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Listar por autor "Amado Lorenzo, Antonio"

Mostrando ítems 1-10 de 10

Alejandro de la Sota. Pensar la arquitectura, dibujar el pensamiento

Amado Lorenzo, Antonio (Universitat Politècnica de València, 2019-04-08)

[EN] Alejandro de la Sota (1913-1996) was one of the most outstanding architects in the xx century Spanish architecture. With the years, he became an iconic architect, with a constant experimentation and independence, ...
El dibujante digital. Dibujo a mano alzada sobre tabletas digitales

Amado Lorenzo, Antonio; Fraga López, Fernando (Universitat Politècnica de València, 2015-06-22)

[EN] The emergence of the digital tablets around 2010 as an alternative to the laptop originated a technological revolution in the relation with users and the information technology. The development of specific drawing ...
EL INTERIOR DE RONCHAMP EN UN DIBUJO DE LOUIS I. KAHN

Amado Lorenzo, Antonio (Editorial Universitat Politècnica de València, 2011)

[EN] The main objective is to analyse Louis I. Kahn’s reaction on visiting Ronchamp in 1959, studying his sketch of the interior and comparing it with others by the architect and a similar sketch by Le Corbusier. The system ...
KAHN Y BARRAGÁN. Convergencias en la plaza del Instituto Salk

Amado Lorenzo, Antonio (Editorial Universitat Politècnica de València, 2012-06-30)

[EN] Some thoughts about Luis Barragan's contribution to the plaza at Louis I. Kahn¿s Salk Institute. Various texts and testimonies are examined, analyzing the sketches made by both architects and their points of convergence ...
La biblioteca de un arquitecto modernista

Amado Lorenzo, Antonio (Universitat Politècnica de València, 2016-09-29)

[EN] The architectural Art Nouveau of the early twentieth century in countries such as Spain, and particularly in the more peripheral cities such as A Coruña, was clearly influenced by the Vienna Sezession. The figure of ...
Los autorretratos de los arquitectos

Amado Lorenzo, Antonio (Universitat Politècnica de València, 2017-03-28)

[EN] Getting deeper into the architect ́s personality to better understand their work, in the article we will be comparing Le Corbusier, Siza and Utzon ́s self-portraits thinking over their parallelism that are perceived ...
Picasso y Le Corbusier. Paralelismos y divergencias en torno al dibujo

Amado Lorenzo, Antonio (Universitat Politècnica de València, 2018-11-27)

[EN] One can establish similarities and differences between Le Corbusier and Picasso when taking drawing as the reference point. Their methodical learning, influenced by mentors and art schools, was very different, ...
Reseñas de libros

García, Ángela; Juan Vidal, Francisco; Llopis Verdú, Jorge; Giordano, Andrea; Sancho Mir, Miguel; Molina Siles, Pedro Javier; Chias Navarro, Pilar; Crespo Fajardo, José Luis; Fernández Morales, Angélica; Amado Lorenzo, Antonio (Universitat Politècnica de València, 2019-04-08)

Serra Lluch, Juan. Color for Architects (Por Ángela García) pp.4.-- Gaiani, Marco. Nettuno. La fontana: studio, progetto, restauro (Por Francisco Juan Vidal) pp.4-5.-- Rodríguez Navarro, Pablo. Las Torres Árabes de las ...
Reseñas de libros

Amado Lorenzo, Antonio; Higón Calvet, José Luís; Muñoz de Pablo, José María; Alonso Rodríguez, Marta; Pérez Cid, Miguel Ángel; Montes Serrano, Carlos; Galván Desvaux, Noelia; Bertran Ilari, Josep; Casado de Amezúa Vázquez, Joaquín (Universitat Politècnica de València, 2011-03-29)

Amado Lorenzo, Antonio. Voiture Minimum. Le Corbusier and the Automobile (Por Antonio Amado Lorenzo) pp.4.--García de Diego, Margarita de Luxán; et. al. Actuaciones con criterios de sostenibilidad en la rehabilitación de ...
The drawing of the ellipse in the painting until Caravaggio

Fraga, Fernando; Amado Lorenzo, Antonio; Colón Alonso, Marta (Universitat Politècnica de València, 2020-03-13)

[EN] The circle is present in a great number of elements in our environment. As it has to be seen in perspective, is perceived by the eye as a perfect ellipse, one can assure that the latter is the most frequent in ...