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Añadidos recientemente

RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

EGA. Vol 20, No 26 (2015): Conversando con... Oriol Bohigas: Enviados recientemente

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    El mito de la caverna 
    Giménez Ribera, Manuel; Cabrera Fausto, Ivan (Universitat Politècnica de València, 2015-10-27)
    [EN] Paying attention to Alberto Campo Baeza’s exhibition in the Superior Technical School of Architecture of Valencia transformed Exhibition Hall following the guiding traces of the architect himself endows the observer ...
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    Blanco y negro: un lenguaje para la arquitectura de Antonio Fernández Alba 
    Bernal López-San Vicente, Amparo (Universitat Politècnica de València, 2015-10-27)
    [EN] Juan Daniel Fullaondo defined Antonio Fernández Alba as “a man of method and culture”, an architect who accompanied the process of his architectural development with an intense display of culture (1970, p. 3). The ...
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    Aprehender dibujando: los dibujos de Luis Borobio 
    Arnau Amo, Joaquín; Gutiérrez Mozo, María Elia (Universitat Politècnica de València, 2015-10-27)
    [EN] This article is a contribution to the idea of understanding drawing as a way of apprehending an object in general, and capturing architecture in particular, as a way of defining the tangible which will later be present ...
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    Enric Miralles: desdibujando límites entre re-presentación y proyecto 
    Zaragoza de Pedro, Isabel; Esquinas Dessy, Jesús (Universitat Politècnica de València, 2015-10-27)
    [EN] Enric Miralles won his first International competition with the Bremerhaven port (1993). Diving through the original artwork of his files 1, they are first presented here some of his preparatory sketches. This is the ...
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    Sinergias entre pintura y arquitectura en el aprendizaje de Paul Nelson: “Maison Suspendue” 
    Moreno Moreno, María Pura; Sanz Alarcón, Juan Pedro (Universitat Politècnica de València, 2015-10-27)
    [EN] Painting and drawing frame the creative process of Paul Nelson, and in that context, this paper analyzes the graphic design of the project of the “Maison Suspendue” (1936-1938). The pictorial fact is a reflection ...