Tomás Marquina, Daniel(Universitat Politècnica de València, 2017-05-04)
[EN] Nowadays, and from different trends has been recognized how daily space has been progressively instrumentalized. This occupation, organization and transformation have been interpreted from different factors. The main ...
Achig Sánchez, Miguel Ángel(Universitat Politècnica de València, 2024-01-18)
[EN] The work of the artist Edwin Lluco has its own concept, between ideas, feelings, and attach-ments for the benefit of doing, saying, and fee-ling the Ecuadorian political reality. In this way, he elaborates his own ...
Campos Pérez, Irene(Editorial Universitat Politècnica de València, 2024-07-26)
[ES] La artista y ensayista Hito Steyerl describe la imagen pobre como una imagen de ínfima calidad capaz de navegar por la red a un ritmo vertiginoso. Se trata de una imagen bastarda, barata, fácilmente manipulable y ...
Tomás Marquina, Daniel(Universitat Politècnica de València, 2015-12-29)
[EN] At present, there is a tendency on contemporary art to activate experimental pedagogies, where you can observe the importance given to collective, community, procedural, participatory or critical learning. The ...
Etxebarria Madinabeitia, Izaskun(Editorial Universitat Politècnica de València, 2017-10-23)
[EN] This is a comparative study between two models in cultural politics. The first proposes culture as the common in a general global sense that approaches a model for local contexts. The first part of Jaron Rowan's book ...