, Sergio Sanz, Juan CuŽllar, Gonzalo Sicre, Teresa Tom‡s, JosŽ Miguel Pere–’guez, Elena Go–i and Miki Leal.