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dc.contributor.author | Galan Cubillo, Esteban | es_ES |
dc.contributor.author | Fernandez Fernandez, Cesareo | es_ES |
dc.date.accessioned | 2014-12-19T19:46:37Z | |
dc.date.available | 2014-12-19T19:46:37Z | |
dc.date.issued | 2011 | |
dc.identifier.issn | 1138-5820 | |
dc.identifier.uri | http://hdl.handle.net/10251/45638 | |
dc.description.abstract | [EN] In 2000, the BBC virtual studios expert, Danny Popkin, criticised the television industry for making a poor use of virtual technology. Ten years later the situation has not improved significantly. So far, virtual studios are seen just as good technological tools to save money and time in the production of news, children's programming, commercials and elections coverage. However, the virtual studio must also enhance realism, improve the presentation of information, and increase entertainment. In order to help broadcasters achieving these goals, this article describes six examples of special television programmes, from 1996 to 2009, which presented some ideas to improve the quality and richness of the audiovisual language. | es_ES |
dc.description.sponsorship | This study has been carried out with the help of the research projects: “New trends and hybridisation in contemporary audiovisual discourses”, financed by the National R&D Plan of the Spanish Ministry of Science and Innovation, for the period 2008-2011 (code CSO2008-00606/SOCI); and the “Current trends in production of television news programmes: between entertainment, spectacle and information”, funded by the Jaume I University and BANCAJA, for the period 2007-2010 (code 07I430-P1 1B2007-26). Both projects are under the direction of Javier Marzal-Felici. | |
dc.language | Inglés | es_ES |
dc.publisher | Universidad de La Laguna (Tenerife, Canarias) | es_ES |
dc.relation.ispartof | Revista Latina de Comunicación Social | es_ES |
dc.rights | Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) | es_ES |
dc.subject | Virtual scenography | es_ES |
dc.subject | Virtual studio | es_ES |
dc.subject | Virtual set | es_ES |
dc.subject | Special television programme. | es_ES |
dc.subject.classification | COMUNICACION AUDIOVISUAL Y PUBLICIDAD | es_ES |
dc.title | Use of virtual sets in the broadcasting of major events | es_ES |
dc.title.alternative | La escenografía virtual en la retransmisión de grandes eventos | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.4185/RLCS-66-2011-924-063-078-EN | |
dc.relation.projectID | info:eu-repo/grantAgreement/MICINN//CSO2008-00606/ES/NUEVAS TENDENCIAS E HIBRIDACIONES DE LOS DISCURSOS AUDIOVISUALES CONTEMPORANEOS./ | es_ES |
dc.relation.projectID | info:eu-repo/grantAgreement/UJI//P1-1B2007-26/ | es_ES |
dc.rights.accessRights | Abierto | es_ES |
dc.contributor.affiliation | Universitat Politècnica de València. Departamento de Comunicación Audiovisual, Documentación e Historia del Arte - Departament de Comunicació Audiovisual, Documentació i Història de l'Art | es_ES |
dc.description.bibliographicCitation | Galan Cubillo, E.; Fernandez Fernandez, C. (2011). Use of virtual sets in the broadcasting of major events. Revista Latina de Comunicación Social. (66):63-78. https://doi.org/10.4185/RLCS-66-2011-924-063-078-EN | es_ES |
dc.description.accrualMethod | S | es_ES |
dc.relation.publisherversion | http://dx.doi.org/10.4185/RLCS-66-2011-924-063-078-EN | es_ES |
dc.description.upvformatpinicio | 63 | es_ES |
dc.description.upvformatpfin | 78 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.issue | 66 | es_ES |
dc.relation.senia | 242805 | |
dc.contributor.funder | Ministerio de Ciencia e Innovación | |
dc.contributor.funder | Universitat Jaume I | |
dc.contributor.funder | Fundación Bancaja |