- -

A Rocky garden. Five (Woodblock) Prints of Ryōan-ji

RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

Compartir/Enviar a

Citas

Estadísticas

  • Estadisticas de Uso

A Rocky garden. Five (Woodblock) Prints of Ryōan-ji

Mostrar el registro sencillo del ítem

Ficheros en el ítem

dc.contributor.author Vela Castillo, José es_ES
dc.coverage.spatial east=135.7182634; north=35.03449429999999; name= Ryōan-ji, 13 Ryōanji Goryōnoshitachō, Ukyo Ward, Kyoto, 616-8001, Japó es_ES
dc.date.accessioned 2020-05-07T09:22:14Z
dc.date.available 2020-05-07T09:22:14Z
dc.date.issued 2020-04-30
dc.identifier.issn 2341-3050
dc.identifier.uri http://hdl.handle.net/10251/142735
dc.description.abstract [EN] Five (woodblock) prints of Ryōan-ji presents five approaches to the famous dry garden located in the homonymous temple in Kyoto. The aim has been to explore through them different peculiarities of this garden, and by extension, of Japanese dry gardens of Zen inspiration. The fields explored include narrative (Kawabata), music (Cage and Takemitsu), cinema (Ozu, Iimura) and architecture (Isozaki and Mies, in passing). The main intention has not been to give a unitary vison of Ryōan-ji. Instead, like the dazzle at the end of a haiku, I tried to build a mechanism of partial enlightenments, to show, at least partially, its complex essence. A mechanism which, simultaneously, sheds light on the narrative, the music and the architecture presented. The real protagonist of the text is the particular spatiality that this garden brings to life and the temporality that goes along with it; but also the constant correspondences of the play of traces and possible meanings disseminated across the different media. es_ES
dc.description.abstract [ES] Cinco estampas de Ryōan-ji son cinco aproximaciones al famoso jardín seco emplazado en el templo del mismo nombre en Kioto. Se ha buscado a través de ellas explorar distintas particularidades de este jardín y, por extensión, de los jardines secos japoneses de inspiración Zen desde distintos medios: la narrativa (Kawabata), la música (Cage y Takemitsu), el cine (Ozu, Iimura), la arquitectura (Isozaki y Mies, tangencialmente). No se ha pretendido ofrecer una visión unitaria de Ryōan-ji, antes bien, como el deslumbramiento en el verso final de un haiku, se ha querido construir un mecanismo de iluminaciones parciales que muestre, al menos, parte de su compleja esencia; pero que también ilumine simultáneamente la narrativa, las músicas o la arquitectura que se presenta. El protagonista real del texto es la muy particular espacialidad que pone en marcha este jardín (y la temporalidad que lo acompaña), así como el constante reenvío en el juego de huellas de sus (posibles) significados, que se diseminan en los distintos medios. es_ES
dc.language Español es_ES
dc.language Inglés es_ES
dc.publisher Universitat Politècnica de València es_ES
dc.relation.ispartof VLC arquitectura. Research Journal es_ES
dc.rights Reconocimiento - No comercial (by-nc) es_ES
dc.subject Ryōan-ji es_ES
dc.subject Dry Gardens es_ES
dc.subject Spatiality es_ES
dc.subject Temporality es_ES
dc.subject Trace es_ES
dc.subject Jardines secos es_ES
dc.subject Espacialidad es_ES
dc.subject Temporalidad es_ES
dc.subject Huella es_ES
dc.title A Rocky garden. Five (Woodblock) Prints of Ryōan-ji es_ES
dc.title.alternative Un jardín rocoso. Cinco estampas de Ryōan-ji es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.4995/vlc.2020.10901
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Vela Castillo, J. (2020). A Rocky garden. Five (Woodblock) Prints of Ryōan-ji. VLC arquitectura. Research Journal. 7(1):33-63. https://doi.org/10.4995/vlc.2020.10901 es_ES
dc.description.accrualMethod OJS es_ES
dc.relation.publisherversion https://doi.org/10.4995/vlc.2020.10901 es_ES
dc.description.upvformatpinicio 33 es_ES
dc.description.upvformatpfin 63 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 7 es_ES
dc.description.issue 1 es_ES
dc.identifier.eissn 2341-2747
dc.relation.pasarela OJS\10901 es_ES
dc.description.references Burt, Peter. The Music of Toru Takemitsu. Cambridge: Cambridge University Press, 2001. https://doi.org/10.1017/CBO9780511518331 es_ES
