Juan Muñoz and the canon: a process of recognition and validation

Vista sencilla de ítem
dc.contributor.authorGranero-Ferrer, Alejandroes_ES
dc.contributor.funderEuropean Commissiones_ES
dc.contributor.funderMinisterio de Universidadeses_ES
dc.contributor.funderUniversitat Politècnica de Valènciaes_ES
dc.date.accessioned2026-02-23T11:05:36Z
dc.date.available2026-02-23T11:05:36Z
dc.date.issued2025es_ES
dc.description.abstract[EN] This article examines the process of consolidating the recognition of the sculptor Juan Mu & ntilde;oz (Madrid, 1953) within the contemporary art canon. Drawing on key contributions from literary theory and the sociology of art, the analysis focuses on the last decades of the twentieth century and the early twenty-first, and situates Mu & ntilde;oz's inclusion within a specific historical and cultural framework shaped by the complexities of the artistic field. The article begins by introducing key concepts regarding the dynamics of artistic canons and the principles that regulate their evolution. It then examines Mu & ntilde;oz's artistic oeuvre in relation to key indicators of canonicity, such as the national-universal axis, his aesthetic innovation and his engagement with tradition. The following section, structured around the artist's chronology, examines additional factors, including the accumulation of cultural and social capital and its strategic deployment within the artistic field. Finally, the article assesses the trajectory of Mu & ntilde;oz's recognition following his premature death in 2001, as well as the current state of his artistic legacy.en_EN
dc.description.accrualMethodSes_ES
dc.description.bibliographicCitationGranero-Ferrer, A. (2025). Juan Muñoz and the canon: a process of recognition and validation. World Art. 15(3):365-387. https://doi.org/10.1080/21500894.2025.2513666es_ES
dc.description.issue3es_ES
dc.description.referencesArraz Manel and Anna Solana dirs. 2011. Juan Muñoz poeta del espacio. Documentary. RTVE. Accessed January 2 2025. https://www.rtve.es/play/videos/imprescindibles/juan-munoz-poeta-del-espacio/5913770/.es_ES
dc.description.referencesBloom, Harold. 1994. The Western Canon: The Books and School of the Ages. New York: Harcourt Brace.es_ES
dc.description.referencesBOE (Boletín Oficial del Estado). 2001. “Orden de 22 de 2000 por la que se conceden los Premios Nacionales de Artes Plásticas y Fotografía correspondientes al año 2000.” Boletín Oficial del Estado no. 18 (January 20): 2542.es_ES
dc.description.referencesBourdieu, Pierre. 1990a. “El campo literario: prerrequisitos críticos y principios de método.” Translated by Desiderio Navarro. Criterios 25–28:20–42.es_ES
dc.description.referencesBourdieu, P. (1990). The Logic of Practice. Stanford University Press. https://doi.org/10.1515/9781503621749es_ES
dc.description.referencesBowness, Alan. 1989. The Conditions of Success: How the Modern Artist Rises to Fame. London: Thames and Hudson.es_ES
dc.description.referencesEliot, T. S. 2014. The Complete Prose of T. S. Eliot: The Critical Edition. Volume 2: The Perfect Critic, 1919–1936. Baltimore: Johns Hopkins University Press and Faber and Faber.es_ES
dc.description.referencesFowler, A. (1979). Genre and the Literary Canon. New Literary History, 11(1), 97. https://doi.org/10.2307/468873es_ES
dc.description.referencesFurió, Vicenç. 2022. “fama y prestigio: cómplices necesarios y decisivos.” In Artistas y reconocimiento: Un enfoque sociológico, edited by Vicenç Furió, and Núria Peist, 15–42. Gijón: Trea.es_ES
