VIDEOARTE Y APROPIACIONISMO. UNA INVESTIGACION SOBRE EL ERROR Y EL GLICH-ART

Abstract

[EN] The fundamental objective of this research, Videoarte and Appropriationism. An investigation of Error and Glitch-Art. It is to make known the importance of the issue of digital error and appropriationism within the productions of experimental cinema and video art, and its transcendence in today's society. Therefore we analyze how the audiovisual error has ended with the passing of time forming a concept and a proper aesthetic within the area of video art. We will show how in the language of video, the concept of error has evolved towards new technologies. Witnessing how many artists have worked with the concept and the aesthetics of error. We also wanted to give a new approach to the technique of appropriationism, and demonstrate its importance in creating new audiovisual works. Finally showing that the error is a concept that can be used as a tool of artistic expression in the contemporary social and audiovisual context, to deconstruct and question the standardized image and be linked to the exploration of artistic identity

Se realiza una investigación acerca de la historia del videoarte y del apropiacionismo y el arte del eror en el mismo para luego presentar un trabajo de videoarte propio utilizando estas técnicas.