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Photographic Techniques for Urban Art Documentation

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Photographic Techniques for Urban Art Documentation

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dc.contributor.author Rodríguez Navarro, Pablo es_ES
dc.contributor.author Cabezos Bernal, Pedro Manuel es_ES
dc.contributor.author Gil Piqueras, Teresa es_ES
dc.date.accessioned 2021-06-08T03:31:12Z
dc.date.available 2021-06-08T03:31:12Z
dc.date.issued 2020-06 es_ES
dc.identifier.issn 1828-5961 es_ES
dc.identifier.uri http://hdl.handle.net/10251/167456
dc.description.abstract [EN] Urban art or street art, known worldwide as graffiti , has become a form of expression, which often has a great visual impact, and now is being part of the image of almost all cities. The majority of these manifestations are carried out illegally, and they consist of a combination of seemingly disjointed texts, whose main aim is to achieve a sensory distraction, a revolutionary or an anti-system act, instead of having an artistic purpose itself. However, there are other graffiti works that can be considered as masterpieces, since they have an artistic value that is comparable to any piece of art. Another distinctive aspect of graffiti works is its temporary character, so they are ephemeral and non-conservable pieces, since they are exposed to the climate elements. On the one hand, this fact is not necessarily a problem for the vast majority of graffiti, but, in the case of a graffiti masterpiece, it is undeniable that this distinctive feature of mutability, which is an intrinsic part of its artistic objective, should not avoid its correct documentation as a work of art. As its material transience has to be respected, at least, we should document them to preserve its memory and to create a graphic database of urban art masterpieces for future diffusion on other media. The main aim of this contribution is to show different photographic methodologies for the documentation of graffiti on architectural supports. These methodologies have been tested, analysed and evaluated, establishing a suitability criteria according to the conditions in which the works are placed. Finally, some conclusions will be drawn on the di¿erent documentation methodologies for these urban artworks, which are often photographed both in their sequence and in their ¿nal art, without having an adequate architectural graphic record. es_ES
dc.language Otros es_ES
dc.publisher Università di Bologna es_ES
dc.relation.ispartof DisegnareCon es_ES
dc.rights Reconocimiento - No comercial (by-nc) es_ES
dc.subject Urban art es_ES
dc.subject Graffiti es_ES
dc.subject Photogrammetry es_ES
dc.subject Gigapixel es_ES
dc.subject Photography es_ES
dc.subject Stitching es_ES
dc.subject SfM/IM es_ES
dc.subject.classification EXPRESION GRAFICA ARQUITECTONICA es_ES
dc.title Photographic Techniques for Urban Art Documentation es_ES
dc.title.alternative Técnicas fotográficas para la documentación del arte urbano es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.20365/disegnarecon.24.2020.23 es_ES
dc.relation.projectID info:eu-repo/grantAgreement/UPV//SP20180066/ es_ES
dc.rights.accessRights Abierto es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Expresión Gráfica Arquitectónica - Departament d'Expressió Gràfica Arquitectònica es_ES
dc.description.bibliographicCitation Rodríguez Navarro, P.; Cabezos Bernal, PM.; Gil Piqueras, T. (2020). Photographic Techniques for Urban Art Documentation. DisegnareCon. 13(24):1-22. https://doi.org/10.20365/disegnarecon.24.2020.23 es_ES
dc.description.accrualMethod S es_ES
dc.relation.publisherversion https://doi.org/10.20365/disegnarecon.24.2020.23 es_ES
dc.description.upvformatpinicio 1 es_ES
dc.description.upvformatpfin 22 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 13 es_ES
dc.description.issue 24 es_ES
dc.relation.pasarela S\420253 es_ES
dc.contributor.funder Universitat Politècnica de València es_ES


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