[EN] Character engagement is one of the main sources of emotion in the spectator. We argue that, in a nonfiction context, it is the filmmaker, who first engages with her subject, with whom she maintains long-standing ...

[EN] The popularization of the antihero is linked to the dramatic and narrative need of seriality: the constant dichotomy between the family and professional spheres, between noble and petty actions, between duty and want, ...