Mostrar el registro sencillo del ítem
dc.contributor.author | Ayala Esparza, Mónica Amparo | es_ES |
dc.contributor.author | Gallardo Carrillo, Galo Fernando | es_ES |
dc.contributor.author | Molina Alarcón, Miguel | es_ES |
dc.date.accessioned | 2020-12-29T04:31:10Z | |
dc.date.available | 2020-12-29T04:31:10Z | |
dc.date.issued | 2019-02-26 | es_ES |
dc.identifier.uri | http://hdl.handle.net/10251/157919 | |
dc.description.abstract | [EN] In Ecuador, bottles as containers for liquids appeared in the Late Formative period at the end of the Machalilla culture (1600 BC to 800 BC). Whistle bottles were created and perfected during the Chorrera culture (900 BC to 100 BC), and finally evolved into polyphonic bottles during the Bahía culture (500 BC to 650 AD). During the Chorrera phase, moulded aesthetic elements were developed and incorporated:, such as zoomorphs and anthropomorphs, phytomorphs, architectural forms, whose animated references were related to the acoustics they produced, giving 'onomatopoeic' sounds of nature (e.g. birds, monkeys, frogs). The current research focused on the structural and systematic study of a double ellipsoid ornithomorph bottle with a whistle from the Chorrera-Bahía culture (900 BC to 100 BC), an object that is currently in the National Archaeological Reserve of the Ministry of Culture in the city of Quito, Republic of Ecuador (Ch-B-1-38-69) (Figure 1). Two replicas and the original were investigated in situ by the Universidad Central del Ecuador and it was possible to determine that both blowing into and moving the objects when filled with water produced the sound. We interpret this as a need to 'automate' the sound production, and the acoustics derived from the movement of water is what possibly motivated Crespo (1966) to call them 'magical objects'. | es_ES |
dc.description.sponsorship | Thanks are due to the Ministry of Culture and Patrimony of Ecuador for facilitating our entry into the National Reserve; to Ivett Celi, Sub-secretary of Social Memory; to Esthelina Quinatoa, curator of the National Reserve; Renee Guaitara, Network Coordinator of Museums, National Museum of Ecuador. To the Faculty of Arts of the Central University of Ecuador, for having facilitated the laboratories to accomplish the research; to Jorge Zamora for the collaboration in the initial ceramic process study. To Arnaud Gérard for his contribution in the acoustic analysis. Thanks also to Santiago Ortiz, research assistant. | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Council for British Archaeology | es_ES |
dc.relation.ispartof | Internet Archaeology | es_ES |
dc.rights | Reconocimiento (by) | es_ES |
dc.subject | Ecuador | es_ES |
dc.subject | Chorrera culture | es_ES |
dc.subject | Ancestral acoustics | es_ES |
dc.subject | Whistle bottle | es_ES |
dc.subject | Sounds by hydraulic action | es_ES |
dc.subject | Video | es_ES |
dc.subject | Audio | es_ES |
dc.subject.classification | ESCULTURA | es_ES |
dc.title | The song of air and water: Acoustic experiments with an Ecuadorian Whistle Bottle (c.900 BC-100 BC) | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.11141/ia.52.2 | es_ES |
dc.rights.accessRights | Abierto | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Departamento de Escultura - Departament d'Escultura | es_ES |
dc.description.bibliographicCitation | Ayala Esparza, MA.; Gallardo Carrillo, GF.; Molina Alarcón, M. (2019). The song of air and water: Acoustic experiments with an Ecuadorian Whistle Bottle (c.900 BC-100 BC). Internet Archaeology. 52:1-26. https://doi.org/10.11141/ia.52.2 | es_ES |
dc.description.accrualMethod | S | es_ES |
dc.relation.publisherversion | https://doi.org/10.11141/ia.52.2 | es_ES |
dc.description.upvformatpinicio | 1 | es_ES |
