EGA. Vol 18, No 21 (2013): Conversando con... CRUZ y ORTIZ
Tabla de contenidos
- Reseñas de libros
Artículos
- Conversando con... Cruz y Ortiz
- Goethe dibujante de arquitectura
- China frente a occidente. Pensamiento gráfico, imagen y expresión arquitectónica: notas para una comparación
- Técnicas de captura masiva de datos para el levantamiento y modelado de monumentos medievales
- Arne Jacobsen y Louis I. Kahn: dos formas de pensar a través de sus dibujos de la acrópolis de Atenas desde el teatro de Dionisos
- La ética de la impermanencia. El dibujo del tiempo frente al dibujo del espacio. Tange, Iisozaki y Price
- Las caricaturas de los arquitectos
- La estrategia gráfica de Aldo Van Eyck: Los dibujos inéditos de su iglesia Pastoor Van Ars en la Haya.
- Método de restitución fotográfica a partir de elementos circulares mediante uso de arcos tipo B-Splines cónicas, aplicado al "Diorama" de la exposición "La Nova Barcelona" (1934). Aportaciones para su futura museografía
- La Arquitectura Pop. De la razón al significado, pasando por la existencia
- Trazas renacentistas en dos cúpulas de Vandelvira: teoría y praxis.
- Algunas arquitecturas de la A a la Z
- La Torre de las Palomas en el Monasterio de la Murta, estudio y análisis de sus trazas constructivas
- MIES VAN DER ROHE. De los CONCURSOS a las EXPOSICIONES; del FOTOMONTAJE a la técnica del PAPEL PINTADO
- Sorprender, asombrar, desconcertar... para despertar
- Tránsito de intenciones en los dibujos de Aizpúrua y Labayen
- Arquitecturas irreales y perspectiva emocional
- Fortalezas y debilidades de la técnica de levantamiento gráfico con escáner láser para la catalogación del Patrimonio Cultural. Aplicación a la iglesia de San Francisco (Priego de Córdoba)
- Cartografías de la memoria. Aby Warburg y el Atlas Mnemosyne
- Un collage de Jorge Oteiza, croquis de su instituto internacional de investigaciones estéticas comparadas. San Juan de Luz, 1963.
- A propósito de Hockney: consideraciones sobre "el conocimiento secreto"
- Reinventarse o morir. DAI1 en la ETSAM
URI permanente para esta colecciónhttps://riunet.upv.es/handle/10251/32319
Examinar
Envíos recientes
Item type: Artículo , Access status: Abierto , Reseñas de libros(Editorial Universitat Politècnica de València, 2013-09-23) Gómez-Blanco Pontes, Antonio J.; Montes Serrano, Carlos; Tordesillas, Antonio Álvaro; Casado de Amezúa Vázquez, Joaquín; Villanueva Bartrina, Lluís; de Luxán García de Diego, Margarita; García-Escudero, Daniel; Poyatos Sebastian, Javier; Ochoa Gómez, Fernando; Franco Taboada, José Antonio; Casado de Amezúa, Joaquín; Marcos, Carlos L; Jaén i Urbàn, Gaspar; Galván Desvaux, Noelia; Escuela Técnica Superior de Arquitectura; Departamento de Composición Arquitectónica[EN] García Bueno, Antonio. Dibujando la Alhambra y su Entorno (por Antonio J. Gómez-Blanco Pontes) pp. 4.-- Pozo, José M.; García-Diego, Hector y García, Izaskun ( por Carlos Montes Serrano) pp. 5.-- Laura Carlevaris, Mónica Filippa (coordinadoras)(por Antonio Álvaro Tordesillas) pp. 5 y 6.-- Esteve Secall, Carlos E. La ciencia gnomónica en la España del siglo de Oro (por Joaquín Casado de Amezúa Vázquez ) pp. 6 y 7.-- Franco Taboada, José Antonio. Geometría descriptiva para la representación arquitectónica (por Lluís Villanueva Bartrina) pp. 7 y 8.--Raposo Grau, Javier Fco; Butragueño Díaz-Guerra y Paredes Maldonado, Miguel. La ciudad como espacio de relaciones dinámicas (por Margarita de Luxán García de Diego) pp. 8 y 9.-- Castellanos Gómez, Raúl. Plan Poché (por Daniel García-Escudero) pp. 9 y 10.-- Gutiérrez Mozo, María Alia; Castilla Pascual, Francisco Javier y Real Tomás, María del Carmen. 70 años de arquitectura en Albacete: 1936-2006 ( por Javier Poyatos Sebastián) pp. 10 y 11.-- García Sánchez, María Teresa. De la ciudad en vibración al ser resonante: una investigación a propósito de los conciertos de campanas de Llorenç Barber ( por Fernando Ochoa Gómez) pp. 11.-- Pernas Alonso, Inés. Escaleras de piedra en los conjuntos monásticos de la provincia de Ourense entre los siglos xVI y xVIII. Análisis gráfico (por José Antonio Franco Taboada) pp. 12 y 13.-- Rodríguez Moreno, Dª Concepción. El palacio de Pedro I en los Reales Alcázares de Sevilla: estudio y análisis (por Joaquín Casado de Amezúa) pp. 13 y 14.—Jeremías, Pablo y Gutierrez, Juan. Tiempo de arquitectura ( por Carlos L. Marcos) pp. 14 y 15.-- Domingo Gresa, Jorge. El dibujo de arquitectura en la formación de la ciudad de Alicante: Fondo Documental del Archivo Municipal (1691-1860)(por Gaspar Jaén i Urbàn)pp.15.