Loggia, Arquitectura & Restauración - No 02 (1997)
Tabla de contenidos
Artículos
- ¿Congelar el pasado o construir desde la historia?
- La conservación del patrimonio arquitectónico en Norteamérica. Historia de una biblioteca
- La Restauración del Templo I “Gran Jaguar” de Tikal (Guatemala)
- La Sinagoga del Tránsito Rehabilitación del Museo Sefardí. Toledo
- Restauración de las Cuevas del Conventico en Melilla
- Metodología para la investigación cromática del patrimonio. EL PLAN DEL COLOR DE MELILLA
- Criterios y metodologías para la conservación y restauración de los revestimientos y el color en la arquitectura
- Los trabajos de restauración en la cúpula de Santa María del Fiore. FLORENCIA
- La piedra caliza de la catedral de Murcia
- Talleres de campo sobre patrimonio histórico arquitectónico La Cartuja de Vall de Christ (Castellón) y las Cuevas de Paterna (Valencia)
URI permanente para esta colecciónhttps://riunet.upv.es/handle/10251/108256
Examinar
Envíos recientes
Item type: Artículo , Access status: Abierto , Talleres de campo sobre patrimonio histórico arquitectónico La Cartuja de Vall de Christ (Castellón) y las Cuevas de Paterna (Valencia)(Universitat Politècnica de València, 1997-05-09) Noguera, Juan Francisco; Vegas López-Manzanares, Fernando; Escuela Técnica Superior de Arquitectura; Departamento de Composición Arquitectónica; Centro de Investigación en Arquitectura, Patrimonio y Gestion para el desarrollo Sostenible[ES] Sin resumenItem type: Artículo , Access status: Abierto , La piedra caliza de la catedral de Murcia(Universitat Politècnica de València, 1997-05-09) Vera Boti, Alfredo[EN] As the problems of conservation of stone are common to the vast majority of restoration works, it is important to study and compare the interventions carried out on different monuments. This article on the restoration carried out by the architect Alfredo Vera Botí on Murcia Cathedral completes the article on the Direction Plan published in the first issue of LOGGIA with a more detailed description, and specification on the organization of the works.Item type: Artículo , Access status: Abierto , Los trabajos de restauración en la cúpula de Santa María del Fiore. FLORENCIA(Universitat Politècnica de València, 1997-05-09) Dalla Negra, Riccardo[EN] Recent years have seen a great architectural and pictoric restoration operation to salvage one of the most emblematic edifices in the history of architecture: the dome of the church of Santa Maria del Fiore, built by Brunelleschi in the first half of the 14th century. The architect Dalla Negra gives a passionate description of the complex restoration process both of the masonry and the paintings on the intrados and a detailed account of the organization of the work, with special attention to the scaffolding.Item type: Artículo , Access status: Abierto , Criterios y metodologías para la conservación y restauración de los revestimientos y el color en la arquitectura(Universitat Politècnica de València, 1997-05-09) Gallego Roca, Javier[EN] Javier Gallego Roca reflects on the value of plaster, colour and patina on buildings of historic architecture and analyses the composition of the different plasters according to the needs of each case. He finally revises the most recent restoration experiences in plaster and colour on Roman architecture, with their problems and solutions.Item type: Artículo , Access status: Abierto , Metodología para la investigación cromática del patrimonio. EL PLAN DEL COLOR DE MELILLA(Universitat Politècnica de València, 1997-05-09) Casadevall Serra, Joan[EN] Today more and more cities are paying special attention to the colour of plaster when undertaking the rehabilitation of their historic centres. The architect Joan Casadevall, director of Gabinete de Color, a studio with a great deal of experience in studies on urban chromatism, explains the Colour Scheme for Melilla, a city that will celebrate in 1997 the 5th Centenary of Spanish presence there, demonstrating once again that the colour of historic architecture is closely linked to the styles and ways of working of each period and place, and that its investigation must be carried out not in a haphazard fashion but very methodically.Item type: Artículo , Access status: Abierto , Restauración de las Cuevas del Conventico en Melilla(Universitat Politècnica de València, 1997-05-09) Vellés Arquitectos, Estudio[EN] The citadel of Melilla, an example of military architecture that reached its greatest splendour in the 17th century, was declared a Monumental Ensemble in 1953. There are vestiges of underground architecture from the last third of the 18th century which have played an important role as a refuge since then. The restoration of the ruins of Cuevas del Conventico was initiated in 1990, because their state of repair posed a threat to the citadel. The studies, maps and project carried out by the team captained by the architect Javier Vellés display enormous sensitivity and constitute a strong, cultured image that melds in with the Melilla landscape and contributes to its characterization on its 5th Centenary.Item type: Artículo , Access status: Abierto , La Sinagoga del Tránsito Rehabilitación del Museo Sefardí. Toledo(Universitat Politècnica de València, 1997-05-09) Bravo Durá, Carmen; Martínez Ramos, Jaime[EN] According to architects Carmen Bravo and Jaime Martínez, authors of the restoration and this article, seldom have there been cases of historic buildings used as museums in which the container surpasses the content, not because of the latter’s lack of value, but because of the enormous value of the former. The main aim of restoration is to approach the building as a museum-piece in its own right, recovering spaces, illumination and circulation. The intervention eliminates constructive pathologies on the building, restores space, resolves its functionality as a museum and provides new installations, not altering the museum but respecting its historic value.Item type: Artículo , Access status: Abierto , La Restauración del Templo I “Gran Jaguar” de Tikal (Guatemala)(Universitat Politècnica de València, 1997-05-09) Muñoz Cosme, Gaspar; Escuela Técnica Superior de Arquitectura; Departamento de Composición Arquitectónica; Centro de Investigación en Arquitectura, Patrimonio y Gestion para el desarrollo Sostenible[EN] The Mayan city of Tikal, which reached its greatest splendour in the 7th and 8th centuries of our era, was declared Cultural Heritage of Humanity in 1979 by UNESCO and a Universal Monument in 1986. Temple I at Tikal, also known as the “Great Jaguar” Temple is the emblem of the city of Tikal today. Gaspar Muñoz, architect, explains the interesting restoration works performed on Temple I between 1992 and 1996, describing the difficult preservation problems typical of this type of architecture and the objectives that should be included in a restoration programme.Item type: Artículo , Access status: Abierto , La conservación del patrimonio arquitectónico en Norteamérica. Historia de una biblioteca(Universitat Politècnica de València, 1997-05-09) Ozcáriz, Iñaki; Lindstrom, Kathleen[EN] In this article, we present as an introduction the situation of restoration in the United States and, as a specific example, the successive reforms and amplifications of a small library by Henry H. Richardson, whose history reflects significant phenomena connected with restoration in this country. The importance of the author and his architectural expertise made this one of the most admired buildings of its time and one whose influence has been decisive.Item type: Artículo , Access status: Abierto , ¿Congelar el pasado o construir desde la historia?(Universitat Politècnica de València, 1997-05-09) García Ros, Vicente; Escuela Técnica Superior de Arquitectura; Departamento de Composición ArquitectónicaLa intervención en centros históricos sigue levantando polémica entre arquitectos, historiadores y público en general. Determinar el alcance de nuestras ejecuciones, más aún, legitimar la actuación sobre el legado arquitectónico de nuestros antepasados, plantea cuestiones todavía no del todo resueltas. Conservar la ciudad histórica tal como nos ha sido entregada o, por el contrario, actuar decididamente sobre ella con arquitecturas actuales vendrían a ser dos posturas extremas y antagónicas. La cuestión de fondo es en qué medida somos deudores de nuestro pasado y, por tanto, dónde fijar los límites de nuestros derechos y obligaciones respecto de la ciudad a la hora de actuar sobre ella.