EGE Revista de Expresión Gráfica en la Edificación - Núm. 14 (2021)
https://riunet.upv.es:443/handle/10251/168823
2024-03-29T07:59:43ZReviews of books and doctoral thesis
https://riunet.upv.es:443/handle/10251/168837
Reviews of books and doctoral thesis
Varios, Autores
[ES] Reseñas de libros y tesis doctorales
2021-07-06T10:52:25ZFrom digital drawing to dissemination of the collected data, reflections on the virtual creative process
https://riunet.upv.es:443/handle/10251/168836
From digital drawing to dissemination of the collected data, reflections on the virtual creative process
Ricci, Ylenia; Pasquali, Andrea; Giraudeau, Stéphane
[EN] The research presented here focuses on the understanding of the act of drawing not only as a means of restitution of the architectural survey but also considering the modernization of the representation techniques. This must be considered as a first step for the creation of virtual environments capable of offering advanced methodologies for the dissemination of the collected data. Expanding the techniques that can be referred to drawing will not only be a necessary process, and one that is already underway, but it will have to strengthen the intrinsic potential of representation. The aim is to communicate and record information with common codes facilitating reading and dissemination. Central to this is the use of drawing as a means of connection between different figures researching a topic. Drawing must be interpreted as the restitution and result of processes of elaboration and codification of the information collected with the survey, that leads us to the modeling and realization of exhaustive elaborations, containing the greatest amount of information useful for the dissemination of the existing architectural heritage and beyond. Its digital evolution, an opportunity to increase the potential and strength of the scientific dissemination of knowledge.
2021-07-06T10:48:55ZSurvey of the taller dels Canets, XIX-XX centuries: the old San Antonio wooden carriage factory, Beneixama (Alicante, Spain)
https://riunet.upv.es:443/handle/10251/168835
Survey of the taller dels Canets, XIX-XX centuries: the old San Antonio wooden carriage factory, Beneixama (Alicante, Spain)
Ortín Molina, Sergio; Ortín Molina, Miguel Ángel
[EN] The centennial workshop ‘San Antonio’ hosted the industrial rise of a family business dedicated to the craft of construction of wooden carriages, now disappeared. A business activity that began in 1860 and almost saw the dawn of the 21st century. The complex has not received appropriate maintenance and its roofs threaten ruin, compromising the survival of the manufacturing building, abandoned since its closure. Almost 2,000 square meters of industrial history languish awaiting an urgent intervention. This publication, therefore, is inserted in a trend of revalue enhancement and recovery of the heritage site. This graphic survey has been carried out with the essential purpose of capturing its current state, in order to serve as a basis for a future and necessary restoration. In the absence of the original plans, prior to 1909, this work constitutes the only existing planimetric document of the building. And it is being shown in this article for the first time.; [ES] El centenario taller ‘San Antonio’ acogió el auge industrial de un negocio familiar dedicado al oficio artesanal de construcción de carruajes, hoy desaparecido. Una actividad empresarial que se inició en 1860 y casi alcanzó a ver los albores del siglo XXI. El conjunto ha sido objeto de labores de conservación tan escasas que sus cubiertas amenazan ruina, comprometiendo la pervivencia del complejo fabril, abandonado desde su cierre. Casi 2.000 metros cuadrados de Historia industrial que languidecen a la espera de una intervención urgente. La publicación, pues, se inserta en una corriente de puesta en valor y recuperación del sitio patrimonial. El levantamiento se ha realizado con la finalidad esencial de capturar su estado actual, pudiendo servir de base para una futura y necesaria restauración. Ante la ausencia de los planos originales, anteriores a 1909, este trabajo constituye el único documento planimétrico que existe del edificio. Y se muestra en este artículo por vez primera.
