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Introductory Reflections on Perpetrators of Crimes Against Humanity and their Representation in Documentary Film

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Introductory Reflections on Perpetrators of Crimes Against Humanity and their Representation in Documentary Film

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dc.contributor.author Canet Centellas, Fernando Javier es_ES
dc.date.accessioned 2021-05-20T03:34:00Z
dc.date.available 2021-05-20T03:34:00Z
dc.date.issued 2020-03-03 es_ES
dc.identifier.issn 1030-4312 es_ES
dc.identifier.uri http://hdl.handle.net/10251/166531
dc.description.abstract [EN] In recent years the number of diverse forms of cultural productions focused on the perpetrators has increased significantly eliciting thus a turn toward this problematic figure. The originality of these narratives lies in the shift in point of view they propose: their protagonists, rather than being the victims of the atrocities, are instead their perpetrators. A significant number of documentary films examining crimes against humanity from the perpetrators' perspective have been released in the two first decades of this century. This current tendency, which I call 'perpetrator documentary film', together with the growing scholarly interest in the explorations of the perpetrator underscore the timeliness of the present special issue titled 'The Perpetrator of Crimes Against Humanity in Global Documentary Film'. It aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films (2000-2019) in different sociocultural contexts around the world. This article seeks three objectives: First, the contextualization of this especial issue within the already established perpetrator studies. Second, the introduction of different angles from which the complexity of the perpetrator might be explored. Lastly, outlining the special issue introducing the nine articles which together with this introductory article shape this special issue. The documentary films object of study in these articles are contextualized in the following contexts: Indonesian, Cambodian and Rwandan genocides, Chilean and Argentine dictatorship, Spanish Civil War and its aftermaths, Israeli-Palestinian conflict, Nazi legacy, South Africa Apartheid and USA's state perpetrations. es_ES
dc.language Inglés es_ES
dc.publisher Taylor & Francis es_ES
dc.relation.ispartof Continuum. Journal of Media & Cultural Studies es_ES
dc.rights Reserva de todos los derechos es_ES
dc.subject Perpetrator es_ES
dc.subject Perpetration es_ES
dc.subject Documentary film es_ES
dc.subject Mass violence es_ES
dc.subject Genocide es_ES
dc.subject Crimes against humanity es_ES
dc.subject State violence es_ES
dc.subject Human rights violations es_ES
dc.subject Representation es_ES
dc.subject.classification COMUNICACION AUDIOVISUAL Y PUBLICIDAD es_ES
dc.title Introductory Reflections on Perpetrators of Crimes Against Humanity and their Representation in Documentary Film es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.1080/10304312.2020.1737429 es_ES
dc.rights.accessRights Cerrado es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Comunicación Audiovisual, Documentación e Historia del Arte - Departament de Comunicació Audiovisual, Documentació i Història de l'Art es_ES
dc.description.bibliographicCitation Canet Centellas, FJ. (2020). Introductory Reflections on Perpetrators of Crimes Against Humanity and their Representation in Documentary Film. Continuum. Journal of Media & Cultural Studies. 34(2):159-179. https://doi.org/10.1080/10304312.2020.1737429 es_ES
dc.description.accrualMethod S es_ES
dc.relation.publisherversion https://doi.org/10.1080/10304312.2020.1737429 es_ES
dc.description.upvformatpinicio 159 es_ES
dc.description.upvformatpfin 179 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 34 es_ES
dc.description.issue 2 es_ES
dc.relation.pasarela S\424104 es_ES
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