Castelló-Palacios, A.; Montoya, N.; Doménech-Carbó, A.; Guerola Blay, V.; Pérez-Marín, E.; Domenech Carbo, MT. (2022). Valencian red imprimaturs since Francisco Ribalta (1565-1628). Journal of Cultural Heritage. 53:184-189. https://doi.org/10.1016/j.culher.2021.11.010
Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10251/194105
Title:
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Valencian red imprimaturs since Francisco Ribalta (1565-1628)
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Author:
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Castelló-Palacios, Amparo
Montoya, Noemí
Doménech-Carbó, Antonio
Guerola Blay, Vicente
Pérez-Marín, Eva
Domenech Carbo, Mª Teresa
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UPV Unit:
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Universitat Politècnica de València. Facultad de Bellas Artes - Facultat de Belles Arts
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Issued date:
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Abstract:
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[EN] The aim of this study was to confirm the use of an admixture of natural earth and a second unusual Al-rich red pigment in the imprimaturs of paintings that date back to 1600-1660, painted by some of the most outstanding ...[+]
[EN] The aim of this study was to confirm the use of an admixture of natural earth and a second unusual Al-rich red pigment in the imprimaturs of paintings that date back to 1600-1660, painted by some of the most outstanding Valencian Baroque painters. For this purpose, microsamples excised from six paintings were prepared as cross-sections to be analysed by optical microscopy (OM) and field emission scanning electron microscopy-X-ray microanalysis (FESEM-EDX) combined with Fourier Transform Infrared (FTIR) spectroscopy, microRaman spectroscopy and voltammetry of immobilized microparticles (VIMP). Two possible red pigments, red lake or synthetic Mars red could be used by these painters in red imprimaturs mixed with natural earth pigments. This particular technique, identified for the first time in seventeenth-century Valencian paintings of known authorship, is a novel finding than can help in authentication studies of unknown Baroque paintings.
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Subjects:
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Red lake
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Mars red
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Imprimatur
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Valencian painting
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Oil painting
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FESEM-EDX
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Microraman spectroscopy
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Copyrigths:
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Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
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Source:
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Journal of Cultural Heritage. (issn:
1296-2074
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DOI:
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10.1016/j.culher.2021.11.010
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Publisher:
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Elsevier
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Publisher version:
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https://doi.org/10.1016/j.culher.2021.11.010
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Project ID:
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info:eu-repo/grantAgreement/AEI/Plan Estatal de Investigación Científica y Técnica y de Innovación 2017-2020/PID2020-113022GB-I00/ES/APLICACION DE TECNICAS AVANZADAS DE ELECTROQUIMICA DE ESTADO SOLIDO Y MICROSCOPIA EN EL ESTUDIO DE RESTOS ARQUEOLOGICOS DE NATURALEZA ORGANICA/
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Thanks:
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Project PID2020-113022GB-I00 is supported by MCIN/AEI/10.13039/501100011033. The authors wish to also thank Mr. Manuel Planes and Dr. JoseLuis Moya, technical supervisors of the Electron Microscopy Service of the Universitat ...[+]
Project PID2020-113022GB-I00 is supported by MCIN/AEI/10.13039/501100011033. The authors wish to also thank Mr. Manuel Planes and Dr. JoseLuis Moya, technical supervisors of the Electron Microscopy Service of the Universitat Politecnica de Valencia
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Type:
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Artículo
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