dc.description.upvformatpfin | 26 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.volume | 52 | es_ES |
dc.identifier.eissn | 1363-5387 | es_ES |
dc.relation.pasarela | S\387034 | es_ES |
dc.description.references | Acosta, L. 1974 José Martì, la América precolombina y la conquista española, Casa de las Américas. | es_ES |
dc.description.references | Bermúdez, E. 1985 Los instrumentos musicales en Colombia (Vol. 7), Universidad Nacional de Colombia. | es_ES |
dc.description.references | Crespo Toral, H. 1966 'Nacimiento y evolución de la botella silbato', Humanitas VI(1), 66-87. | es_ES |
dc.description.references | Cummins, T. 2003 'Nature as culture's representation: a change of focus in Late Formative iconography' in Raymond, J.S. and Burger, R.L. (eds) Archaeology of Formative Ecuador. 423-64. | es_ES |
dc.description.references | de Arce, J. and Gili, F. 2013 'Clasificación Sachs-Hornbostel de instrumentos musicales: una revisión y aplicación desde la perspectiva americana', Revista Musical Chilena, 67(219), 42-80. https://doi.org/10.4067/S0716-27902013000100003 | es_ES |
dc.description.references | de Arce, J.P. 2015 'Flautas arqueológicas del Ecuador', Resonancias 19(37), 47-88. http://resonancias.uc.cl/es/N%C2%BA-37/flautas-arqueologicas-del-ecuador.html | es_ES |
dc.description.references | de Espinoza, A. 2006 Ecuador ancestral: diez mil años del recorrido del hombre en esta mínima parcela del universo llamada Ecuador, Quito: Editorial Softpro. | es_ES |
dc.description.references | Estrada, E., Meggers, B.J. and Evans, C. 1962 'Possible transpacific contact on the coast of Ecuador', Science 135(3501), 371-72. https://doi.org/10.1126/science.135.3501.371 | es_ES |
dc.description.references | Gartelmann, K.D. 2006 Las huellas del jaguar: culturas antiguas en el Ecuador, Trama. | es_ES |
dc.description.references | Gérard, A. 2011 'El Sonagrama. Una representación práctica de los sonidos', Revista Boliviana de Física 18, 37-49. | es_ES |
dc.description.references | Idrovo Urigüen, J. 1987 Instrumentos musicales prehispánicos del Ecuador, Museo Del Banco Central, Cuenca. | es_ES |
dc.description.references | Klumpp, K.M., 2017 Replicación de la pintura iridiscente Chorrera, Repositorio Universidad San Fransisco de Quito. | es_ES |
dc.description.references | Meggers, B.J. and Evans, C. 1957 Archeological Investigations at the Mouth of the Amazon, Bureau of American Ethnology Bulletin 167. | es_ES |
dc.description.references | Ontaneda, S. 2007 Ecuador hitos de su pasado precolombino, Quito, Banco Central Del Ecuador. | es_ES |
dc.description.references | Ortiz, L. 1981 Pasado antiguo del Ecuador: evolución social, Consejo Provincial de Pichincha. | es_ES |
dc.description.references | Scott, J.F. 1998 'El estilo Chorrera y su influencia en los andes septentrionales' in Guinea Bueno, M., Marcos, J. and Bouchard, J.F. (eds) El área septentrional andina: arqueología y etnohistoria, Abya-Yala: IFEA, 277-294. | es_ES |
dc.description.references | Verge, M.P. 1995 Aeroacoustics of confined jets: with applications to the physical modeling of recorder-like instruments, Technische Universiteit Eindhoven. | es_ES |
dc.description.references | Von Hornbostel, E.M. and Sachs, C. 1914 'Systematik der musikinstrumente. Ein versuch', Zeitschrift Für Ethnologie 46(4-5), 553-90. | es_ES |
dc.description.references | Weinstein, E. 2007 'Cosmic gourds: cucurbit and crescentia effigy pottery of coastal Ecuador', Economic Botany 61(4), 315-27. https://link.springer.com/article/10.1663%2F0013-0001%282007%2961%5B315%3ACGCACE%5D2.0.CO%3B2 | es_ES |
dc.description.references | Zeidler, J.A. 2008 'The Ecuadorian Formative' in Silverman, H. and Isbell, W. (eds) The Handbook of South American Archaeology, Springer. 459-88. https://doi.org/10.1007/978-0-387-74907-5_24 | es_ES |