[EN] This paper explores the dynamic and tactile values that may be involved in the historical emergence of the line as a fundamental graphic resource. It attempts to look beyond the paradigm of visual-perceptual abstraction ...

[EN] This article covers, in chronological order, Alicante’s public graphic production related to urban planning and building, through the most compelling pieces, both for their relevance and repercussion at the time of ...

[EN] The birth of the University of Navarra is intimately related to the graphic image of its spatial project. Assuming that the architecture drawing possesses a strong emotional instrumentality, the influence of the ...

[EN] Gestalt theory laid the foundations to infer perceptual laws through empirical experiences relating the phenomenon of visual perception with epistemology. Thus, determining perceptual aspects involved in graphic design ...

[ES] El dibujo es quizás el medio más eficaz a través del cual el arquitecto puede transmitir sus ideas, adoptado como primordial instrumento de proyecto y consecuentemente responsable de la posterior materialización de ...

[EN] This communication is part of a wider investigation in the context of my Phd, supplemented by a series of interviews with Peter Cook, Rem Koolhaas and Bernard Tschumi. It is also a continuation and development of the ...

[ES] Dentro de la práctica docente, la relación entre las diferentes asignaturas debería ser un hecho de sentido común, y aún más dentro de un mismo campo. La división de las diferentes materias en el ámbito de la expresión ...

[EN] If a dilettante is who executes art just for pleasure without professional purpose, the connoisseur is who enjoys it as eager for knowledge. Architecture is an art which doesn't admit a dilettante practice due to its ...

[EN] Learning is nothing but remembering. The ruin is the veiled memory of the past reality, its essence. Buildings tend to lose their shape due to ongoing wear as textures finishes lead to a new plastic expression, in an ...

La tesis estudia como a lo largo de la historia de la arquitectura los proyectistas, elegían un trazado regulador y lo aplicaron según las necesidades del programa y los condicionantes del lugar. Optando, entre las ...