- -

The song of air and water: Acoustic experiments with an Ecuadorian Whistle Bottle (c.900 BC-100 BC)

RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

Compartir/Enviar a

Citas

Estadísticas

  • Estadisticas de Uso

The song of air and water: Acoustic experiments with an Ecuadorian Whistle Bottle (c.900 BC-100 BC)

Mostrar el registro sencillo del ítem

Ficheros en el ítem

dc.contributor.author Ayala Esparza, Mónica Amparo es_ES
dc.contributor.author Gallardo Carrillo, Galo Fernando es_ES
dc.contributor.author Molina Alarcón, Miguel es_ES
dc.date.accessioned 2020-12-29T04:31:10Z
dc.date.available 2020-12-29T04:31:10Z
dc.date.issued 2019-02-26 es_ES
dc.identifier.uri http://hdl.handle.net/10251/157919
dc.description.abstract [EN] In Ecuador, bottles as containers for liquids appeared in the Late Formative period at the end of the Machalilla culture (1600 BC to 800 BC). Whistle bottles were created and perfected during the Chorrera culture (900 BC to 100 BC), and finally evolved into polyphonic bottles during the Bahía culture (500 BC to 650 AD). During the Chorrera phase, moulded aesthetic elements were developed and incorporated:, such as zoomorphs and anthropomorphs, phytomorphs, architectural forms, whose animated references were related to the acoustics they produced, giving 'onomatopoeic' sounds of nature (e.g. birds, monkeys, frogs). The current research focused on the structural and systematic study of a double ellipsoid ornithomorph bottle with a whistle from the Chorrera-Bahía culture (900 BC to 100 BC), an object that is currently in the National Archaeological Reserve of the Ministry of Culture in the city of Quito, Republic of Ecuador (Ch-B-1-38-69) (Figure 1). Two replicas and the original were investigated in situ by the Universidad Central del Ecuador and it was possible to determine that both blowing into and moving the objects when filled with water produced the sound. We interpret this as a need to 'automate' the sound production, and the acoustics derived from the movement of water is what possibly motivated Crespo (1966) to call them 'magical objects'. es_ES
dc.description.sponsorship Thanks are due to the Ministry of Culture and Patrimony of Ecuador for facilitating our entry into the National Reserve; to Ivett Celi, Sub-secretary of Social Memory; to Esthelina Quinatoa, curator of the National Reserve; Renee Guaitara, Network Coordinator of Museums, National Museum of Ecuador. To the Faculty of Arts of the Central University of Ecuador, for having facilitated the laboratories to accomplish the research; to Jorge Zamora for the collaboration in the initial ceramic process study. To Arnaud Gérard for his contribution in the acoustic analysis. Thanks also to Santiago Ortiz, research assistant. es_ES
dc.language Inglés es_ES
dc.publisher Council for British Archaeology es_ES
dc.relation.ispartof Internet Archaeology es_ES
dc.rights Reconocimiento (by) es_ES
dc.subject Ecuador es_ES
dc.subject Chorrera culture es_ES
dc.subject Ancestral acoustics es_ES
dc.subject Whistle bottle es_ES
dc.subject Sounds by hydraulic action es_ES
dc.subject Video es_ES
dc.subject Audio es_ES
dc.subject.classification ESCULTURA es_ES
dc.title The song of air and water: Acoustic experiments with an Ecuadorian Whistle Bottle (c.900 BC-100 BC) es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.11141/ia.52.2 es_ES
dc.rights.accessRights Abierto es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Escultura - Departament d'Escultura es_ES
dc.description.bibliographicCitation Ayala Esparza, MA.; Gallardo Carrillo, GF.; Molina Alarcón, M. (2019). The song of air and water: Acoustic experiments with an Ecuadorian Whistle Bottle (c.900 BC-100 BC). Internet Archaeology. 52:1-26. https://doi.org/10.11141/ia.52.2 es_ES
dc.description.accrualMethod S es_ES
