Anderson, Ross(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] This paper, All of Paris, Darkly, presents a focused study of Le Corbusier’s enigmatic Beistegui Apartment (1929-
1931) on the Champs-Elysée in Paris, with particular reference to the curious camera obscura periscope ...
Derycke, Denis; Boone, Veronique(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] To analyze Le Corbusier's work through 3D digital modeling constitutes an important issue for the dissemination of
the legacy of this major architect. During an analytical process, a relevant use of contemporary ...
Frances Dias, Sarah; João Durão, Maria(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Le Corbusier developed his own unique poetics of architecture, perceived and understood as an art. In La
Ronchamp, due to his complete creative freedom, he found a space to express his most poetic and artistic views. ...
Atmodiwirjo, Paramita; Yatmo, Yandi(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Le Corbusier’s well-known phrase ‘The house is a machine for living in’ suggested a kind of machinic aesthetic
that became an important concept behind the functionality, standardization and rational order that together ...
Moulis, Antony(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning
globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little ...
Gelabert Amengual, Antoni(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] During the first half of the twentieth century Le Corbusier had his very first experiences with tapestries thanks to
the gallery director Marie Cuttoli and especially the teacher at Aubusson, Pierre Baudouin. The ...
Felix-Fromentin, Clotilde(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] I focus, from the territory of design, on the interest Le Corbusier brought to the modern garment, from a 1929
conference where the dressreform leads him to develop his concept of "équipement domestique" for the ...
Viar Fraile, Iñigo(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Le Corbusier was a great searcher. A light searcher. Afterwards a first period of searching he founded his cubic
and white architecture and after the Word War II and fifteen years without erecting up a building, Le ...
[EN] Le Corbusier attitude on the epidermal surface of buildings changes when he realises, in the 1920s, that the
problems caused by membranes of insufficient thick with large glazed areas. During the 1930s decade, Le ...
Guido, Luca(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Bruno Zevi was an enthusiastic promoter of Frank Lloyd Wright’s architecture and theories. However, the critical
enquiry and propaganda of the Italian architect and historian about so-called “organic architecture” ...
Salazar Valenzuela, Mauricio(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Le Corbusier´s architectural drawing 'a capriccio' reveals different operations that link he with architectural
capriccio as an analytical device, critical and project, characterized by copy_paste, sometimes of his ...
Granados González, Jerónimo(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] Within the work of Le Corbusier, the exhibition space was a theme widely developed. For example, the idea of a
theoretical prototype of the museum was recurrent throughout his work, as a latent idea, waiting for the ...
Palacios Aguilar, José del Carmen(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The intention is to present the ideas that led to Le Corbusier to build its latest and unique urban project
“Chandigarh”, realize his dream of building on a city made up of those elements foreshadowed from his ...
Jiménez Caballero, Inmaculada(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] This research presents the influence in Charles-Edouard Jeanneret of his master Charles L'Eplattenier in the
context of two institutions. On one hand ´École d´Art de La Chaux-de-Fonds, where both figures met and where ...
Such Sanmartin, Roger(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] In 1966 Robert Venturi publishes Complexity and Contradiction in Architecture. This book represents one of the
most serious allegations against the limitations of the modern architecture. Conceived as a visual essay, ...
Dyephart, Anouchka(Editorial Universitat Politècnica de València, 2016-03-03)
[ES] Si existen numerosas imágenes de la Villa Savoye, escasos son, en cambio, los films que traten de ella. Deseo
presentar aquí un proyecto de film documenta, sobre el que estoy trabajando desde el año 2012. Propongo ...
[EN] Since the late-1930s, the emergence of a renewed cultural, technological and political approach towards the notion of climate reformulated the relationship between bodies and their milieux. This article analyses the ...
Valle, Raul(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The Architecture that OMA / Rem Koolhaas makes could be call like a ‘the masterly interplay of masses brought
together in light’ disguised and interspersed with the complexity of the time that we are living, an ...
Rumież, Agnieszka; Oleszak, Witold(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The aim of presented paper is to grasp a sense in which Le Corbusier influenced his professional partners within
ATBAT at 35 rue de Sèvres in Paris. On the example of Iannis Xenakis (Greek) and Jerzy Sołtan (Pole), ...
Lapunzina, Alejandro(Editorial Universitat Politècnica de València, 2016-03-03)
[EN] The relationship between Le Corbusier and the American continent virtually encompasses his entire professional
life. Embodied by about twenty transatlantic trips and a series of heterogeneous projects and buildings, ...