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Technical study of Germolles’ wall paintings: the input of imaging technique

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Technical study of Germolles’ wall paintings: the input of imaging technique

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Degrigny, C.; Piqué, F.; Papiashvili, N.; Guery, J.; Mansouri, A.; Le Goïc, G.; Detalle, V.... (2016). Technical study of Germolles’ wall paintings: the input of imaging technique. Virtual Archaeology Review. 7(15):1-8. https://doi.org/10.4995/var.2016.5831

Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10251/80651

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Title: Technical study of Germolles’ wall paintings: the input of imaging technique
Secondary Title: Estudio técnico de las pinturas murales de Germolles: la contribución de las técnicas de imagen
Author: Degrigny, Christian Piqué, Francesca Papiashvili, Nutsa Guery, Julien Mansouri, Alamin Le Goïc, Gaëtan Detalle, Vincent Martos-Levif, Dominique Mounier, Aurélie Wefers, Stefanie Tedeschi, Cristina Cucchi, Marco Vallet, Jean-Marc Pamart, Anthony Pinette, Matthieu
Issued date:
[EN] The Château de Germolles is one of the rare palace in France dating from the 14th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely ...[+]

[ES] El castillo de Germolles es uno de los raros palacios principescos en Francia que data del siglo XIV. La planta noble está decorada con pinturas murales que son un ejemplo único del amor cortés, ese ...[+]
Subjects: Germolles , Wall paintings , Documentation , Imaging techniques , Painting techniques , Data management , Pinturas murales , Documentación , Tecnicas de imagen , Técnicas pictóricas , Gestión de datos
Copyrigths: Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
Virtual Archaeology Review. (eissn: 1989-9947 )
DOI: 10.4995/var.2016.5831
Universitat Politècnica de València
Publisher version: https://doi.org/10.4995/var.2016.5831
Project ID:
info:eu-repo/grantAgreement/EC/H2020/654028/EU/Integrated Platform for the European Research Infrastructure ON Cultural Heritage/
This project would not have been possible without the financial support by DRAC-Burgundy and the COST Action TD1201: Colour and Space in Cultural Heritage (COSCH) (www.cosch.info) which the authors wish to sincerely thank.[+]
Type: Artículo




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