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RECH6 - 6th International Meeting on Retouching of Cultural Heritage

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Autor
Entidad UPV
Editorial
- Editorial Universitat Politècnica de València (31)
Patrocinador
- Fundação para a Ciência e a Tecnologia, Portugal (1)
Tipo de contenido
- Capítulo de libro (31)
- Comunicación en congreso (31)
Fuente
- 6th International Meeting on Retouching of Cultural Heritage, RECH6 (31)
- RECH6 - 6th International Meeting on Retouching of Cultural Heritage (31)
Derechos de uso
- Reconocimiento - No comercial - Compartir igual (by-nc-sa) (31)
Tipo de acceso
- Abierto (31)
Palabras clave
Idioma
- Inglés (31)
Fecha de difusión
- 2023 (31)

RECH6 - 6th International Meeting on Retouching of Cultural Heritage

The RECH Biennial Meeting is one of the largest educational and scientific events in the field of Retouching, an ideal venue for conservators and scientists to present the results of their research on retouching. The main focus will be to promote the exchange of ideas, concepts, terminology, methods, techniques and materials applied during the retouching process in different areas of conservation: mural painting, easel painting, sculpture, graphic documentation, architecture, plasterwork, photography, contemporary art, among others.

This Meeting aims to address retouching by encouraging papers that contribute to a deeper understanding the knowledge of this final task of the conservation and restoration intervention. The main theme embraces the concepts of retouching, the criteria and limits in the retouching process, the bad impact of retouching on heritage and its technical and scientific developments. This Meeting will discuss real life approaches to retouching, focusing on practical solutions and on th exchange of experiences.

Envíos recientes

Adapting and Evolving the Traditional Technique of Egg Tempera. Retouching at the Hamilton Kerr Institute

Braybrook, Christine (Editorial Universitat Politècnica de València, 2023-01-11)

[EN] This paper discusses the traditional retouching method of egg tempera, which, amongst other retouching techniques, remains a practised and taught method at the Hamilton Kerr Institute (HKI), University of Cambridge, ...
Remove, repaint or retouch: should the community decided? The case of the outdoor murals of the Riachos village, Portugal.

Chasqueira, Ânia; Ferraz, Ângela; Triães, Ricardo (Editorial Universitat Politècnica de València, 2023-01-11)

[EN] This paper discusses the conservation of murals in Riachos, Portugal. Created in 2012 and 2016 by amateur painters in the context of a religious and ethnographic festival called “Benção do Gado”, a cattle-blessing ...
Indications for the Selection of Retouching Materials Used in Contemporary Practice

Szmit-Naud, Elzbieta (Editorial Universitat Politècnica de València, 2023-01-11)

[EN] The materials used by restorers have to fulfil the criteria of stability and reversibility. For retouching we use artistic materials adopted for this purpose (for example watercolors) and paints specially produced or ...
Problems of Integration in Polychrome Wooden Sculpture, Examples of Repairing Gaps on Large-Sized, Very Incomplete Artefacts

Menon, Sara (Editorial Universitat Politècnica de València, 2023-01-11)

[EN] In this paper I would like to focus the attention on the problems of integration in polychrome wooden sculptures, proposing some examples of repairing losses on large-sized, very incomplete artworks. The artifacts ...
Contact Lenses on the Chromatic Reintegration Process of the Eyeballs of a Wood Sculpture

Bailão, Ana; Bidarra, Ana; Silva Pereira, Bruna; Esperança, Ana Rita; Desterro, Teresa (Editorial Universitat Politècnica de València, 2023-01-11)

[EN] Chromatic reintegration aims to decrease deterioration evidences in the artwork and retrieve the visual interpretation of its iconographic shapes and contents. This case study will focus on the chromatic reintegration ...