dc.description.references Cage, John. "Ryoanji." http://johncage.org/pp/John-Cage-Work-Detail.cfm?work_ID=165, retrieved August 20th, 2017. es_ES
dc.description.references Charles, Daniel. "Bringing The Ryōan-ji To The Screen." http://www.takaiimura.com/review/DC.html, retrieved August 20th, 2017. es_ES
dc.description.references Coaldrake, William H. Architecture and Authority in Japan. London and New York: Routledge, 1996. es_ES
dc.description.references Derrida, Jacques. On Grammatology. Baltimore and London: John Hopkins University Press, 1974. es_ES
dc.description.references Derrida, Jacques. De la gramatología. Buenos Aires: Siglo XXI, 2008. es_ES
dc.description.references Gras Balaguer, Menene, ed. El jardín japonés. Qué es y no es entre la espacialidad y la temporalidad del paisaje. Madrid: Tecnos, 2015. es_ES
dc.description.references Gye, Henry. "Analysis of Takemitsu's, A Flock Descends into the Pentagonal Garden." https://rhagye.com/2013/11/03/analysis-of-takemitsus-a-flock-descends-into-the-pentagonal-garden/, retrieved August 20th, 2017. es_ES
dc.description.references Iimura, Takahiko, "MA: Space/Time in the Garden of Ryoan-Ji," film 16 mm, 1989. es_ES
dc.description.references Iimura, Takahiko. "A Note for 'MA: Space/Time in the Garden of Ryōan-ji.'" http://www.takaiimura.com/review/noteforma.html, retrieved August 26th, 2017. es_ES
dc.description.references Iliescu, Mihu. "Glissandi and Traces. A Study of the Relationship Between Musical and Extra-Musical Fields." In Definitive Proceedings of the "International Symposium Iannis Xenakis," edited by Makis Solomos, Anastasia Georgaki and Giorgos Zervos. Athens, 2005. https://www.iannis-xenakis.org/Articles/Iliescu.pdf, retrieved August 26th, 2017. es_ES
dc.description.references Isozaki, Arata. Ma, Space-Time in Japan. New York: Cooper-Hewitt Museum, 1979. es_ES
dc.description.references Isozaki, Arata. Japan-ness in Architecture. Cambridge, Mass and London: MIT Press, 2006. es_ES
dc.description.references Kawabata, Yasunari. Beauty and Sadness. London: Penguin, 2011. es_ES
dc.description.references Keene, Donald. Five Modern Japanese Novelists. New York and Chichester, West Sussex: Columbia University Press, 2003. es_ES
dc.description.references Komparu, Kunio. The Nō Theatre: Principles and Perspectives. Tokyo and New York: Weatherhill/Tankosha, 1983. es_ES
dc.description.references Martínez García-Posada, Ángel. "Entre piedras y lugares. Traslaciones, cartografías, figuraciones y abstracciones." REIA, no. 9 (2017): 65-81. es_ES
dc.description.references Mostow, Joshua S., ed. The Columbia Companion to Modern East Asian Literature. New York and Chichester, West Sussex: Columbia University Press, 2003. https://doi.org/10.7312/most11314 es_ES
dc.description.references Nitschke, Gunther. From Shinto to Ando. Studies in Architectural Anthropology in Japan. London: Academy Editons, 1993. es_ES
dc.description.references Nitschke, Gunther. Japanese Gardens. Cologne: Taschen, 1993. es_ES
dc.description.references Papapetros, Spiros. "'In tangent with the structure of plant growth.' The resilient margins of the Barcelona Pavilion." In Mies Van der Rohe. Barcelona 1929, edited by Joana Teixidor and Llorenç Bonet, 125-159. Barcelona: Tenov, 2017. es_ES
dc.description.references Pilgrim, Richard B. "Intervals ("Ma") in Space and Time: Foundations for a Religio-Aesthetic Paradigm in Japan." History of Religions 25, no. 3 (February 1986): 255-277. https://doi.org/10.1086/463043 es_ES
dc.description.references Takemitsu, Toru. Confronting Silence. Selected Writings. Berkeley: Fallen Leaf Press, 1995. es_ES
dc.description.references Vela Castillo, José. "Escribir la arquitectura - Kawabata Yasunari." REIA, no. 10 (2018): 105-212. es_ES
dc.description.references Washburn, Dennis. Translating Mount Fuji. Modern Japanese Fiction and the Ethics of Identity. New York: Columbia University Press, 2007. es_ES
dc.description.references Zapperi, Giovanna. "Marcel Duchamp's 'Tonsure': Towards an Alternate Masculinity." Oxford Art Journal 30, no. 2 (June 2007): 289-303. https://doi.org/10.1093/oxartj/kcm009 es_ES
dc.description.references Zwerin, Charlotte. Music for the Movies: Toru Takemitsu (DVD). West Long Branch, N.J: 1994. es_ES


Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem