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dc.contributor.author | Marcos, Carlos L. | es_ES |
dc.date.accessioned | 2021-05-03T08:25:55Z | |
dc.date.available | 2021-05-03T08:25:55Z | |
dc.date.issued | 2021-04-30 | |
dc.identifier.issn | 2341-3050 | |
dc.identifier.uri | http://hdl.handle.net/10251/165862 | |
dc.description.abstract | [EN] After World War II a new order emerged amongst the ruins, the devastation and the Allied triumph. The United States, more than any other country, emerged as a new world power with an optimism founded on victory as much as on its untouched territory and on its economy boosted by the military industrial complex. Architecture in the 50s could not avoid being part of the American dream. Would it be possible to find an architectural image to embody such an aspiration? In other words, would it be possible to conceive an architectural iconography tuned with technology, progress, freedom, individualism, and the familiar image for domestic architecture capable of assuming the symbolism and the characteristic optimism of the American way of life? That was the goal pursued by John Entenza, editor of the influential Arts & Architecture journal, and advocate of the Case Study House Program. The glazed box could assume much of the imagery associated with a new way of life for various reasons. Indeed, it served as an iconography for the domestic architecture of the period inspired in industrialisation or in the hybridisation of steel and the balloon-frame constructive system as a pretext diversely reinterpreted in the Case Study Houses later to become icons of a Californian modern domesticity. | es_ES |
dc.description.abstract | [ES] En los años 50, tras el nuevo orden mundial que emergía tras la devastación y el triunfo aliado, Estados Unidos, más que ningún otro país, surgía como nueva potencia con un optimismo fundado tanto en su victoria como en un territorio continental indemne y en una economía catapultada por la industria militar. La arquitectura no podía dejar de formar parte de ese sueño americano, ¿sería posible encontrar una imagen arquitectónica para dicha aspiración? En otras palabras, ¿cuál debía ser la iconografía arquitectónica acorde con la tecnología, el progreso, la libertad, el individualismo y la imagen familiar para una arquitectura doméstica que fuese capaz de asumir la carga simbólica y el optimismo del American way of life? Esa fue la intención de John Entenza, editor de la influyente revista Arts & Architecture y promotor del Programa Case Study House. La caja de cristal podía arrogarse buena parte de la imaginería asociadas a un nuevo modo de vida y, en efecto, sirvió como iconografía californiana para la arquitectura doméstica de la época que encontró en la industrialización o en la hibridación del acero y el sistema constructivo balloon-frame un pretexto para reinterpretar la modernidad de forma diversa en las Case Study Houses, verdaderos iconos de una domesticidad moderna californiana. | es_ES |
dc.description.sponsorship | Quisiéramos agradecer a Tim Street-Porter su generosa contribución autorizando la reproducción de la imagen de la Casa Stahl para la ilustración de este artículo. Asimismo, agradecemos públicamente al Getty Research Institute por el permiso para utilizar imágenes de su archivo de Julius Shulman, a la editorial Taschen por la autorización para la utilización de algunas imágenes publicadas en su obra Case Study Houses. The complete CSH Program, ed. Elizabeth A.T. Smith, al Travers Family Trust y a la revista American Way sin cuyas aportaciones la ilustración del texto no habría sido posible. El presente trabajo se ha desarrollado como parte de un proyecto I+D+I titulado “La representación del tiempo en la expresión gráfica,” con referencia proyecto-emergente-GRE18-10, financiado, en pública concurrencia, por el Vicerrectorado de Investigación y Transferencia de Conocimiento de la Universidad de Alicante. | es_ES |
dc.language | Español | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Universitat Politècnica de València | es_ES |
dc.relation.ispartof | VLC arquitectura. Research Journal | es_ES |
dc.rights | Reconocimiento - No comercial (by-nc) | es_ES |
dc.subject | CSH Program | es_ES |
dc.subject | Arquitectura moderna | es_ES |
dc.subject | American Way | es_ES |
dc.subject | Transparencia | es_ES |
dc.subject | Iconografía postbélica | es_ES |
dc.subject | Modern domestic architecture | es_ES |
dc.subject | Transparency | es_ES |
dc.subject | Post-war iconography | es_ES |
dc.title | CSH Program o el American way of life. Iconos domésticos californianos de los 50 | es_ES |
dc.title.alternative | CSH Program or the American way of life. Californian domestic icons of the 50s | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.4995/vlc.2021.14762 | |
dc.relation.projectID | info:eu-repo/grantAgreement/UA//GRE18-10/ | es_ES |
dc.rights.accessRights | Abierto | es_ES |
dc.description.bibliographicCitation | Marcos, CL. (2021). CSH Program o el American way of life. Iconos domésticos californianos de los 50. VLC arquitectura. Research Journal. 8(1):61-95. https://doi.org/10.4995/vlc.2021.14762 | es_ES |
dc.description.accrualMethod | OJS | es_ES |
dc.relation.publisherversion | https://doi.org/10.4995/vlc.2021.14762 | es_ES |
dc.description.upvformatpinicio | 61 | es_ES |
dc.description.upvformatpfin | 95 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.volume | 8 | es_ES |
dc.description.issue | 1 | es_ES |
dc.identifier.eissn | 2341-2747 | |
dc.relation.pasarela | OJS\14762 | es_ES |
dc.contributor.funder | Universidad de Alicante | es_ES |
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