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Transformando Bankside

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Transformando Bankside

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dc.contributor.author Pérez Asperilla, Estíbaliz es_ES
dc.date.accessioned 2018-09-11T06:51:47Z
dc.date.available 2018-09-11T06:51:47Z
dc.date.issued 2017-10-23
dc.identifier.isbn 9788490485736
dc.identifier.uri http://hdl.handle.net/10251/106968
dc.description.abstract [EN] Bankside is a clear example of urban revitalization since, despite being considered one of the most polluted areas of London, it has managed to transform itself into a worldefamous Cultural District thanks to the bet and investment in different artistic creations. Not only empty and disused buildings have been rehabilitated, giving rise to important artistic centers such as the conversion of its former power station into what is now known as the Tate Modern – one of the most important contemporary art galleries of Europe –, but art goes out illustrating walls, facades and giving life to areas that are still waiting for their next regeneration. The city involves citizens by offering a Cultural District that reinvents itself constantly giving them the possibility of being not mere spectators, but that they immerse themselves into the history and culture of the District becoming themselves creators and artists and inviting them to form part of the activities that take place in different festivals such as Merge or London Design Festival. Many of the installations and works are temporary and/or perishable. Nevertheless, some of the works that flourish along its streets and squares have gained their permanence like the sanctuary of the Crossbones Graveyard. This paper is part of the research Five senses of London Cultural District, which forms part of the Excellence Project 2016e 2018 Cultural Districts: images and imaginaries in the revitalization process of urban locations (Ref. HAR2015e66288eC4e2eP, I+D National Plan). es_ES
dc.description.abstract [ES] Bankside is a clear example of urban revitalization since, despite being considered one of the most polluted areas of London, it has managed to transform itself into a worldefamous Cultural District thanks to the bet and investment in different artistic creations. Not only empty and disused buildings have been rehabilitated, giving rise to important artistic centers such as the conversion of its former power station into what is now known as the Tate Modern – one of the most important contemporary art galleries of Europe –, but art goes out illustrating walls, facades and giving life to areas that are still waiting for their next regeneration. The city involves citizens by offering a Cultural District that reinvents itself constantly giving them the possibility of being not mere spectators, but that they immerse themselves into the history and culture of the District becoming themselves creators and artists and inviting them to form part of the activities that take place in different festivals such as Merge or London Design Festival. Many of the installations and works are temporary and/or perishable. Nevertheless, some of the works that flourish along its streets and squares have gained their permanence like the sanctuary of the Crossbones Graveyard. es_ES
dc.format.extent 7 es_ES
dc.language Español es_ES
dc.publisher Editorial Universitat Politècnica de València es_ES
dc.relation.ispartof Glocal [codificar, mediar, transformar, vivir] III Congreso Internacional de Investigación en Artes Visuales es_ES
dc.rights Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) es_ES
dc.subject Bankside es_ES
dc.subject Transformación es_ES
dc.subject Participación ciudadana es_ES
dc.subject Distrito cultural es_ES
dc.subject Transformation es_ES
dc.subject Public participation es_ES
dc.subject Cultural district es_ES
dc.title Transformando Bankside es_ES
dc.title.alternative Transforming Bankside es_ES
dc.type Capítulo de libro es_ES
dc.type Comunicación en congreso es_ES
dc.identifier.doi 10.4995/ANIAV.2017.4831
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Pérez Asperilla, E. (2017). Transformando Bankside. En Glocal [codificar, mediar, transformar, vivir] III Congreso Internacional de Investigación en Artes Visuales. Editorial Universitat Politècnica de València. 869-875. https://doi.org/10.4995/ANIAV.2017.4831 es_ES
dc.description.accrualMethod OCS es_ES
dc.relation.conferencename III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL es_ES
dc.relation.conferencedate Julio 06-07,2017 es_ES
dc.relation.conferenceplace Valencia, Spain es_ES
dc.relation.publisherversion http://ocs.editorial.upv.es/index.php/ANIAV/ANIAV2017/paper/view/4831 es_ES
dc.description.upvformatpinicio 869 es_ES
dc.description.upvformatpfin 875 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.relation.pasarela OCS\4831 es_ES


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