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Symbiosis between panoramic photography, CGI and freehand drawing in landscape representation

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Symbiosis between panoramic photography, CGI and freehand drawing in landscape representation

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dc.contributor.author Cabezos Bernal, Pedro Manuel es_ES
dc.contributor.author Barros da Rocha e Costa, Hugo A. es_ES
dc.contributor.author Iñarra Abad, Susana es_ES
dc.date.accessioned 2020-11-25T04:31:46Z
dc.date.available 2020-11-25T04:31:46Z
dc.date.issued 2019-06 es_ES
dc.identifier.issn 1828-5961 es_ES
dc.identifier.uri http://hdl.handle.net/10251/155706
dc.description.abstract [EN] This article aims to highlight the value of immersive panoramic photography, computerized drawing and traditional freehand drawing when representing the landscape, not only analyzing the particular interest inherent to each one of these techniques, but also underlining the added value that involves the integration of these three techniques when representing a landscape project. Architects learn to use most of the above mentioned representation methods, but photography seems to be the great absent in many of the curricula of the Spanish architecture schools. Therefore, in our lectures at Master¿s degree in Landscape, we emphasize the importance of photography as a representation technique and we show several panoramic photography techniques that are really useful in landscape representation. Panoramic landscape photography will help us to represent the landscape environment, since these panoramic images compose a starting canvas on which we can already work from an early phase of the project superimposing the elements that will conform the project, with the freshness spontaneity and dynamism that characterizes the freehand drawing. Later, when the project is mature, we can also superimpose more elaborate elements that can be carried out with the help of software tools that allow us a very detailed and precise definition. This methodology has an additional advantage, so the representations can complementarily be viewed interactively from a computer or mobile device or they can even be visualized immersively using a personal viewer such as the affordable Google Cardboard, which uses a Smartphone as a display. In order to illustrate the advantages and the interest of this integrative representation methodology, we will describe bellow the used techniques and tools, together with some results and application examples. es_ES
dc.language Inglés es_ES
dc.publisher Università di Bologna es_ES
dc.relation.ispartof DisegnareCon es_ES
dc.rights Reconocimiento - No comercial (by-nc) es_ES
dc.subject Panoramic photography es_ES
dc.subject Drawing es_ES
dc.subject CGI es_ES
dc.subject Landscape es_ES
dc.subject.classification EXPRESION GRAFICA ARQUITECTONICA es_ES
dc.title Symbiosis between panoramic photography, CGI and freehand drawing in landscape representation es_ES
dc.type Artículo es_ES
dc.rights.accessRights Abierto es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Expresión Gráfica Arquitectónica - Departament d'Expressió Gràfica Arquitectònica es_ES
dc.description.bibliographicCitation Cabezos Bernal, PM.; Barros Da Rocha E Costa, HA.; Iñarra Abad, S. (2019). Symbiosis between panoramic photography, CGI and freehand drawing in landscape representation. DisegnareCon. 12(22):4.1-4.11. http://hdl.handle.net/10251/155706 es_ES
dc.description.accrualMethod S es_ES
dc.relation.publisherversion http://disegnarecon.univaq.it/ojs/index.php/disegnarecon/index es_ES
dc.description.upvformatpinicio 4.1 es_ES
dc.description.upvformatpfin 4.11 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 12 es_ES
dc.description.issue 22 es_ES
dc.relation.pasarela S\395616 es_ES


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