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About the freedom of free forms

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About the freedom of free forms

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dc.contributor.author ANDRES, Oscar A.
dc.contributor.editor Domingo Cabo, Alberto es_ES
dc.contributor.editor Lázaro Fernández, Carlos Manuel es_ES
dc.date.accessioned 2010-01-26T13:17:06Z
dc.date.available 2010-01-26T13:17:06Z
dc.date.issued 2010-01-26T13:17:06Z
dc.identifier.isbn 978-84-8363-461-5
dc.identifier.uri http://hdl.handle.net/10251/6956
dc.description p. 907-913 en_EN
dc.description.abstract This paper deals with the arrival of freedom at the world of structures giving birth a new generation of forms: the free forms. Its purpose is to analyze, to discuss and to comment critically this singular fact as well as their implications on the designers' task. It is more a philosophical than a technical paper. For centuries man has imagined new forms for their structures but he has not been always able to analyze and to build them. Before the arrival of the electronic calculus, the representation and analysis of structural forms could be limited to those ones belonging to the Euclidean Geometry. The computers broke those limitations and they gave wide freedom to the designers to conceive a new generation of forms; these new forms were called "free forms". Nowadays any form imagined can be represented, it can be analyzed and it can be built. Nevertheless not any imagined form can become a structural free form. Perhaps it could be a beautiful sculptural form, but not necessarily a structural one. For being a structural form, the inescapable laws of the mechanics must be satisfied. Moreover a structural free form can become an architectural free form just only when aesthetical, functional, environmental and social requirements, among others, are accomplished. Freedom has widened the horizons of creativity for the designers' task. Simultaneously new responsibilities have come altogether with this freedom. Today free form designers face permanent challenges; designers must be familiar with the menus of new and multiple tools created by the modern technology and they must be trained to make the right use of them. They must handle those wide menus in order to select the most appropriated options to generate, to model and to analyze the new free forms. At the same time they must select the most appropriated new materials and techniques to build these free forms. Finally, designer must be fully conscious of the high impact of their engineering and architectural works on the people and physical environment without forgetting their commitment to the society. en_EN
dc.language Inglés en_EN
dc.publisher Editorial Universitat Politècnica de València es_ES
dc.relation.ispartof Symposium of the International Association for Shell and Spatial Structures (50th. 2009. Valencia). Evolution and Trends in Design, Analysis and Construction of Shell and Spatial Structures : Proceedings en_EN
dc.rights Reserva de todos los derechos en_EN
dc.subject Free forms en_EN
dc.subject Morphology en_EN
dc.subject Morphogenesis en_EN
dc.subject Form design en_EN
dc.subject Structural analysis en_EN
dc.subject Technical requirements en_EN
dc.subject Social requirements en_EN
dc.title About the freedom of free forms en_EN
dc.type Comunicación en congreso en_EN
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Andres, OA. (2010). About the freedom of free forms. Editorial Universitat Politècnica de València. http://hdl.handle.net/10251/6956 es_ES
dc.relation.conferencename Symposium of the International Association for Shell and Spatial Structures es_ES
dc.relation.conferencedate 2009 es_ES
dc.relation.conferenceplace Valencia es_ES


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