-- García-Solera, Javier. Dibujos y palabras en la habitación tranquila (por Gaspar Jaen) pp. 16 y 17.—Anne Griswold Tyng (1920-2011)( por Noelia Galván Desvaux)pp. 18 y 19 .-- Oscar Niemeyer Un adiós al último maestro del siglo XX(por Noelia Galván Desvaux)pp. 20 y 21Item type: Artículo , Access status: Abierto , Arquitecturas irreales y perspectiva emocional(Editorial Universitat Politècnica de València, 2013) Iñarra Abad, Susana; Juan-Vidal, Francisco; Llinares Millán, María Del Carmen; Departamento de Expresión Gráfica Arquitectónica; Departamento de Organización de Empresas; Escuela Técnica Superior de Arquitectura; Instituto Universitario de Investigación en Tecnología Centrada en el Ser Humano; Instituto Universitario de Restauración del Patrimonio; Escuela Técnica Superior de Ingeniería de Edificación[EN] It is redundant to affirm nowadays that virtua lreality has revolutionized architectural illustration. Seductive, computer-generated perspectives have invaded architectural rendering, mixed with photographs of built architecture, to the exten tthat it is not known (nor is there any desire to know) whether the place they represent exists or not in physical reality. Virtua limages are not only a means of communicating the future project they have become objects of creation, artistic ends in themselves. The architecture project needs to communicate and therefore requires certain communication strategies. Until recently the architect's point of view flooded the architectural expression of the project, now the user is a new filter through which the project must be observed.Item type: Artículo , Access status: Abierto , Tránsito de intenciones en los dibujos de Aizpúrua y Labayen(Editorial Universitat Politècnica de València, 2013) Gómez García, Alejandro[EN] The analysis of the drawings of the Basque architects Jose Manuel Aizpúrua and Joaquín Labayen, preserved in the Archive Labayen of Tolosa, allows us to tack a tour of ideas that passes in paralle lwith the definitive documents o fthe project. We can construct in this way a complete speech o fintentions from the criteria used in every occasion, choice of the type of drawing, used outline, colours, chosen point of view or physiognomy of the figures who give scale to the represented.Item type: Artículo , Access status: Abierto , Sorprender, asombrar, desconcertar... para despertar(Editorial Universitat Politècnica de València, 2013) Mujika, Marte[EN] The use of the teaching resources enabling the surprise, astonishment, even confusion, is an effective teaching strategy to break the myth of the great references and thus facilitate the proximity that the initiated student required to understand.Item type: Artículo , Access status: Abierto , La Torre de las Palomas en el Monasterio de la Murta, estudio y análisis de sus trazas constructivas(Editorial Universitat Politècnica de València, 2013) Sender Contell, Marina; Perelló Roso, Ricardo; Departamento de Expresión Gráfica Arquitectónica; Escuela Técnica Superior de Arquitectura; Departamento de Mecánica de los Medios Continuos y Teoría de Estructuras; Centro de Investigación en Arquitectura, Patrimonio y Gestion para el desarrollo Sostenible[EN] The architectural element with the greatest iconographic significance in the Monasterio de la Murta is the Torre de las Palomas (Dove Tower) And so because of its importance as an architectural and landscape element, before restoration, comprehensive documentation is needed to provide an understanding of the building. As part of the work of interpretation, sufficient graphic documentation has been required to determine the original morphology, especially as regards the interior levels and systems of vertical communication. The data obtained has enabled sections to be redrawn, which has provided an overall perception of existing lines and has made it possible to generate a hypothesis on the tower¿s original construction.Item type: Artículo , Access status: Abierto , Fortalezas y debilidades de la técnica de levantamiento gráfico con escáner láser para la catalogación del Patrimonio Cultural. Aplicación a la iglesia de San Francisco (Priego de Córdoba)(Editorial Universitat Politècnica de València, 2013) Mataix Sanjuán, Jesús; León Robles, Carlos; Montes Tubío, Francisco de Paula[EN] Present and future of Cultural Heritage Surveying are intimately related to Terrestrial Laser Scanner. This technique, still under development despite not being new, is based on the massive, semi-automatic acquisition of precise geometric information