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M-BIM: una nueva herramienta para la Galleria dell'Accademia di Firenze (Florencia)

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M-BIM: una nueva herramienta para la Galleria dell'Accademia di Firenze (Florencia)

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dc.contributor.author Tucci, Grazia es_ES
dc.contributor.author Conti, Alessandro es_ES
dc.contributor.author Fiorini, Lidia es_ES
dc.contributor.author Corongiu, Manuela es_ES
dc.contributor.author Valdambrini, Noemi es_ES
dc.contributor.author Matta, Carlotta es_ES
dc.date.accessioned 2019-07-26T10:13:33Z
dc.date.available 2019-07-26T10:13:33Z
dc.date.issued 2019-07-25
dc.identifier.uri http://hdl.handle.net/10251/124245
dc.description.abstract [EN] The paper deals with an ongoing research activity for developing a Building Information Model (BIM) for the facility and collections management of museums. The BIM success lies not only in its application for the design and construction of buildings but also because it helps the information management of a building throughout its life cycle. Compared to other activities, in museums management, the container/content relationship is essential for the preventive conservation of artworks, according to national and international guidelines. Then, an effective BIM-based museum information system linked to external databases (called M-BIM) should include also the art collections for managing information regarding both the building and artworks by 3D objects handling. This facilitates the management of the procedures prescribed by international best practices (as the facility and conservation reports set up for the loan of artworks) or by Italian regulations (as to check the compliance of a museum with the minimum standards or to archive renovations and temporary exhibitions). The proposed methodology has been tested on the Galleria dell’Accademia di Firenze (Florence, Italy), situated in a complex heritage building. Starting from data acquired during a laser scanner survey carried out in 2011, a HBIM of the whole building has been created. Then, the sculptures and paintings of a consistent part of the museum have been modelled with different approaches and inserted as BIM objects. Artworks instances include 3D geometry and physical data (dimensions, materials, weight, etc.), other data are obtained from links to already existing external catalogues. A database conceptual model has been formalised, according to INSPIRE Consolidated Unified Modelling Language (UML) of the INSPIRE Directive, with the aim to maintain the independence of the BIM approach but improving data connection with other databases and sources.Highlights:A holistic information management system for museums (M-BIM) is proposed, including both information on the building and the collections.International and Italian guidelines, and best practices on museums management are compared.The Galleria dell’Accademia di Firenze is used as a case study for testing the application of M-BIM on a heritage building. es_ES
dc.description.abstract [ES] El artículo trata una investigación en curso que aborda el desarrollo del modelado de información de la construcción (BIM) para la gestión de instalaciones y colecciones de museos. El éxito del BIM no reside sólo en su aplicación en el diseño y la construcción de edificios, sino también en que ayuda en la gestión de la información de una construcción durante todo su ciclo de vida. En comparación con otras actividades, en la gestión de los museos, la relación contenedor/contenido es esencial en la conservación preventiva de las obras de arte, de acuerdo con las directrices nacionales e internacionales. Entonces, un sistema eficaz de información museística mediante BIM y que se enlace con bases de datos externas (denominado M-BIM) debería incluir las colecciones de arte para la gestión de la información relativa tanto al edificio como a las obras de arte mediante la manipulación de objetos en 3D. Esto facilita la gestión de los procedimientos prescritos por las mejores prácticas internacionales (como los informes de instalación y conservación establecidos para el préstamo de obras de arte) o por la normativa italiana (como el control de la conformidad de un museo con los estándares mínimos o almacenar renovaciones y exposiciones temporales). La metodología propuesta se ha probado en la Galleria dell’Accademia di Firenze (Italia), situada en un edificio patrimonial de gran complejidad. Se ha creado un HBIM de todo el edificio a partir de los datos capturados en 2011 en un levantamiento con escáner láser. Después, las esculturas y pinturas de una parte consistente del museo se han modelado con diferentes enfoques e insertado como objetos BIM. Los ejemplos de obras de arte incluyen geometría 3D y datos físicos (dimensiones, materiales, peso, etc.), otros datos se obtienen a partir de enlaces a catálogos externos ya existentes. Se ha formalizado un modelo conceptual de bases de datos, según el el lenguaje unificado de modelado (UML) Consolidado INSPIRE de la Directiva INSPIRE, con el objetivo de mantener la independencia del procedimiento BIM, pero mejorando la conexión de los datos con otras bases de datos y fuentes. es_ES
dc.description.sponsorship This work has been granted by the research agreement Analisi critica bibliografica/documentale, rilievi geomatici 3D e modelli computazionali between the Galleria dell’Accademia di Firenze (MIBAC) and DICEA–UNIFI. The authors acknowledge especially the director Dr Cecilie Hollberg for her receptiveness and fruitful collaboration.The research has been carried out as part of the GAMHer project: Geomatics Data Acquisition and Management for Landscape and Built Heritage in a European Perspective, PRIN:–Bando 2015, Prot. 2015HJLS7E. Authors are thankful to Eng. Luca Gusella and Massimo Piazzesi (SPEKTRA Srl -a Trimble company) for giving the opportunity to use and test the TIMMS. es_ES
dc.language Inglés es_ES
dc.publisher Universitat Politècnica de València
dc.relation.ispartof Virtual Archaeology Review
dc.rights Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) es_ES
dc.subject Sistemas de gestión de las collecciones museales es_ES
dc.subject Museos virtuales es_ES
dc.subject HBIM es_ES
dc.subject Digitalización es_ES
dc.subject Reutilización de los datos es_ES
dc.subject Transparencia de los datos es_ES
dc.subject 4D y 6D BIM es_ES
dc.subject Collection management system es_ES
dc.subject Virtual museums es_ES
dc.subject Digitisation es_ES
dc.subject Data re-use es_ES
dc.subject Data transparency es_ES
dc.subject 4D & 6D BIM es_ES
dc.title M-BIM: una nueva herramienta para la Galleria dell'Accademia di Firenze (Florencia) es_ES
dc.title.alternative M-BIM: a new tool for the Galleria dell’Accademia di Firenze es_ES
dc.type Artículo es_ES
dc.date.updated 2019-07-26T08:16:25Z
dc.identifier.doi 10.4995/var.2019.11943
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Tucci, G.; Conti, A.; Fiorini, L.; Corongiu, M.; Valdambrini, N.; Matta, C. (2019). M-BIM: una nueva herramienta para la Galleria dell'Accademia di Firenze (Florencia). Virtual Archaeology Review. 10(21):40-55. https://doi.org/10.4995/var.2019.11943 es_ES
dc.relation.publisherversion https://doi.org/10.4995/var.2019.11943 es_ES
dc.description.upvformatpinicio 40 es_ES
dc.description.upvformatpfin 55 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 10
dc.description.issue 21
dc.identifier.eissn 1989-9947
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