2021-07-06T10:46:03ZThe drawing as a guide between the study and the intervention. The Castle of Orba (Orba-Murla, Alicante. Spain)
https://riunet.upv.es:443/handle/10251/168834
The drawing as a guide between the study and the intervention. The Castle of Orba (Orba-Murla, Alicante. Spain)
Paredes Vañó, Enric Alfons
[EN] Since the end of 2016, safeguarding and protection actions were taken in the castle known as“El Castellet” (located in the towns of Orba and Murla). It is a medieval fortification of relevant interest and, curiously, quite relegated by the scientific community. The works carried out to date was organized in three phases, starting with research and preliminary analysis. This was followed by the drafting of intervention projects, which in turn articulated the development of the first “in situ” work. The intervention consisted of archaeological actions, emergency consolidation work and minimal enhancement of the complex, which has brought to light an interesting heritage complex. This novelty generated an exceptional material (graphic and documentary), since it defines its initial ruinous state and subsequently details the recovery process towards a period of preliminary knowledge and considerable improvement, which allows it to keep growing towards a worthy heritage future.; [ES] Desde finales de 2016 se desarrollan acciones de salvaguarda y protección en El Castellet (situado en las localidades de Orba y Murla). Se trata de una fortificación medieval de relevante interés y, curiosamente, bastante relegada por la comunidad científica. Los trabajos, desarrollados hasta la fecha se organizan en tres fases, iniciándose con la investigación y el análisis previo, que ha conducido a la redacción de proyectos de intervención, que a su vez han articulado el desarrollo de los primeros trabajos “in situ”, consistentes en actuaciones arqueológicas, obras de consolidación de urgencia y mínima puesta en valor del conjunto, que han sacado a flote un interesante conjunto patrimonial. La primicia de estos trabajos ha generado un material (gráfico y documental) excepcional, ya que define su ruinoso estado inicial y posteriormente documenta el proceso de recuperación hacia un período de conocimiento preliminar y mejoría considerable, lo que permite seguir caminando hacia un futuro patrimonial digno.
2021-07-06T10:42:23ZDigital technologies applied to the accessible management of museums. The first experiments carried out at the Museum of Oriental Art of Turin
https://riunet.upv.es:443/handle/10251/168833
Digital technologies applied to the accessible management of museums. The first experiments carried out at the Museum of Oriental Art of Turin
Ronco, Francesca
[EN] The proposed research focuses on the museum context of the city of Turin (Italy), within an ongoing framework agreement between the Politecnico di Torino and the Museum of Oriental Art (MAO). It aims at the construction of a model for the management of the workflow that includes the digital survey, the 3D virtual modelling and the digital fabrication of the tactile models of the artworks and the exhibition spaces. The paper starts with an overview on the methods of conservation and dissemination of cultural and architectural heritage, on the accessibility of museums and on tactile perception and graphics. It presents the first outcomes of the designed workflow with a special focus on the digital fabrication experiments on the vaulted system of the atrium of Palazzo Mazzonis (MAO home). The founding idea is that tactile exploration of artifacts helps the visitor engagement, making the museum experience more educationally incisive and more inclusive, in a “Design for All” perspective.; [ES] La investigación propuesta se centra en el contexto museístico de la ciudad de Turín (Italia), dentro de un acuerdo marco en curso entre el Politecnico di Torino y el Museo de Arte Oriental (MAO). Su objetivo es la construcción de un modelo para la gestión del flujo de trabajo que parte de la digitalización de las obras de arte y de los espacios y termina con la realización de modelos táctiles. El artículo comienza con una visión general sobre los métodos de conservación y difusión del patrimonio cultural y arquitectónico sobre la percepción y los gráficos táctiles. Presenta los primeros resultados del flujo de trabajo diseñado, centrándose especialmente en los experimentos de fabricación digital en el sistema abovedado del atrio del Palazzo Mazzonis (casa del MAO). La idea básica es que la exploración táctil de los artefactos ayuda a la participación del visitante, haciendo que la experiencia del museo sea más incisiva desde el punto de vista educativo y más inclusiva, en una perspectiva de “Diseño para todos”.
