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dc.contributor.author | Canet Centellas, Fernando Javier | es_ES |
dc.date.accessioned | 2020-12-22T04:32:59Z | |
dc.date.available | 2020-12-22T04:32:59Z | |
dc.date.issued | 2019-11 | es_ES |
dc.identifier.issn | 1367-8779 | es_ES |
dc.identifier.uri | http://hdl.handle.net/10251/157587 | |
dc.description.abstract | [EN] Following a century filled with violations of human rights, a significant number of documentary films have appeared since the first decade of the current century that report these events. Traditionally this process is carried out from the victims' point of view. However, a new tendency has emerged in which the films deal with the perpetrators' perspective. It is easy to understand how establishing a relationship with a person who has committed atrocities may be problematic. So, why should we engage with perpetrators? The overarching purpose of this article is to attempt to offer some answers to this question. To this end, two methodological approaches are carried out in parallel: first, this article explores a sample of five documentary films and the filmmakers' considerations of what their engagement with the perpetrators was like. Second, this article reviews the related literature and the controversial reception of these films by some scholars. In doing so, I also posit a theory that 4Rs (remembrance, recognition, remorse, and redemption) are a necessary prerequisite for the fifth R, of reconciliation. The final elaboration of this schema is mainly based on an example of interpersonal reconciliation. | es_ES |
dc.description.sponsorship | This research has been carried out at University of Kent (UK) thanks to a mobility grant financed by the Spanish government. | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | SAGE Publications | es_ES |
dc.relation.ispartof | International Journal of Cultural Studies | es_ES |
dc.rights | Reserva de todos los derechos | es_ES |
dc.subject | Crimes against humanity | es_ES |
dc.subject | Documentary film | es_ES |
dc.subject | Genocide | es_ES |
dc.subject | Human rights | es_ES |
dc.subject | Malte Ludin | es_ES |
dc.subject | Errol Morris | es_ES |
dc.subject | Joshua Oppenheimer | es_ES |
dc.subject | Lissette Orozco | es_ES |
dc.subject | Perpetrator | es_ES |
dc.subject | Reconciliation | es_ES |
dc.subject.classification | COMUNICACION AUDIOVISUAL Y PUBLICIDAD | es_ES |
dc.title | Documenting atrocities around the world: Why engage with the perpetrators? | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.1177/1367877919840042 | es_ES |
dc.rights.accessRights | Abierto | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Departamento de Comunicación Audiovisual, Documentación e Historia del Arte - Departament de Comunicació Audiovisual, Documentació i Història de l'Art | es_ES |
dc.description.bibliographicCitation | Canet Centellas, FJ. (2019). Documenting atrocities around the world: Why engage with the perpetrators?. International Journal of Cultural Studies. 22(6):804-822. https://doi.org/10.1177/1367877919840042 | es_ES |
dc.description.accrualMethod | S | es_ES |
dc.relation.publisherversion | https://doi.org/10.1177/1367877919840042 | es_ES |
dc.description.upvformatpinicio | 804 | es_ES |
dc.description.upvformatpfin | 822 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.volume | 22 | es_ES |
dc.description.issue | 6 | es_ES |
dc.relation.pasarela | S\409834 | es_ES |
dc.contributor.funder | Gobierno de España | |
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