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dc.contributor.author | Carrascal Pérez, María F. | es_ES |
dc.date.accessioned | 2021-05-03T08:31:02Z | |
dc.date.available | 2021-05-03T08:31:02Z | |
dc.date.issued | 2021-04-30 | |
dc.identifier.issn | 2341-3050 | |
dc.identifier.uri | http://hdl.handle.net/10251/165863 | |
dc.description.abstract | [EN] Given its positive economic, social and urban impact, even with low-cost or low-tech materialization, the urban creativity encouraged by the arts is of great interest today. This narrative reviews one of the most prolific careers in this regard addressing the pioneering work by Doris C. Freedman. The late 1960s and the 1970s, in the context of two financial crises, saw a groundbreaking effort to formalize innovative artistic programs that recycled the obsolete city and integrated local communities in the processes. Doris C. Freedman was the first director of NYC Department of Cultural Affairs, the Public Arts Council, and leader of the organization City Walls. These institutions promoted an unprecedented improvement of the public urban life through the cultural action. Such experiences led Freedman to the conception of her last project, the relevant and, still, ongoing Public Art Fund of New York City. This article focuses on her early professional years, when she began and consolidated herself in the task of legitimizing art as an urban instrument for shaping the city. This research provides a contextualized critical analysis on Freedman’s less-known experimental projects before the foundation of the Public Art Fund, enabling an extraordinary source of inspiration for a current creative city-making. | es_ES |
dc.description.abstract | [ES] Debido a su positiva repercusión económica, social y urbana, incluso con una materialización de bajo coste y escaso desarrollo tecnológico, la creatividad urbana fomentada por las artes es de gran interés en la actualidad. Este texto revisa una de las trayectorias más prolíficas en este sentido, abordando el trabajo pionero de Doris C. Freedman. A finales de la década de 1960 y en la de 1970, en el contexto de dos crisis financieras, se produjo un notable esfuerzo por formalizar programas artísticos innovadores que reciclaran la ciudad obsoleta e integraran a las comunidades locales en sus procesos. Doris C. Freedman fue la primera directora del NYC Department of Cultural Affairs, Public Arts Council, y una de las líderes de la organización City Walls. Estas instituciones promovieron una mejora sin precedentes de la vida pública urbana a través de la acción cultural. Tales experiencias llevaron a Freedman a la concepción de su último proyecto, el relevante y todavía vigente Public Art Fund en la Ciudad de Nueva York. Este artículo se centra en sus primeros años profesionales, en los que se inició y consolidó en la tarea de legitimar el arte como instrumento urbano para conformar la ciudad. La investigación proporciona un análisis crítico contextualizado sobre los proyectos experimentales menos conocidos de Freedman antes de la fundación del Public Art Fund, facilitando una singular fuente de referencias para una regeneración creativa de la ciudad actual. | es_ES |
dc.language | Inglés | es_ES |
dc.publisher | Universitat Politècnica de València | es_ES |
dc.relation.ispartof | VLC arquitectura. Research Journal | es_ES |
dc.rights | Reconocimiento - No comercial (by-nc) | es_ES |
dc.subject | Public art | es_ES |
dc.subject | Public space | es_ES |
dc.subject | Urban art | es_ES |
dc.subject | Urban regeneration | es_ES |
dc.subject | New York City | es_ES |
dc.subject | Arte público | es_ES |
dc.subject | Espacio público | es_ES |
dc.subject | Arte urbano | es_ES |
dc.subject | Regeneración urbana | es_ES |
dc.subject | Nueva York | es_ES |
dc.title | Art and Urban Regeneration in New York City. Doris C. Freedman’s Public Project | es_ES |
dc.title.alternative | Arte y Regeneración Urbana en Nueva York. El Proyecto Público de Doris C. Freedman | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.4995/vlc.2021.12709 | |
dc.rights.accessRights | Abierto | es_ES |
dc.description.bibliographicCitation | Carrascal Pérez, MF. (2021). Art and Urban Regeneration in New York City. Doris C. Freedman’s Public Project. VLC arquitectura. Research Journal. 8(1):97-118. https://doi.org/10.4995/vlc.2021.12709 | es_ES |
dc.description.accrualMethod | OJS | es_ES |
dc.relation.publisherversion | https://doi.org/10.4995/vlc.2021.12709 | es_ES |
dc.description.upvformatpinicio | 97 | es_ES |
dc.description.upvformatpfin | 118 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.volume | 8 | es_ES |
dc.description.issue | 1 | es_ES |
dc.identifier.eissn | 2341-2747 | |
dc.relation.pasarela | OJS\12709 | es_ES |
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