dc.contributor.author |
Goodarzparvari, Parnaz
|
es_ES |
dc.contributor.author |
Bueno Camejo, Francisco Carlos
|
es_ES |
dc.contributor.author |
Molina Alarcón, Miguel
|
es_ES |
dc.date.accessioned |
2023-02-28T08:54:52Z |
|
dc.date.available |
2023-02-28T08:54:52Z |
|
dc.date.issued |
2021-12-31 |
|
dc.identifier.uri |
http://hdl.handle.net/10251/192145 |
|
dc.description.abstract |
[EN] Bahman Mohasses is one of the artists who emphasize his unique personal art, style and look in creating his works, both in the field of painting and sculpture. He transcends the superficial and dramatic manifestations of modern schools and at the same time the outward manifestations of the Iranian visual tradition, and finds remarkable success in inventing his personal identity. Critics, friends and followers consider his work to be influenced by the most famous Spanish artist of the twentieth century, Pablo Picasso. Beyond technique and style, the influence of Picasso s personality on him and the spiritual similarities between the two are sometimes astonishing. What sets Mohasses apart from many Iranian artists, in addition to his unique technique among Iranian painters, was his dark and bitter look in his works. Although many of Mohasses early works are technically close to those of European painters of the 1920s and 1930s, their main origins are in Picasso s Cubist style. Perhaps for this reason, many Iranian painters and art critics consider Bahman Mohasses to be the most complete Iranian painter by European standards and even know him as the Iranian Picasso. |
es_ES |
dc.language |
Inglés |
es_ES |
dc.publisher |
Universitat Politècnica de València |
es_ES |
dc.relation.ispartof |
Revista Sonda: Investigación y Docencia en Artes y Letras |
es_ES |
dc.rights |
Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) |
es_ES |
dc.subject |
Pablo Picasso |
es_ES |
dc.subject |
Bahman Mohasses |
es_ES |
dc.subject |
Psychology |
es_ES |
dc.subject |
Influence |
es_ES |
dc.subject |
Artist personality |
es_ES |
dc.title |
From the Caspian sea to Alboran sea; an overview of the personality similarities between Bahman Mohasses and Pablo Picasso |
es_ES |
dc.title.alternative |
Del mar Caspio al mar de Alboran; una visión general de las similitudes de personalidad entre Bahman Mohasses y Pablo Picasso |
es_ES |
dc.type |
Artículo |
es_ES |
dc.identifier.doi |
10.4995/sonda.2021.17828 |
|
dc.rights.accessRights |
Abierto |
es_ES |
dc.contributor.affiliation |
Universitat Politècnica de València. Departamento de Escultura - Departament d'Escultura |
es_ES |
dc.contributor.affiliation |
Universitat Politècnica de València. Facultad de Bellas Artes - Facultat de Belles Arts |
es_ES |
dc.description.bibliographicCitation |
Goodarzparvari, P.; Bueno Camejo, FC.; Molina Alarcón, M. (2021). From the Caspian sea to Alboran sea; an overview of the personality similarities between Bahman Mohasses and Pablo Picasso. Revista Sonda: Investigación y Docencia en Artes y Letras. 10:187-202. https://doi.org/10.4995/sonda.2021.17828 |
es_ES |
dc.description.accrualMethod |
OJS |
es_ES |
dc.relation.publisherversion |
https://doi.org/10.4995/sonda.2021.17828 |
es_ES |
dc.description.upvformatpinicio |
187 |
es_ES |
dc.description.upvformatpfin |
202 |
es_ES |
dc.type.version |
info:eu-repo/semantics/publishedVersion |
es_ES |
dc.description.volume |
10 |
es_ES |
dc.identifier.eissn |
2254-6073 |
|
dc.relation.pasarela |
OJS\17828 |
es_ES |
dc.description.references |
Aghdashloo, A. (1985) From Happiness and Regret, Contemporary Culture Publications, Tehran. |
es_ES |
dc.description.references |
Aghdashloo. A. (2008). Targeted humanity, Tandis Biweekly, 126. |
es_ES |
dc.description.references |
Apele, D. (2017, May). THE CREATIVE INFLUENCE OF PABLO PICASSO ON THE WORKS OF LATVIAN ARTISTS. In SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference (Vol. 4, pp. 15-26). https://doi.org/10.17770/sie2017vol4.2417 |
es_ES |
dc.description.references |
Arjmandi, B. (2013) A Study of the Life and Works of Bahman Mohasses, a Contemporary Iranian Artist, Master Thesis, Faculty of Art and Architecture, Islamic Azad University. |
es_ES |
dc.description.references |
Baghestani, A. (2016). Myths & Modernsim: Bahman Mohasses, Islamic Art. |
es_ES |
