Facing the perpetrator's legacy: post-perpetrator generation documentary films

dc.contributor.affiliationDepartamento de Comunicación Audiovisual, Documentación e Historia del Arte
dc.contributor.affiliationFacultad de Bellas Artes
dc.contributor.affiliationGrupo de Comunicación, Arte y Cultura Visual
dc.contributor.authorMORAL MARTIN, FRANCISCO JAVIER
dc.contributor.authorBayer, Gerdes_ES
dc.contributor.authorCanet Centellas, Fernando Javier
dc.date.accessioned2024-02-05T19:02:16Z
dc.date.available2024-02-05T19:02:16Z
dc.date.issued2020-03-03es_ES
dc.description.abstract[EN] The aim of this article is to address a transversal topic within perpetrator studies: how subsequent generations deal with the legacy of their perpetrator ancestors. To achieve it, we analyse six recent documentary films, all produced between 2015 and 2018 that cover four different contexts: Nazi Germany, the Spanish Civil War, and the Chilean and Argentine dictatorships. Through a comparative methodological approach, our focus is on finding similarities that define this global trend through the exploration of two closely related phenomena: (1) Personal responses and social responsibility and (2) Family dynamics. One important outcome of this new cinematic tendency, that we call the 'post-perpetrator generation documentary film', is that by accepting their relatives' involvement, the perpetrator's offspring are able to recover their personal identity, and also to reintegrate their personal experience into a broader historical context. Indeed, the social sphere is an important focus in post-perpetrator generation documentary films, because a major part of the perpetrator's legacy involves social responsibility to the past, but especially to the future: concern for next generations is the ethical motivation of the post-perpetrator generation.en_EN
dc.description.accrualMethodSes_ES
dc.description.bibliographicCitationMoral Martin, FJ.; Bayer, G.; Canet Centellas, FJ. (2020). Facing the perpetrator's legacy: post-perpetrator generation documentary films. Continuum. Journal of Media & Cultural Studies. 34(2):255-270. https://doi.org/10.1080/10304312.2020.1737436es_ES
dc.description.issue2es_ES
dc.description.upvformatpfin270es_ES
dc.description.upvformatpinicio255es_ES
dc.description.volume34es_ES
dc.identifier.doi10.1080/10304312.2020.1737436es_ES
dc.identifier.issn1030-4312es_ES
dc.identifier.urihttps://riunet.upv.es/handle/10251/202335
dc.languageIngléses_ES
dc.publisherTaylor & Francises_ES
dc.relation.ispartofContinuum. Journal of Media & Cultural Studieses_ES
dc.relation.pasarelaS\424103es_ES
dc.relation.publisherversionhttps://doi.org/10.1080/10304312.2020.1737436es_ES
dc.rightsReserva de todos los derechoses_ES
dc.rights.accessRightsAbiertoes_ES
dc.subjectPerpetratores_ES
dc.subjectSecond generationes_ES
dc.subjectThird generationes_ES
dc.subjectLegacyes_ES
dc.subjectAuthoritarian regimees_ES
dc.subjectDocumentary filmes_ES
dc.subjectPost-memoryes_ES
dc.subject.classificationCOMUNICACION AUDIOVISUAL Y PUBLICIDADes_ES
dc.titleFacing the perpetrator's legacy: post-perpetrator generation documentary filmses_ES
dc.typeArtículoes_ES
dc.type.versioninfo:eu-repo/semantics/publishedVersiones_ES
dspace.entity.typePublication
person.identifier102045
person.identifier115340
person.identifier.orcid0000-0001-5498-4883
person.identifier.orcid0000-0002-1455-9249
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