VLC arquitectura. Research Journal - Vol. 02, núm. 2 (2015)

Tabla de contenidos



  • Editorial


    • Artículos de investigación

    • The Palais des Machines of 1889. Historical-structural Reflections
    • Jacques Polieri: Kinetic Theatre Space
    • Renaissance Architecture of Central Scheme: Jerónimo Quijano and his Immediate Environment


    Reseñas

    • L’architettura della Compagnia di Gesù in Italia XVI-XVIII sec. Luciano PATETTA [et al.]

    URI permanente para esta colecciónhttps://riunet.upv.es/handle/10251/70717

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    • Miniatura
      Item type: Artículo , Access status: Abierto ,
      Editorial
      (Universitat Politècnica de València, 2015-10-29) Domingo Calabuig, Débora; Departamento de Proyectos Arquitectónicos; Escuela Técnica Superior de Arquitectura
      Editorial del Vol 2 (2015) de VLC arquitectura. Research Journal.
    • Miniatura
      Item type: Artículo , Access status: Abierto ,
      The Palais des Machines of 1889. Historical-structural Reflections
      (Universitat Politècnica de València, 2015-10-29) Estévez Cimadevila, Javier; López César, Isaac
      [EN] The Galerie des Machines of 1889 is present in most books on the history of architecture. There are, however, certain aspects of this building that merit a more in-depth study. Other elements have been incorrectly described in current and contemporary publications about the building. The aim of this article is to examine the place this building occupies in the historical development of metal arch structures, its precedents and the influence it has exerted on later buildings of a similar structure. On the other hand, there have also been contradictions concerning the materials used in the erection of the structure and the reasons behind using them, as well as the exact span achieved. This article will unequivocally resolve these issues.
    • Miniatura
      Item type: Artículo , Access status: Abierto ,
      Renaissance Architecture of Central Scheme: Jerónimo Quijano and his Immediate Environment
      (Universitat Politècnica de València, 2015-10-29) López González, Antonio Luis
      [EN] Throughout History, many large burial chapels (religious or memorial) with centralized floor plan and independent character have arisen. Jerónimo Quijano, Renaissance Spanish architect, posited certain dual approach; on the one hand, the Renaissance ideal of central scheme and, on the other hand, the direct integration of the duo header-nave without added interstitial element. In this scope, two clear examples of the evolution of Quijano’s architectural proposal in the ancient Cartagena Diocese’s nucleus have been selected:The collegiate church of San Patricio in Lorca, Murcia: an original project (in pursuit of an autonomous central scheme) is a Renaissance monumental temple whose apse has a ‘visual and radial permeability’ towards its ambulatory, the final alteration of its centrality and the modification of the morphology of its apse in order to connect it to the nave transept and therefore articulating the constructive elements of both bodies; thereby ensuring their architectural integration.The Santiago’s parish church in Jumilla, Murcia: entails the full integration (composite floor plan) between a traditional Christian Gothic nave and a renaissance header of three-lobed central plan. Centrality focuses on its header, which in turn contains the transept.As references to Quijano´s architectural approach in his Hispanic environment, it should reflect upon certain reminiscences to Renaissance works in Eastern Andalusia, his direct influence in the Government of Orihuela and subsequently some of his possible influences in the Valencian territory
    • Miniatura
      Item type: Reseña , Access status: Abierto ,
      Review: L’architettura della Compagnia di Gesù in Italia XVI-XVIII sec. Luciano Patteta et al
      (Universitat Politècnica de València, 2015-10-29) Navarro Catalan, David Miguel; Escuela Técnica Superior de Arquitectura; Departamento de Composición Arquitectónica
      Review of a basic and reference monograph to study the architecture of the Society of Jesus.
    • Miniatura
      Item type: Artículo , Access status: Abierto ,
      Jacques Polieri: Kinetic Theatre Space
      (Universitat Politècnica de València, 2015-10-29) Prieto López, Juan Ignacio
      [EN] Between the First and Second World War the definition of the new type of theater building was one of the main tasks of the European Avantgarde. In its design and theoretical formulation were poets, playwrights, theater directors, architects, painters, actors, engineers… from different countries and art movements. Despite the collaboration of the leading members of the Avant-garde like Marinetti, Moholy-Nagy, Kiesler, El Lissitzky, Gropius… none of these proposals were built because of their radical and utopian characteristics. It was a young French theater director, Jacques Polieri, who became the main compiler and prompter of those proposals in postwar Europe in two issues of the French journal Aujourd´hui, art et architecture. The first of them published in May 1958, under the title “Cinquante ans de recherches dans le spectacle” collected the most important experiences in theory, scenography, technic, and theater architecture in the interwar period. Polieri worked with different architects in several projects for theater buildings, whose main feature was the mobility of all their elements and components, trying to get a dynamic experience during the performance. Those proposals related to Kinetic Art, were published in a second issue of Aujourd´hui, art et architecture entitled “Scénographie Nouvelle” in October 1963