[ES] Este proyecto trata de analizar el live painting como mecanismo creativo. Se presenta la improvisacio¿n picto¿rica como resultado de un impulso creativo personal desencadenado por el jazz (la mu¿sica) tocado en directo. ...[+]
[ES] Este proyecto trata de analizar el live painting como mecanismo creativo. Se presenta la improvisacio¿n picto¿rica como resultado de un impulso creativo personal desencadenado por el jazz (la mu¿sica) tocado en directo. Esta pulsio¿n desemboca en una pra¿ctica picto¿rica de cara¿cter performativa.
Se propone una manera personal de enfrentarse a la pintura con la que entrar en ese ¿estado de gracia¿, colocando al mismo nivel de importancia proceso creativo y obra producida. Se plantea una manera de entender la pintura como expresio¿n y refugio personal a la vez que como medio de diversio¿n, juego y experimentacio¿n.
A partir de la pra¿ctica picto¿rica relacionada con el jazz se desglosan y estudian las diferentes cuestiones conceptuales y te¿cnicas, adema¿s de iconogra¿ficas y simbo¿licas. En base a la improvisacio¿n picto¿rica se analizan conceptos como: intuicio¿n, escenario, tiempo, azar.
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[EN] This project tries to analyze live painting as a creative mechanism. Pictorial improvisation is presented as a result of a personal creative impulse unleashed by jazz (music) played live. This drive leads to a pictorial ...[+]
[EN] This project tries to analyze live painting as a creative mechanism. Pictorial improvisation is presented as a result of a personal creative impulse unleashed by jazz (music) played live. This drive leads to a pictorial practice of a performative nature.
It proposes a personal way of facing the painting with which to enter that "state of grace", placing at the same level of importance the creative process and produced work. A way of understanding painting as an expression and personal refuge is proposed, as well as as a means of entertainment and experimentation.
From the pictorial practice related to jazz are broken down and studied the different conceptual and technical issues, as well as iconographic and symbolic. Based on pictorial improvisation, concepts such as: intuition, scenario, time, chance are analyzed.
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