with a laser scanner, which conveniently treated provides very realistic models of monuments and sites. In order to analyse its strengths and weaknesses, this technique has been applied to the surveying of the San Francisco Church (Priego de Córdoba), an Asset of Cultural Interest belonging to the Historical-Artistic Area of the old part of this town. The work undertaken and its results show that this is a very powerful technique with great future development expectations, although it presents some problems in data management and in geometrical description of scanned items.Item type: Artículo , Access status: Abierto , Algunas arquitecturas de la A a la Z(Editorial Universitat Politècnica de València, 2013) Bravo de Laguna Socorro, Alberto[EN] This article is not about typography as such. The alphabets selected even violate some dictats governing design in this field. We have extracted some plays on forms designed using the combination of letters and architectural forms. The fonts used in this article could even be considered arbitrary, eccentric, individualistic, free, and in some extreme cases as "typographic jokes", but we prefer to look at values derived from the architectural graphic expression. The final products can be considered as integrated into the architectural graphic expression.Item type: Artículo , Access status: Abierto , Trazas renacentistas en dos cúpulas de Vandelvira: teoría y praxis(Editorial Universitat Politècnica de València, 2013) Castaño Perea, Enrique[EN] The treatise of Alonso de Vandelvira had a significant influence on Spanish and Andalusian Renaissance architecture. The study of two domes attributed to Andrés de Vandelvira, Alonso¿s father, brings us closer to understanding the treatise and the relationship between its theoretical postulates and actual building practice in the sixteenth century. The domes of San Salvador, Úbeda, and of San Sebastián, Alcaraz, both of which are attributed to Vandelvira¿s father, can be studied in the light of the treatise¿s model for a round chapel with rib vault. The theory of the treatise and the practice of these Spanish Renaissance domes are compared in terms of design and building process.Item type: Artículo , Access status: Abierto , La Arquitectura Pop. De la razón al significado, pasando por la existencia(Editorial Universitat Politècnica de València, 2013) Val Fiel, Mónica; Departamento de Expresión Gráfica Arquitectónica; Escuela Técnica Superior de Ingeniería Aeroespacial y Diseño Industrial[EN] The direct influence of art on architecture in the 1950s transferred the abstract, mechanistic and rationalist nature of the first wave Avant-gardes and the Modern Movement to a more concrete, complex and contextual one, starting on a journey through informalist existentialism that culminated in the symbolism of Pop Art. Pop Art was responsible for modifying the connections established between form and content and thus the concept of meaning and the symbolic dimension of architecture acquired a different magnitude. The This is Tomorrow exhibition evidenced the limits, modes and different degrees of collaboration between the arts and the change of paradigm. It questioned the synthesis of the arts and the constructivist movement, endorsing the start of the Modern Movement. Pop Art arrived in Europe with the Independent Group (IG) in Great Britain. The movement began to appear in architecture with Alison and Peter Smithson, and together with contributions from Cedric Price, culminated in the Archigram projects.Item type: Artículo , Access status: Abierto , Método de restitución fotográfica a partir de elementos circulares mediante uso de arcos tipo B-Splines cónicas, aplicado al "Diorama" de la exposición "La Nova Barcelona" (1934). Aportaciones para su futura museografía(Editorial Universitat Politècnica de València, 2013) Santana Roma, Galdric; Àvila Casademont, Genís[EN] Application of a new method for photographic restitution (single shooting) from circular elements present in the projection, through the interactive adaptation of Quadratic B-Spline type (taper) arcs, in order to check the curvature of the cylindric screen that supports the diorama of the exhibition ¿la Nova Barcelona¿, which appears in a photograph from 1934. The result of the refund allow us to complement the knowledge about graphic diorama, provided for future museum exhibition.Item type: Artículo , Access status: Abierto , A propósito de Hockney: consideraciones sobre "el conocimiento secreto"(Editorial Universitat Politècnica