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dc.contributor.advisor | Berenguer Wieden, María Desamparados | es_ES |
dc.contributor.author | Reinhardt, Carola | es_ES |
dc.date.accessioned | 2018-10-10T17:35:20Z | |
dc.date.available | 2018-10-10T17:35:20Z | |
dc.date.created | 2018-09-13 | |
dc.date.issued | 2018-10-10 | es_ES |
dc.identifier.uri | http://hdl.handle.net/10251/110101 | |
dc.description.abstract | [EN] The following work of this Master Thesis is the 4th typology and continues the artistic practice following the idea which I began in the year 2000 in Estonia. This body of work is an artistic view of the dress as a sculptural form using unusual materials. The material is a communicator, like a language. The aim of this Master Thesis is to extend working with the same form - the dress to express, to explore the notion of personal space, the boundaries of identity, and the relationship between the individual and the collective body. Its material and techniques are used as the language which starts a conversation with the viewer, through their characteristics. This thesis is divided into two parts: ¿ The first part is focused on the form of the dress: its characteristics and form as a sculptural object. To the material and the way to see the material as language. And end of that part the reference artists. ¿ The second part is focused on created sculptural objects, the stories they tell, the materials and techniques used during creative process. | es_ES |
dc.description.abstract | [ES] estidos que no nos necesitan. Vestido como una forma escultural así como la forma material escultural más cercana alrededor del cuerpo humano. Vestido como una instalación arquitectónica en el cuerpo. Forma escultural con su manera única de mostrar el material como comunicador con el entorno. Material usado donde la técnica del grabado tiene un rol predominante a nivel comunicativo. | es_ES |
dc.language | Español | es_ES |
dc.publisher | Universitat Politècnica de València | es_ES |
dc.rights | Reserva de todos los derechos | es_ES |
dc.subject | VESTIMENTA | es_ES |
dc.subject | VESTIDO | es_ES |
dc.subject | COMUNICACIÓN | es_ES |
dc.subject | ESTILO | es_ES |
dc.subject | MATERIALES | es_ES |
dc.subject | MODA | es_ES |
dc.subject | TÉCNICAS DE GRABADO | es_ES |
dc.subject | JOYERIA | es_ES |
dc.subject | CLOTHING | es_ES |
dc.subject | DRESS | es_ES |
dc.subject | COMMUNICATION | es_ES |
dc.subject | STYLE | es_ES |
dc.subject | MATERIALS | es_ES |
dc.subject | FASHION | es_ES |
dc.subject | PRINTMAKING TECHNIQUES | es_ES |
dc.subject | JEWELRY | es_ES |
dc.subject.classification | DIBUJO | es_ES |
dc.subject.other | Máster Universitario en Producción Artística-Màster Universitari en Producció Artística | es_ES |
dc.title | Dress as sculptural form. Dress as the sculpture and its material as communicating language | es_ES |
dc.type | Tesis de máster | es_ES |
dc.rights.accessRights | Abierto | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Centro de Investigación Arte y Entorno - Centre d'Investigació Art i Entorn | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Departamento de Dibujo - Departament de Dibuix | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Facultad de Bellas Artes - Facultat de Belles Arts | es_ES |
dc.description.bibliographicCitation | Reinhardt, C. (2018). Dress as sculptural form. Dress as the sculpture and its material as communicating language. http://hdl.handle.net/10251/110101 | es_ES |
dc.description.accrualMethod | TFGM | es_ES |
dc.relation.pasarela | TFGM\87632 | es_ES |