dc.description.referencesGoogle Arts & Culture. 2023. “Doubletake: Collective Memory and Current Art.” Accessed December 17 2024. https://artsandculture.google.com/story/doubletake-collective-memory-and-current-art/TAXx2hljC1HALQ.es_ES
dc.description.referencesGoytisolo, Juan. 1978. Disidencias. Barcelona: Seix Barral.es_ES
dc.description.referencesGuasch, Anna María. 2005. el arte último del siglo xx: del posminimalismo a lo multicultural. Madrid: Alianza.es_ES
dc.description.referencesJuanpere, Diana. 2022. “Death effect. más allá de las cotizaciones.” In Artistas y reconocimiento: Un enfoque sociológico, edited by Vicenç Furió, and Núria Peist, 355–88. Gijón: Trea.es_ES
dc.description.referencesKrauss, Rosalind E. 1981. Passages in Modern Sculpture. Cambridge, MA: MIT Press.es_ES
dc.description.referencesLangfeld, Gregor. 2018. “The Canon in Art History: Concepts and Approaches.” Journal of Art Historiography, no. 19 (December 2018): 1–18.es_ES
dc.description.referencesMuñoz, Juan, Neal Benezra, Michael Brenson, Paul M. Schimmel, Olga Viso, and Stephanie D’Alessandro. 2001. Juan Muñoz. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, and Art Institute of Chicago, in association with the University of Chicago Press.es_ES
dc.description.referencesMuñoz, Juan, and James Lingwood. 1996. Monólogos y Diálogos / Monologues & Dialogues. Madrid: Museo Nacional Centro de Arte Reina Sofía (MNCARS).es_ES
dc.description.referencesMuñoz, Juan, Bartomeu Marí, and James Lingwood. 2005. La voz sola: Esculturas, dibujos y obras para la radio. Madrid: La Casa Encendida.es_ES
dc.description.referencesMuñoz, Juan, and Adrian Searle. 2009. Writings/Escritos. Madrid: Museo Nacional Centro de Arte Reina Sofía (MNCARS).es_ES
dc.description.referencesPeist, Núria. 2012. El éxito en el arte moderno: trayectorias artísticas y proceso de reconocimiento. Madrid: Abada.es_ES
dc.description.referencesPozuelo Yvancos, José M. 2006. “Canon e historiografía literaria.” Mil Seiscientos Dieciséis: Anuario de Literatura Comparada 11:17–28.es_ES
dc.description.sponsorshipGrants for the Requalification of the Spanish University System 2021-2023, Margarita Salas programme for the training of young PhDs, awarded through the Polytechnic University of Valencia (UPV), Ministry of Universities, Recovery, Transformation and Resilience Plan - Funded by the European Union - NextGenerationEU.es_ES
dc.description.upvformatpfin387es_ES
dc.description.upvformatpinicio365es_ES
dc.description.volume15es_ES
dc.identifier.doi10.1080/21500894.2025.2513666es_ES
dc.identifier.issn2150-0894es_ES
dc.identifier.urihttps://riunet.upv.es/handle/10251/232848
dc.languageIngléses_ES
dc.publisherGrupo Taylor y Francises_ES
dc.relation.ispartofWorld Artes_ES
dc.relation.pasarelaS\574622es_ES
dc.relation.publisherversionhttps://doi.org/10.1080/21500894.2025.2513666es_ES
dc.rightsReserva de todos los derechoses_ES
dc.rights.accessRightsCerradoes_ES
dc.subjectJuan Muñozes_ES
dc.subjectCanones_ES
dc.subjectRecognitiones_ES
dc.subjectSculpturees_ES
dc.subjectContemporary artes_ES
dc.subjectBourdieues_ES
dc.titleJuan Muñoz and the canon: a process of recognition and validationes_ES
dc.typeArtículoes_ES
dc.type.versioninfo:eu-repo/semantics/publishedVersiones_ES
dspace.entity.typePublicationes_ES
upv.uuidd94de658-b8d1-41d3-be66-4db91616d628es_ES

Archivos

Bloque original

Mostrando 1 - 1 de 1
Miniatura
Nombre:
Granero-Ferrer - Juan Munoz and the canon a process of recognition and validation.pdf
Tamaño:
1022.63 KB
Formato:
Adobe Portable Document Format
Descripción:
Versión editorial
Descargar

Colecciones

Artículos, conferencias, monografías