de València, 2013) Fraga López, Fernando[EN] In all cultures those people whoa re able to represent reality in a recognizable way have been distinguished as having a "divine gift" and also, in many cases, this fact has provided them with certain priviledges,s tatus and money.This person, ¿half teacher, half wizard¿, will have developed throughout his learning a set of guidelines and methods to carry out his duties and to safeguard the benefi ts his ability has given him. Only in certain cases, will such knowledge be passed on to his disciples, but in many others, the artist will take it with him to the grave.Item type: Artículo , Access status: Abierto , MIES VAN DER ROHE. De los CONCURSOS a las EXPOSICIONES; del FOTOMONTAJE a la técnica del PAPEL PINTADO(Editorial Universitat Politècnica de València, 2013) Martínez García, Santiago José; Lizondo Sevilla, Laura; Santatecla Fayos, José; Bosch Reig, Ignacio; Departamento de Proyectos Arquitectónicos; Escuela Técnica Superior de Arquitectura; Grupo de Investigación en Arte y Arquitectura Contemporánea[EN] One of the most important cultural scenes of the last century has been the media, becoming the laboratory of ideas for a large number of architects and artists. Many of the most famous projects had no customer or specific site; their existence came with the excuse of being displayed and their only tangible survival lies in the graphic and photographic documentation of the time. This paper focuses on the specific case of Mies van der Rohe and it analyses two of his methods of graphic expression used in his German architecture: the photomontages peculiar of his "paper architecture" presented in competitions and the technique of wallpaper, used in some of his exhibitions. These drawn architectures, created for theoretical or temporary contexts, were the ones that gave Mies the necessary impetus to make him one of the most important architects of the twentieth century.Item type: Artículo , Access status: Abierto , Técnicas de captura masiva de datos para el levantamiento y modelado de monumentos medievales(Editorial Universitat Politècnica de València, 2013) Buill Pozuelo, Felipe; Nuñez Andres, M Amparo; Regot Marimón, Joaquín[EN] Before starting a rehabilitation project for a monument the graphic information about it has to be available. Nowadays, different techniques allow us to obtain three-dimensional models with a different accuracy level and runtimes. This paper shows the work carried out to generate the graphic information as complete as possible (vertical and horizontal maps, sections and 3D models) for the rehabilitation of the tomb of Queen Elisenda in the Pedralbes Monastery, Barcelona (Spain). Laser scanning, photogrammetry and topography have been used for the data capture. That data will allow the analysis of the monument construction process. The models from photogrammetry and laser scanning will be compared.Item type: Artículo , Access status: Abierto , Conversando con... Cruz y Ortiz sobre el proceso de Ideación Gráfica de la Arquitectura(Editorial Universitat Politècnica de València, 2013) Gámiz Gordo, Antonio[EN] Antonio Cruz and Antonio Ortiz got their degrees from the School of Architecture in Madrid in the early 70¿s. From that moment on they have worked together in Seville, and since 2000 they also have a studio in Amsterdam.Their prolific work, awarded with almost 25 honors, has been the object of many exhibitions and publications. They have gained more than 20 prizes in architectural competitions, both national and international. They possess academic experience as professors in Schools in Seville, Zurich, Harvard, Cornell, Lausanne, Pamplona, and Columbia, and they both have given countless lectures all over the world.This interview was taken on a Wednesday evening in September 14th 2011. It focuses on the process of architectural graphic ideation, with questions formulated by the architect Antonio Gámiz Gordo, who also transcribed the answers. He is a former student-collaborator in their office in 1986, and nowadays is a Senior Lecturer at the Seville School of Architecture.Item type: Artículo , Access status: Abierto , Goethe dibujante de arquitectura(Editorial Universitat Politècnica de València, 2013) Calduch Cervera, Juan[EN] If a dilettante is who executes art just for pleasure without professional purpose, the connoisseur is who enjoys it as eager for knowledge. Architecture is an art which doesn't admit a dilettante practice due to its complexity. Goethe was a drawing dilettante, even