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Color Composition Features in Modern Architecture

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Color Composition Features in Modern Architecture

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dc.contributor.author Serra Lluch, Juan es_ES
dc.contributor.author García Codoñer, Ángela es_ES
dc.contributor.author Torres Barchino, Ana María es_ES
dc.contributor.author Llopis Verdú, Jorge es_ES
dc.date.accessioned 2014-10-27T15:00:55Z
dc.date.available 2014-10-27T15:00:55Z
dc.date.issued 2012-04
dc.identifier.issn 0361-2317
dc.identifier.uri http://hdl.handle.net/10251/43602
dc.description This is the pre-peer reviewed version of the following article: Serra, J., García, Á., Torres, A. and Llopis, J. (2012), Color composition features in modern architecture. Color Res. Appl., 37: 126–133. doi: 10.1002/col.20657 which has been published in final form at http://onlinelibrary.wiley.com/doi/10.1002/col.20657/abstract;jsessionid=32EFF118A442D8103D1391F9485EFF4F.f04t02 es_ES
dc.description.abstract The color composition in modern architecture has been often characterized in a simplistic manner. In fact, this is a complex phenomenon to be studied because of the disparity of proposals and the uniqueness of the architects involved. This research starts with a comparative study of three of the most relevant color composition systems in the first half of the 20th century (Purism and Le Corbusier, Expressionism and Taut, Neoplasticism and Rietveld), and aims to find common characteristics among them, discussing the validity of some widespread ideas about it, such as the prominence of white hues, the use of "flat colors," or the conception of color during the ideation phase. We propose and demonstrate three principles that are not categorical about the color composition in modern architecture: it limits the variety of hues; it not only uses white color but also displays color to conform shapes and to transform them; color has ethical connotations and not only aesthetic ones. Copyright © 2011 Wiley Periodicals, Inc. es_ES
dc.language Inglés es_ES
dc.publisher Wiley es_ES
dc.relation.ispartof Color Research and Application es_ES
dc.rights Reserva de todos los derechos es_ES
dc.subject Architecture es_ES
dc.subject Color composition es_ES
dc.subject Color theory es_ES
dc.subject Modern architecture es_ES
dc.subject 20th century es_ES
dc.subject Comparative studies es_ES
dc.subject.classification EXPRESION GRAFICA ARQUITECTONICA es_ES
dc.title Color Composition Features in Modern Architecture es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.1002/col.20657.
dc.rights.accessRights Abierto es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Expresión Gráfica Arquitectónica - Departament d'Expressió Gràfica Arquitectònica es_ES
dc.description.bibliographicCitation Serra Lluch, J.; García Codoñer, Á.; Torres Barchino, AM.; Llopis Verdú, J. (2012). Color Composition Features in Modern Architecture. Color Research and Application. 37(2):126-133. doi:10.1002/col.20657 es_ES
dc.description.accrualMethod Senia es_ES
dc.relation.publisherversion http://dx.doi.org/10.1002/col.20657 es_ES
dc.description.upvformatpinicio 126 es_ES
dc.description.upvformatpfin 133 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.volume 37 es_ES
dc.description.issue 2 es_ES
dc.relation.senia 216878
dc.subject.asignatura Diseño gráfico y cromático para el espacio arquitectónico y urbano 34159 / B-Máster Universitario en Arquitectura es_ES


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