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dc.contributor.author | Canet Centellas, Fernando Javier![]() |
es_ES |
dc.date.accessioned | 2020-01-30T21:02:14Z | |
dc.date.available | 2020-01-30T21:02:14Z | |
dc.date.issued | 2018 | es_ES |
dc.identifier.issn | 1475-3820 | es_ES |
dc.identifier.uri | http://hdl.handle.net/10251/136104 | |
dc.description.abstract | [EN] The aim of this article is to map a history of reflexive practices in Spanish cinema. To this end, I will explore how Spanish film-makers have expressed their relationship with cinema on screen through their personal reflections. In doing so, I will attempt to answer the following questions: How do Spanish film-makers carry out reflexive practices? What techniques, strategies and resources do they apply to express their personal reflections? What cinematic issues do they draw attention to in their films? I will therefore explore those films that may be considered as representing the different reflexive practices that have characterized Spanish cinema to date. Instead of a superficial analysis of a wide range of practices, I will focus on four specific aspects: (1) reception (allegories of spectatorships'); (2) the making-of' (the other side of the shot); (3) allusions to film history; and, finally, (4) variations and parodic approaches. | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Taylor & Francis | es_ES |
dc.relation.ispartof | Bulletin of Spanish Studies | es_ES |
dc.rights | Reserva de todos los derechos | es_ES |
dc.subject | Spanish cinema | es_ES |
dc.subject | Cinephilia | es_ES |
dc.subject | Cinematic reflexivity | es_ES |
dc.subject | Film reflexivity | es_ES |
dc.subject | Film within a film | es_ES |
dc.subject | Allusions to film history | es_ES |
dc.subject | Intertextuality | es_ES |
dc.subject | Metacinema | es_ES |
dc.subject.classification | COMUNICACION AUDIOVISUAL Y PUBLICIDAD | es_ES |
dc.title | Making Cinema, Thinking Cinema: Reflexive Practices in Spanish Film-Making | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.1080/14753820.2018.1434996 | es_ES |
dc.rights.accessRights | Cerrado | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Departamento de Comunicación Audiovisual, Documentación e Historia del Arte - Departament de Comunicació Audiovisual, Documentació i Història de l'Art | es_ES |
dc.description.bibliographicCitation | Canet Centellas, FJ. (2018). Making Cinema, Thinking Cinema: Reflexive Practices in Spanish Film-Making. Bulletin of Spanish Studies. 95(4):273-302. https://doi.org/10.1080/14753820.2018.1434996 | es_ES |
dc.description.accrualMethod | S | es_ES |
dc.relation.publisherversion | https://doi.org/10.1080/14753820.2018.1434996 | es_ES |
dc.description.upvformatpinicio | 273 | es_ES |
dc.description.upvformatpfin | 302 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.volume | 95 | es_ES |
dc.description.issue | 4 | es_ES |
dc.relation.pasarela | S\387024 | es_ES |