Vega, Jorgelina(Universitat Politècnica de València, 2024-11-01)
[ES] Este proyecto explora en el campo de la heurística aplicada al arte, desarrollando estructuras teóricas que pretenden delinear ciertos condicionamientos heurísticos que inciden en la creación artística. Se examina ...
Ortego Antón, María Teresa; Fernández Nistal, Purificación(Editorial Universitat Politècnica de València, 2015-07-02)
[EN] In recent decades there has been a revolution in expert knowledge, so general vocabulary has been gradually enlarged with a great number of terms traditionally limited to specialised discourse. In addition, expert ...
Fiorani, Donatella(Universitat Politècnica de València, 2014-07-04)
[EN] Observing the American experience from a European vantage point enables us to understand the reasons that, in a similar ‘Western’ culture, have led to a different feeling for the built heritage of the past, and to ...
Becerra Herrero, Inés(Universitat Politècnica de València, 2018-10-02)
El objetivo del proyecto es lograr transmitir las sensaciones y sentimientos que generan los poemas a
través tanto de una serie de ilustraciones como de la maquetación y diseño del propio libro. Para ello se
va a contar ...
Hanzl, Malgorzata(Editorial Universitat Politècnica de València, 2018-04-20)
[EN] In spatial, social and cultural pluralism, the questions of human intentionality and socio-spatial emergence remain central to social theory (Portugali 2000, p.142). The correlation between individual preferences, ...
García Clariana, Inés(Universitat Politècnica de València, 2020-04-30)
[EN] There is no image without imagination and no shape without form. This is how Georges Didi-Huberman begins in his book When images take position. Paraphrasing Huberman, and invading the tectonic field on a detailed ...
Arnau Orenga, P. Inés; Bruns Banegas, Sergio; Lozano Velasco, José María(Universitat Politècnica de València, 2017-10-25)
[EN] In architecture, ornament has always been embroiled in controversy because, in many cases, it has been influenced by an ordinary reading of “Ornament and crime”, the well-known lecture by Adolf Loos in 1908. A deeper ...