dc.description.references |
Bombardier, A. (2016). L'essor d'une avant-garde picturale dans les années 1940 en Iran: premières galeries, associations et revues d'art. Asiatische Studien-Études Asiatiques, 70(4), 1159-1178. https://doi.org/10.1515/asia-2016-0032 |
es_ES |
dc.description.references |
Buchheim, L. (2001) Picasso Life and Art, Translator: Akbar Masoumbeigi, Negah Publishing Institute, 2001 |
es_ES |
dc.description.references |
Dabiri, B. (2008). The green illusion of sea water (Bahman Mohasses); Tandis, 126, 12. |
es_ES |
dc.description.references |
Text and image, interview with Abbas Mashhadizadeh, 2013 |
es_ES |
dc.description.references |
Dabiri, B. (2010). A Breathtaking Situation, Shargh Newspaper, Fifth Year, 1054, 11. |
es_ES |
dc.description.references |
Dadkhah, B. (1964) Interview with Bahman Mohasses, Arash Magazine. |
es_ES |
dc.description.references |
Ettinger, T. (1996). Picasso, Cubism and the Eye of the Beholder: Psychoanalysis and Cognitive Psychology. American Imago, 53(1), 53-89. https://doi.org/10.1353/aim.1995.0012 |
es_ES |
dc.description.references |
Gasman, L. (1981). Mystery, magic and love in Picasso, 1925-1938: Picasso and the surrealist poets (Doctoral dissertation, Columbia University) |
es_ES |
dc.description.references |
Goodarzi, M. (2001) The Search for Identity in Contemporary Iranian Painting, Scientific and cultural publications; Tehran, 2001 |
es_ES |
dc.description.references |
Gott,B., Lopez, D.M. (2005) Encyclopedia of Aesthetics, Academy of Arts. |
es_ES |
dc.description.references |
Greenberg A. (2018), Pablo Picasso (The Man Who Painted Hell), Translator: Goli Emami, Sign Publishing. |
es_ES |
dc.description.references |
Jones, J. (1998). The Influence of Picasso and French Modernist Design on the Work of Francis Bacon (Doctoral dissertation, University of London (Courtauld Institute of Art) |
es_ES |
dc.description.references |
Khalatbari, A. (2017) Bahman: About Bahman Mohasses, Negah Publishing. |
es_ES |
dc.description.references |
Lancaster, R. (2010). Picasso Reviewed: from Fact to Myth. In Poetic Illumination (pp. 55-71). Brill Rodopi. |
es_ES |
dc.description.references |
https://doi.org/10.1163/9789042032088_007 |
es_ES |
dc.description.references |
Literature and Languages (2010) Golestaneh, 106, 20-25 |
es_ES |
dc.description.references |
Mohasses, B. (2000) Man Altamira, Bukhara Magazine, 1 and 2. |
es_ES |
dc.description.references |
Mojabi, J. (1997). Pioneers of Contemporary Iranian Painting (First Generation) Iranian Art Publishing. |
es_ES |
dc.description.references |
Mojabi, J. (2004). Pioneers of Modern Iranian Art, Behjat Sadr; Publications of the Museum of Contemporary Art and the Institute for the Development of Visual Arts; Tehran. |
es_ES |
dc.description.references |
Nahidi, K. (2020). Illness as Political Metaphor in Modernist Arts in Iran. Artl@s Bulletin,9(1), 4. |
es_ES |
dc.description.references |
Powell, J. (2013). Pablo Picasso - a picture from the past. Guardian, 25 October 2013. |
es_ES |
dc.description.references |
Penrose, R. (1981). Picasso: his life and work. Univ of California Press. |
es_ES |
dc.description.references |
Rui, W. (2008). Picasso and Greece: the classical tendency and Greek art influence in 1920-30's. Journal of Nanjing Arts Institute (Fine Arts & Design). |
es_ES |
dc.description.references |
Selvaggi, J., Shahamipour, Sh. (1985) Synthesis of Contemporary Art at the Crossroads of Civilizations / A Look at the Works of Bahman Mohasses |
es_ES |
dc.description.references |
Statton, D. (2012). The'anti-photographic'photography of Pablo Picasso and its influence on the development now known as Cubism |
es_ES |
dc.description.references |
Text and image, interview with Bahman Mohasses, 1994 |
es_ES |
dc.description.references |
Williams, R., & Williams, D. (1996). The influence of Picasso on American printmakers. Print Quarterly, 13(3), 259-286. |
es_ES |
dc.description.references |
Wilson, M. (2004). From obsession to betrayal: the life and art of pablo Picasso. Sexual Addiction & Compulsivity, 11(3), 163-182. https://doi.org/10.1080/10720160490521237 |
es_ES |
dc.description.references |
Zand, R. (2018) Mohassess's Powerful and Profound Minotaur, Contemporary Arab, Iranian & Turkish Art. |
es_ES |