This article analyses the efficiency of the leitmotiv derived from the song Moon River in Breakfast at Tiffany's. This leitmotiv is a musical element (the first three notes suffice to recognise Moon River) with the narrative ...
Payri, Blas; Prosper Ribes, Josep(Universidad del Zulia - Venezuela, 2011-01)
[EN] This article studies different functions of film music in Breakfast at Tiffany’s. First, the classical functions of music are analyzed: narrative-denotative and connotative, emphasizing the importance of the main ...
Martín Quintanal, Ruymán(Universitat Politècnica de València, 2023-07-28)
[ES] En el presente trabajo se estudia la relación de las estrategias narrativas de la música atonal en la ópera de la Escuela de Viena y el cine de la segunda mitad del Siglo XX. Como muestra de la información transmitida ...
Traver Navarro, Paula(Universitat Politècnica de València, 2015-11-19)
[EN] This doctoral thesis, that seeks to recover the figure and work of the Spanish composer José María Ruiz de Azagra Sanz (1900-1971), connects with the current lines of research about composers that developed their ...
Cano Pérez, Emilio José(Universitat Politècnica de València, 2023-03-21)
[EN] Soundtracks and music are key elements of narrative and emotional expression in anime, which is a prominently popular animation genre. Nevertheless, the music used in the early decades of Japanese animation production ...
Lozano Castellano, Andrea(Universitat Politècnica de València, 2023-10-27)
[ES] El presente trabajo se centra en la capacidad del modalismo para crear atmósferas emocionales en el cine, con especial interés en los códigos establecidos por la industria del cine de Hollywood. Primeramente, se ...
Payri Lambert, Blas Gastón(Universitat Politècnica de València, 2024-06-25)
We make an analysis by modification on a scene of Alexander Nevsky, with different portions of a music excerpt from Escales by Jacque Ibert. We show that the rhythmical density of the music enhances the small movements of ...
An analysis-by-modification of a film sequence of Alexander Nevsky, repeated 3 times on an evolving music. The changes in the music provoke different types of underscoring, and the audience perceives either the general ...