dc.relation.publisherversion https://doi.org/10.11141/ia.52.2 es_ES
dc.description.upvformatpinicio 1 es_ES
dc.description.upvformatpfin 26 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 52 es_ES
dc.identifier.eissn 1363-5387 es_ES
dc.relation.pasarela S\387034 es_ES
dc.description.references Acosta, L. 1974 José Martì, la América precolombina y la conquista española, Casa de las Américas. es_ES
dc.description.references Bermúdez, E. 1985 Los instrumentos musicales en Colombia (Vol. 7), Universidad Nacional de Colombia. es_ES
dc.description.references Crespo Toral, H. 1966 'Nacimiento y evolución de la botella silbato', Humanitas VI(1), 66-87. es_ES
dc.description.references Cummins, T. 2003 'Nature as culture's representation: a change of focus in Late Formative iconography' in Raymond, J.S. and Burger, R.L. (eds) Archaeology of Formative Ecuador. 423-64. es_ES
dc.description.references de Arce, J. and Gili, F. 2013 'Clasificación Sachs-Hornbostel de instrumentos musicales: una revisión y aplicación desde la perspectiva americana', Revista Musical Chilena, 67(219), 42-80. https://doi.org/10.4067/S0716-27902013000100003 es_ES
dc.description.references de Arce, J.P. 2015 'Flautas arqueológicas del Ecuador', Resonancias 19(37), 47-88. http://resonancias.uc.cl/es/N%C2%BA-37/flautas-arqueologicas-del-ecuador.html es_ES
dc.description.references de Espinoza, A. 2006 Ecuador ancestral: diez mil años del recorrido del hombre en esta mínima parcela del universo llamada Ecuador, Quito: Editorial Softpro. es_ES
dc.description.references Estrada, E., Meggers, B.J. and Evans, C. 1962 'Possible transpacific contact on the coast of Ecuador', Science 135(3501), 371-72. https://doi.org/10.1126/science.135.3501.371 es_ES
dc.description.references Gartelmann, K.D. 2006 Las huellas del jaguar: culturas antiguas en el Ecuador, Trama. es_ES
dc.description.references Gérard, A. 2011 'El Sonagrama. Una representación práctica de los sonidos', Revista Boliviana de Física 18, 37-49. es_ES
dc.description.references Idrovo Urigüen, J. 1987 Instrumentos musicales prehispánicos del Ecuador, Museo Del Banco Central, Cuenca. es_ES
dc.description.references Klumpp, K.M., 2017 Replicación de la pintura iridiscente Chorrera, Repositorio Universidad San Fransisco de Quito. es_ES
dc.description.references Meggers, B.J. and Evans, C. 1957 Archeological Investigations at the Mouth of the Amazon, Bureau of American Ethnology Bulletin 167. es_ES
dc.description.references Ontaneda, S. 2007 Ecuador hitos de su pasado precolombino, Quito, Banco Central Del Ecuador. es_ES
dc.description.references Ortiz, L. 1981 Pasado antiguo del Ecuador: evolución social, Consejo Provincial de Pichincha. es_ES
dc.description.references Scott, J.F. 1998 'El estilo Chorrera y su influencia en los andes septentrionales' in Guinea Bueno, M., Marcos, J. and Bouchard, J.F. (eds) El área septentrional andina: arqueología y etnohistoria, Abya-Yala: IFEA, 277-294. es_ES
dc.description.references Verge, M.P. 1995 Aeroacoustics of confined jets: with applications to the physical modeling of recorder-like instruments, Technische Universiteit Eindhoven. es_ES
dc.description.references Von Hornbostel, E.M. and Sachs, C. 1914 'Systematik der musikinstrumente. Ein versuch', Zeitschrift Für Ethnologie 46(4-5), 553-90. es_ES
dc.description.references Weinstein, E. 2007 'Cosmic gourds: cucurbit and crescentia effigy pottery of coastal Ecuador', Economic Botany 61(4), 315-27. https://link.springer.com/article/10.1663%2F0013-0001%282007%2961%5B315%3ACGCACE%5D2.0.CO%3B2 es_ES
dc.description.references Zeidler, J.A. 2008 'The Ecuadorian Formative' in Silverman, H. and Isbell, W. (eds) The Handbook of South American Archaeology, Springer. 459-88. https://doi.org/10.1007/978-0-387-74907-5_24 es_ES


Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem