- -

Art and Science in the Age of Digital Reproduction: From Mimetic Representation to Interactive Virtual Reality

RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

Compartir/Enviar a

Citas

Estadísticas

  • Estadisticas de Uso

Art and Science in the Age of Digital Reproduction: From Mimetic Representation to Interactive Virtual Reality

Mostrar el registro completo del ítem

Frischer, B. (2011). Art and Science in the Age of Digital Reproduction: From Mimetic Representation to Interactive Virtual Reality. Virtual Archaeology Review. 2(4):19-32. https://doi.org/10.4995/var.2011.4544

Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10251/139385

Ficheros en el ítem

Metadatos del ítem

Título: Art and Science in the Age of Digital Reproduction: From Mimetic Representation to Interactive Virtual Reality
Autor: Frischer, Bernard
Fecha difusión:
Resumen:
[EN] This paper places the digital humanities generally and virtual archaeology in particular into the larger context of the evolution of the arts and sciences from antiquity through the Middle Ages and Renaissance to the ...[+]


[ES] Este artículo sitúa a las humanidades digitales en general y a la arqueología virtual en particular dentro del largo contexto de la evolución de las artes y las ciencias desde la antigüedad a través de la Edad Media ...[+]
Palabras clave: Arqueología virtual , C.P. snows two cultures , Artes y ciencias , Virtual archaeology , Arts and sciences
Derechos de uso: Reconocimiento - No comercial - Sin obra derivada (by-nc-nd)
Fuente:
Virtual Archaeology Review. (eissn: 1989-9947 )
DOI: 10.4995/var.2011.4544
Editorial:
Universitat Politècnica de València
Versión del editor: https://doi.org/10.4995/var.2011.4544
Tipo: Artículo

References

ANON. (2006): "L'invenzione della prospettiva," in L'uomo del rinascimento. Leon Battista Alberti e le arti a Firenze tra ragione e bellezza. Mandragora. Florence. pp. 371-378.

ANON. (2009A): "Non-Euclidean Geometry," [online] http://en.wikipedia.org/wiki/Non-euclidian_geometry [Consulted: 4-3-09].

ANON. (2009B): "Mirror Neuron," [online] http://en.wikipedia.org/wiki/Mirror_neurons [Consulted 4-6-09]. [+]
ANON. (2006): "L'invenzione della prospettiva," in L'uomo del rinascimento. Leon Battista Alberti e le arti a Firenze tra ragione e bellezza. Mandragora. Florence. pp. 371-378.

ANON. (2009A): "Non-Euclidean Geometry," [online] http://en.wikipedia.org/wiki/Non-euclidian_geometry [Consulted: 4-3-09].

ANON. (2009B): "Mirror Neuron," [online] http://en.wikipedia.org/wiki/Mirror_neurons [Consulted 4-6-09].

ANGLIN, W. S. (1996): Mathematics. A Concise History and Philosophy, corrected second printing edition. Springer Verlag. New York.

BENJAMIN, Walter (1968): "The Work of Art in the Age of Mechanical Reproduction," in Illuminations. Essays and Reflections, edited and with an Introduction by Hannah Arendt. Shocken Books. New York, p. 217-252; [online] www.marxists.org/reference/subject/

philosophy/works/ge/benjamin.htm [Consulted: 9/1/08].

BORDALEJO, Barbara (2006): "Stemmatics," [online] www.textualscholarship. org/stemmatics/index.html [Consulted: 9-1-08].

BORGMAN, Christine L. (2007): Scholarship in the Digital Age. Information, Infrastructure, and the Internet. MIT Press. Cambridge, MA.

COPERNICUS, Nicholas (1978): On the Revolutions, edited by Jerzy Dobrzycki with translation and commentary by Edward Rosen. Palgrave. Baltimore.

CROSBY, Alfred W. (1997): The Measure of Reality. Quantification and Western Society, 1250-1600. Cambridge University Press. Cambridge.

DUE, Casey and Ebbott, Mary (2007): "The Homer Multitext Project," [online] http://chs.harvard.edu/chs/homer_multitext [Consulted: 4-5-09].

DUPRE , Louis (1993): Passage to Modernity. Yale University Press. New Haven.

ECO, Umberto (1992): Interpretation and Overinterpretation. Cambridge University Press. Cambridge.

FEINGOLD, Mordechai (2004): The Newtonian Moment. Oxford University Press. New York.

FIORANI, Francesca (2004): "Leonardo da Vinci & His Treatise on Painting," [online] www.treatiseonpainting.org/ [Consulted: 4-5-09].

FRISCHER, Bernard (2006): "New Directions for Cultural Virtual Reality. A Global Strategy for Archiving, Serving and Exhibiting 3D Computer Models of Cultural Heritage Sites," Virtual Retrospect 2005 (Biarritz, 2006) 168-175, [online] www.iath.virginia.edu/~bf3e/revision/pdf/ VR_Frischer2005.pdf .

FRISCHER, Bernard (2008): "From Digital Illustration to Digital Heuristics," in Beyond Illustration: 2D and 3D Technologies as Tools of Discovery in Archaeology, edited by Bernard Frischer and Anastasia Dakouri-Hild, BAR International Series 1805. Archaeopress. Oxford, pp v-xxiv.

FRISCHER, Bernard and Anastasia Dakouri-Hild, editors. (2008). Beyond Illustration: 2D and 3D Technologies as Tools of Discovery in Archaeology, BAR International Series 1805. Archaeopress. Oxford.

GADAMER, Hans-Georg (1960): Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik. J.C.B. Mohr (Paul Siebeck).Tubingen.

GALILEI, Galileo (1957): "The Starry Messenger," in Stillman Drake, editor and translator, Discoveries and Opinions of Galileo. Doubleday. New York, pp. 21-58.

GINGERICH, Owen (2005): The Book Nobody Read. Walker Publishing. New York.

GRANT, James (2008): "The Buck Stopped Then," The New York Times, September 24, 2008, p. A31.

GRENDLER, Paul F. (2002): The Universities of the Italian Renaissance. Johns Hopkins University Press. Baltimore and London.

GUIDI, Gabriele, Frischer, Bernard, et al. (2007): "Rome Reborn-Virtualizing Ancient Imperial Rome," [online], www.commission5.isprs.org/3darch07/pdf/guidi_etal.pdf [Consulted: 4-1-09].

GUIDI, Gabriele, Frischer, Bernard, et al. (2008): "Virtualising Ancient Imperial Rome: From Gismondi's Physical Model to a New Virtual Reality Application," International Journal of Digital Culture and Electronic Tourism 1, nos. 2-3, pp. 240-252.

HARRIS, Edward C. (1989): Principles of Archaeological Stratigraphy. Academic. London.

HAWKINSON, Tim (2008). Interview of Tim Hawkinson, [online] www.pbs.org/art21/artists/hawkinson/clip2.html [Consulted: 9-1- 08].

HUIZINGA, Johan (1955): Homo ludens. A Study of the Play Element in Culture. Beacon Press. Boston.

IACOBONI, Marco (2008): Mirroring People. The New Science of How We Connect with Others. Farrar, Strauss and Giroux. New York.

IVINS, William Mills (1973): On the Rationalization of Sight, with an Examination of Three Renaissance Texts on Perspective. Da Capo Press. New York.

JOHNSON, Steven (2005): Everything Bad Is Good for You. Penguin Group. New York.

KANT, Immanuel (1982): The Critique of Judgment, translated by James Creed Meredith. Oxford University Press. Oxford.

KEMP, Martin (1990): The Science of Art. Optical Themes in Western Art from Brunelleschi to Seurat. Yale University Press. New Haven and London.

KLINE, Morris (1967): Mathematics for the Nonmathematician. Dover. New York.

KOLLER, David and Levoy, Marc (2005): "Computer-aided Reconstruction and new Matches in the Forma Urbis Romae," Bullettino Della Commissione Archeologica Comunale di Roma, Supp. 15, pp. 103-125.

KOLLER, David, Trimble, Jennifer, Najbjerg, Tina, Gelfand, Natasha, and Levoy, Marc, (2006): "Fragments of the City: Stanford's Digital Forma Urbis Romae Project," Proc. Third Williams Symposium on Classical Architecture, Journal of Roman Archaeology Suppl. 61, pp. 237- 252.

KOLLER, David (2008): "Virtual Archaeology and Computer-aided Reconstruction of the Severan Marble Plan," in Beyond Illustration: 2D and 3D Technologies as Tools of Discovery in Archaeology, edited by Bernard Frischer and Anastasia Dakouri-Hild, BAR International Series 1805. Archaeopress. Oxford, pp. 125-133.

KRISTELLER, Paul O. (1990): "The Modern System of the Arts," in Renaissance Thought and the Arts. Princeton University Press. Princeton, pp. 163-227.

KUHN, Thomas (1970): The Structure of Scientific Revolutions, second edition. University of Chicago Press. Chicago.

KUNG, Han (1996): Christianity: Essence, History, and Future. Continuum International Publishing Group. New York.

KUSUKAWA, Sachiko (1999): "Copernicus' Book," [online] www.hps.cam.ac.uk/starry/ coperbooks.html [Consulted: 9-1-08].

LE GOFF, Jacques (1993): Intellectuals in the Middle Ages, translated by T.L. Fagan. Harvard University Press. Cambridge, MA.

LEFF, Gorden (1992): "The Trivium and the Three Philosophies," in A History of the University in Europe, volume 1: Universities in the Middle Ages, general editor Walter Ruegg, edited by H. De Ridder-Symoens. Cambridge University Press. Cambridge, pp. 307-335.

LUCAS, Christopher J. (2006): American Higher Education. A History, second edition. Palgrave. New York.

MACH, Ernst (1914): The Analysis of Sensations and the Relationship of the Physical to the Psychical, translated by C. M. Williams. The Open Court Publishing Company. Chicago and London.

NETZ, Reviel and William Noel (2007): The Archimedes Codex. Da Capo Press. Philadelphia.

MILLINER, Matthew J. (2008): "Apophatic Beauty," September 10, 2008, [online] www. firstthings.com/onthesquare/?p=1166 [Consulted: 9-1-08].

NEWTON, Isaac (1687): Philosophiae naturalis principia mathematica. Royal Society. London.

ONG, Walter (1958): Ramus, Method, and the Decay of Dialogue. Harvard University Press. Cambridge, MA.

ONG, Walter (1962): The Barbarian Within. Macmillan. New York.

POJMAN, Paul (2008): "Ernst Mach," in Stanford Encyclopedia of Philosophy [online] http://plato.stanford.edu/entries/ernst-mach/ [Consulted: 9-1-08].

POPPER, Karl (1965). The Logic of Scientific Discovery. Harper Torchbooks. New York.

REISS, Timothy (2000). "From Trivium to Quadrivium: Ramus, Method, and Mathematical Technology," in The Renaissance Computer, edited by Neil Rhodes, Jonathan Sawday (Routledge, London: 2000), pp. 45-58.

SCHIAVO, Laura Burd (2003): "From Phantom Image to Perfect Vision," in New Media, 1740-1915, edited by Lisa Gitelman and Geoffrey B. Pingree. MIT Press. Cambridge, MA and London, pp. 113-138.

SEIDEL-MENCHI, Silvana (1987): Erasmo in Italia, 1520-1580. Bollati Boringhieri. Turin.

SELLBERG, Erland Sellberg (2006): "Petrus Ramus," in Stanford Encyclopedia of Philosophy, [online] http://plato.stanford.edu/entries/ramus/ [Consulted: 9-1-08].

SMITH, Peter K., editor (1984): Play in Animals and Humans. Basil Blackwell. Oxford.

SNOW, C.P. (1969): "The Two Cultures: A Second Look," in The Two Cultures: and A Second Look. Cambridge University Press. Cambridge.

SVANAES, Dag (2000): Understanding Interactivity - Steps to a Phenomenology of Human-Computer Interaction. Ph.D. (Dr.Philos.) in Computer Science, NTNU, Trondheim.

TAPSCOTT, Don and Williams, Anthony D. (2006): Wikinomics: How Mass Collaboration Changes Everything. Portfolio. New York.

WAGNER, Caroline (2008): The New Invisible College. Brookings Institution Press. Washington, D.C.

WEINBERG, Alvin M. (1961): "Impact of Large-Scale Science on the United States," Science 134, no. 3473, pp. 161-164.

http://dx.doi.org/10.1126/science.134.3473.161

WEST, Martin L. (1973): Textual Criticsm and Editorial Technique. Teubner. Stuttgart.

WESTMAN, Robert (2008): "Copernicus," Encyclopedia Britannica, [online] http://search.eb. com/shakespeare/print?articleId=105759&fullArticle=true&tocId=8437.

WOIT, Peter (2006): Not Even Wrong: The Failure of String Theory and the Search for Unity in Physical Law. Basic Books. New York.

ZIMAN, John (1978): Reliable Knowledge. Cambridge University Press. Cambridge.

[-]

recommendations

 

Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro completo del ítem