AL BORDE DE LA DANZA, ESTUDIO E INVESTIGACIÓN DIBUJÍSTICA

Abstract

[EN] The project described below focuses on a drawing dance studio, but giving a different meaning to this, fleeing of theatricality and stage to find the dancer as a human on their strengths and weaknesses, his simplest acts and his everydayness. All of this defines a compendium of drawings without drawing dancing because this is inherent, it breathes beyond the obviousness. This work pretends to demonstrate the skills acquired in the field of drawing as a means of artistic expression throughout the Degree in Fine Arts and how the trajectory through different courses have helped in a better understanding of the human body and its physical and expressive possibilities. In adittion, the personal practice in dance contributes to a better development of the project and provides formal and sentimental information from the inside. The study is organized in a process of subjective and intimate research giving results with a variety of finishes, always using graphite as technique and following a line of figurative work, leaving aside abstract concepts to focus on the reality of the dancer, to see on his skin and his body what is telling us about the distinctive effort and dedication in this world. Finally, we have taken into consideration previous works which put dance as a main theme and has done a preliminary investigation of some selected artists and photographers that inspire this project such as Edgar Degas, Pablo Picasso, Alexander Yakovlev and Annie Leibovitz.

[ES] El proyecto se centra en un estudio dibujístico de la danza, pero dando un sentido distinto a esta, huyendo de la teatralidad y el escenario para encontrar al bailarín como humano en sus fortalezas y debilidades, sus actos más sencillos y su cotidianidad. Todo ello conforma un compendio de dibujos que sin dibujar el baile, este se halla inherente, se respira más allá de la obviedad. Dicho estudio se organiza dentro de un proceso de investigación subjetiva e intimista, ofreciendo resultados de diversidad de acabados utilizando como técnica el dibujo y una línea figurativa. El proyecto forma parte de una serie estructurada en quince láminas enmarcada en un paspartú y presentadas dentro de una carpeta contenedora.