architectural, but he could only be a culture damateur of architecture. The Palladian architecture's track was left on his architectonic drawings being influenced by his admiration over them.Item type: Artículo , Access status: Abierto , La ética de la impermanencia. El dibujo del tiempo frente al dibujo del espacio. Tange, Iisozaki y Price(Editorial Universitat Politècnica de València, 2013) Jerez, Fernando[EN] Faced with the representation of space, the representation of time has been essential, during the twentieth century. We propose a journey through time that takes us from Tokyo to London in a kind of round trip between the two cities between 1955 and 1970. We propose a review of three architects, the japaneses Kenzo Tange and Arata Isozaki, and British Cedric Price, which is manifested in a new architectural paradigm as a synthesis of interdisciplinary artistic, philosophical or scientific theories ¿ the Uncertainty principle by Heisenberg, the graphic proccesses of John cage, or Gordon Pask¿s cybernetics ¿ where the architect, from his deep understanding of the impossibility, in unstable socio-economic conditions, designs with a degree of uncertainty to accommodate the uncertainties of the program, the obsolete and radical changes in use during the life of the building ¿ to verify the potential of uncertainty in the postindustrial society and contemporary design strategies.Item type: Artículo , Access status: Abierto , China frente a occidente. Pensamiento gráfico, imagen y expresión arquitectónica: notas para una comparación(Editorial Universitat Politècnica de València, 2013) Bigas Vidal, Montserrat; Bravo, Luis; Fernández, Angélica; Contepomi, Gustavo[EN] Traditional Chinese philosophy differs from Western thought in its essentially holistic conception of reality: it casts no separation between object and subject. The western method, essentially in mastery of nature, functions by analysing every isolated component in the objects of its study. Material progress has gradually extended this approach onto every aspect of our activity, while the East has always maintained its contextual and global standpoint and, as a result, a harmonious relationship with the world we inhabit. The scientific view successfully coexists with this empathetic and contemplative outlook. We shall set to understand the essence of the aforementioned difference by observing the aspects of drawing, painting and poetry in Chinese script. We will see the other, still present, traditional conception of the world surface in the way the contemporary architectural project is currently tackled and, especially, communicated.Item type: Artículo , Access status: Abierto , Cartografías de la memoria. Aby Warburg y el Atlas Mnemosyne(Editorial Universitat Politècnica de València, 2013) Tartás Ruiz, Cristina; Guridi Garcia, Rafael[EN] In 1905, Aby Warburg, a german art historian of Jewish origin interested in western classical culture proposes a heuristic research method on memory and images. Holder of a huge image catalogue, Warburg devises a procedure to investigate and represent unobvious relations system trough collage and montage: the Bilderatlas Mnemosyne. Process allows replacing of images or introducing new elements to establish new relationship, an open & infinite procedure that creates a personal cartography thus making possible new constant rereading. Barely developed due to his premature death, Aby Warburg¿s lessons permeate all the coming visual culture.Item type: Artículo , Access status: Abierto , Las caricaturas de los arquitectos(Editorial Universitat Politècnica de València, 2013) Amado, Antonio[EN] Playful drawings by architects have not received the same attention as those they produce for their projects, despite this use of their graphic weapons in their personal lives providing us with a deeper understanding of their personalities. It is interesting to examine the drawings by architects who were caricature fans, such as Aalto, Le Corbusier, Jacobsen, Siza, Fehn and Sota, drawn when observing other architects with irony or tenderness.Item type: Artículo , Access status: Abierto , Arne Jacobsen y Louis I. Kahn: dos formas de pensar a través de sus dibujos de la acrópolis de Atenas desde el teatro de Dionisos(Editorial Universitat Politècnica de València, 2013) Vallespín Muniesa, Aurelio[EN] A reflection on Arne Jacobsen and Louis I. Kahn¿s ideas and architecture, by comparing two drawings of the Acropolis of Athens, made from a very similar point of view, the theatre of Dionysus.