9º Congreso Internacional de Arquitectura Blanca - CIAB 9

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https://riunet.upv.es/handle/10251/140079

La Cátedra Blanca de Valencia ha programado la celebración en la Universidad Politécnica de Valencia del 9º Congreso Internacional de Arquitectura Blanca durante el mes de marzo de 2020.

En cada edición, exponen en el congreso una selección de los mejores estudios a nivel internacional que están trabajando con el hormigón como materia principal de sus proyectos. Los proyectos presentados responden a diversas economías, emplazamientos y funciones, pero comparten el denominador común de haber sido concebidos todos ellos en hormigón.

El Congreso se complementa además con una serie de comunicaciones que aportan una gran cantidad de obras arquitectónicas que completan el gran compendio de obras expuestas en los tres días de Congreso. Las comunicaciones al congreso no sólo tienen un carácter autobiográfico, sino que se realizan comunicaciones de carácter histórico, teórico o tecnológico, mostrando también las últimas novedades desarrolladas por las empresas del ámbito del hormigón.

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In each edition of the Congress a selection of the best international architecture studios that are working with concrete as the main subject of their projects will be exhibited through a series of conferences. Likewise, the presented projects respond to diverse economies, locations and functions, but all share the common denominator of having been conceived in concrete.

The communications of the 9th International Congress of White Architecture (9º Congreso Internacional de Arquitectura Blanca, CIAB 9) not only have an autobiographical character of a built project, but also a historical, critical, theoretical or technological nature, showing the latest developments developed by companies in the field of concrete.

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Now showing 1 - 5 of 26

Arquitectura Dinamizante: La Arquitectura como DInamizador Económico - La Nucia, Alicante. España
(Editorial Universitat Politècnica de València, 2020-04-06T11:52:17Z) Campos Rosique, Jose-Luis
[EN] The idea of the project arises from the generation of a dynamic, open and collaborative space that seeks to attract talent and train it on an ongoing basis. A social meeting point, capable of modifying the character of the industrial estate where it is located thanks to the pull effect. Our project is a faceted hexagonal rock, which sits on a promontory and looks onto the besy view of the landscape of the region, appeasing them. Like an origami the exposed, textured concrete walls fold on themselves, playing with their planes and with the light inputs, causing the sun to highlight the folds of their facade, generating a dynamic effect of shadow games that modify the ediftion throughtout the day. The stairway articukates or organizes the building allowing presentation like TED TALK to take place, and become a social interaction of the centre, this space frames the sky turning into a cascade of light that invades everything. The support spaces arise around it: studios, workshops and offices. Behind it a large collaborative work room open to the outside, generating small terraces of inter-relationship between colleagues.
Pabellón de usos múltiples y piscina en campus académico. Cambio de rumbo hacia un crecimiento subterráneo. Barcelona. Spain
(Editorial Universitat Politècnica de València, 2020-04-06T11:45:12Z) Capapé Aguilar, Ignacio; Orgaz Domínguez, Justo
Como la propia ciudad, el interior de un Campus es un entorno en constante desarrollo. Se ha propuesta una intervención arquitectónica en pleno proceso de crecimiento de un campus académico en una operación de reconquista del carácter original de un lugar mediante la convivencia de la edificación y la vegetación corrigiendo una trayectoria en la que edificar suponía incrementar consumo energético y reducir vegetación, a una trayectoria en la que el lugar se ve enriquecido con nueva edificación que aumenta los niveles de actividad humana, con una presencia de vegetación que busca el sentido del lugar y un consumo energético controlado, tendente a cero.
Tres texturas para tres proyectos - Campolivar and Rocafort, Valencia. Spain
(Editorial Universitat Politècnica de València, 2020-04-06T11:39:16Z) Altarriba Comes, Antonio
[EN] We propose a vision of how to work white concrete through three projects, which respond to different solutions applied in each of them. First texture: exposed white concrete plank formwork without sanding: Campolivar House. In this project we sought to texture the volumes that shaped building, using the natural stone of the masonry and white concrete. The aim was to generate a stone podium on which a white concrete sculpture appeared, with a more coarse treatment of concrete. Second texture: exposed white sanded concrete seen sanded plank formwork: Hervás house. The project consists of two boxes displaced from each other, sincere to their generating idea as to their materiality, there should only be one material: white concrete, but treated in a more abstract way that looks like plaster from a distance. Third texture: exposed white sanded concrete plank formwork with random shadow lines: Casa de la Roca: This project explores the integration of the building with the landscape on which it sits. The aim is that the concrete, formwork is applied concrete on a nearby scale is sophisticated, for this the smooth plank formwork But from a distance it also has texture, the reason why shadow lines are applied.
Casa en el acantilado. Materialidad y horizonte: entre lo liso y lo estriado. La Móra, Tarragona. España
(Editorial Universitat Politècnica de València, 2020-04-06T11:32:12Z) Fernández González, Mario
[EN] The development of this project aims to re-establish this primitive and sensitive connection in intimate relation with the landscape. Thus, Sverre Fehn and Jorn Utzon use conceptual mechanisms such as platforms and the horizon with which they design and work to initiate a relationship that involves idea-concept, language and design in relation to the landscape, revealing the respect and dialogue tied to it, giving the place quality and sensations linked with the visual domain on the immediate and territorial landscape. In a certain way, the project that is presented follows this idea, to turn the gaze to the horizon, housing and involving the users of the landscape to which they are linked, looking to the sea horizon that establishes juxtapositions while creating tension between the close and the distant, between the physical and ethereal, between the perceptive and haptic, between the conscious and unconscious, between the learnt and the experienced, searching for that contact but also that confrontation - as S. Fehn would say – with nature itself for the shaping and characterization of the place.
Casa S&O - Benicàssim, Castellón. España
(Editorial Universitat Politècnica de València, 2020-04-06T11:25:41Z) Sanahuja Rochera, Vicente
[EN] The S&O House is located in surroundings highlighted by the serene image of the Mediterranean Sea. The front of the plot borders the coast, and this proximity determines the main strategies planned for this assignment. The Mediterranean spirit of these surroundings was transferred to the design by designing the house on the basis of its relationship with the elements closest to hand: the sea, the light, the landscape and Mediterranean culture in general. The programme was developed on three levels through a simple composition and based on an appropriate use of materials, where the volumes of exposed concrete framing the landscape acquire special prominence

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