2021-07-06T10:38:46ZBrief historical walk through the drawing of publicly promoted urban planning and construction in the city of Alicante. A.M.A. archives (1691-1860)
https://riunet.upv.es:443/handle/10251/168832
Brief historical walk through the drawing of publicly promoted urban planning and construction in the city of Alicante. A.M.A. archives (1691-1860)
Domingo Gresa, Jorge
[EN] This article covers, in chronological order, Alicante’s public graphic production related to urban planning and building, through the most compelling pieces, both for their relevance and repercussion at the time of their elaboration, as well as for their influence on subsequent significant documents. The plans analyzed are prior to 1860 (date of demolition of the city walls) and they are all housed at the Historical Municipal Archive of Alicante (AMA; abbreviation in the text). Their representativeness is based on the study and profound knowledge of the 1,026 pieces that integrate the period considered, obtained from the previous digitization of the entire collection, by the author, for an as-yet unpublished catalog. Among the objectives of the present work, one is to increase the drawings awareness and illustrate their usefulness for understanding the evolution of the discipline and its relationship with the society that produced them. Furthermore, it seeks to vindicate the patrimonial value of the documents and their digitization as the best way to preserve them and the validity of the local research.; [ES] Este artículo recorre, cronológicamente, la producción gráfica pública alicantina, de urbanismo y edificación, a través de las piezas más significativas, tanto por importancia y repercusión en el momento de su elaboración, como por influencia en posteriores documentos relevantes. Los planos son anteriores a 1860 (derribo últimas murallas) y todos proceden del Archivo Municipal de Alicante (AMA en el texto). Su representatividad se fundamenta en el estudio y conocimiento de los 1.026 que integran el periodo considerado, obtenido de la previa digitalización de todos ellos, por el autor, para un catálogo todavía inédito. Entre los objetivos del trabajo, figura el de dar a conocer los dibujos y mostrar su utilidad para comprender la evolución disciplinar y su relación con la sociedad que los produce. También se trata de reivindicar el valor patrimonial de los documentos y su digitalización como mejor protección, así como la vigencia de las investigaciones de orden local, tan necesarias como ingratas.
2021-07-06T10:34:56Z3D modeling of the Macarena Wall (Seville). Methodological proposal for its integration in digital cartographic management studies
https://riunet.upv.es:443/handle/10251/168831
3D modeling of the Macarena Wall (Seville). Methodological proposal for its integration in digital cartographic management studies
Cabrera-Revuelta, Elena; Mascort-Albea, Emilio J.; Hidalgo-Sánchez, Francisco M.; Romero-Hernández, Rocío; Canivell, Jacinto
[EN] Conservation studies of an architectural asset constitute a solid support for future interventions. In particular, Digital Cartographic Management advocates the use of simplified models that allow different levels of definition to be achieved, depending on the desired architectural scale. Based on previous studies in which four levels of definition have been achieved, the aim is to define a fifth level from a 3D model. For this purpose, the Macarena Wall (Seville) is proposed as a case study. In this work, a photogrammetric survey of a section of the sector of this medieval wall is carried out, from which the entities that will form part of a fifth level of definition are identified.; [ES] Los estudios de conservación sobre un bien arquitectónico constituyen un soporte sólido para futuras intervenciones. En concreto, la Gestión Cartográfica Digital aboga por el uso de modelos simplificados que permiten alcanzar distintos niveles de definición, según la escala arquitectónica deseada. Partiendo de estudios previos en los que se han logrado obtener cuatro niveles de definición, se tiene como objetivo definir un quinto nivel a partir de un modelo 3D. Para ello, se propone como caso de estudio la Muralla de La Macarena (Sevilla). En este trabajo se realiza el levantamiento fotogramétrico de un tramo del sector de esta muralla medieval, a partir del cual se identifican las entidades que formarán parte de un quinto nivel de definición.
2021-07-06T10:14:21Z