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Proyecciones y texturas. Una aproximación a la Performance Audiovisual "Borders"

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Proyecciones y texturas. Una aproximación a la Performance Audiovisual "Borders"

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Schuch Brunet, K. (2022). Proyecciones y texturas. Una aproximación a la Performance Audiovisual "Borders". ANIAV - Revista de Investigación en Artes Visuales. (10):17-29. https://doi.org/10.4995/aniav.2022.17305

Por favor, use este identificador para citar o enlazar este ítem: http://hdl.handle.net/10251/182728

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Title: Proyecciones y texturas. Una aproximación a la Performance Audiovisual "Borders"
Secondary Title: Projections and textures. An approach to the Audiovisual Performance "Borders"
Author: Schuch Brunet, Karla
Issued date:
Abstract:
[EN] This paper proposes a discussion about projections, their different textures and theirs social and political implications. It is a sample of projects carried out in different parts of the world that had the support ...[+]


[ES] Este artículo propone una discusión sobre proyecciones, sus distintas texturas y implicaciones social y política. Es una muestra de proyectos realizados en diferentes lugares del mundo que tienen el suporte de la ...[+]
Subjects: Video projections , Video mapping , Media public art , Projections , Borders , Walk , Nature , Videoproyecciones , Videomapping , Fronteras , Caminata , Naturaleza
Copyrigths: Reconocimiento (by)
Source:
ANIAV - Revista de Investigación en Artes Visuales. (eissn: 2530-9986 )
DOI: 10.4995/aniav.2022.17305
Publisher:
Universitat Politècnica de València
Publisher version: https://doi.org/10.4995/aniav.2022.17305
Type: Artículo

References

Anderson, B. R. O. (1991). Imagined communities: reflections on the origin and spread of nationalism (Rev. and e). London; New York: Verso.

Cubitt, S. (2007). Precepts for digital artwork. In: MARCHESSAULT, J.; LORD, S. (Org.). Fluid Screens, Expanded Cinema. Toronto: University of Toronto Press. https://doi.org/10.3138/9781442684355-018

Cubitt, S. (2009). El camino (no camino). In Ana Botella Diez del Corral (Ed.), There is no road. The road is made by walking. Gijón: Laboral. [+]
Anderson, B. R. O. (1991). Imagined communities: reflections on the origin and spread of nationalism (Rev. and e). London; New York: Verso.

Cubitt, S. (2007). Precepts for digital artwork. In: MARCHESSAULT, J.; LORD, S. (Org.). Fluid Screens, Expanded Cinema. Toronto: University of Toronto Press. https://doi.org/10.3138/9781442684355-018

Cubitt, S. (2009). El camino (no camino). In Ana Botella Diez del Corral (Ed.), There is no road. The road is made by walking. Gijón: Laboral.

Demos, T. J. (2016). Decolonizing Nature: Contemporary Art and the Politics of Ecology. Berlin: Sternberg Press.

Krenak, A. (2019). Ideias para adiar o fim do mundo. São Paulo: Companhia das Letras.

Mirza, K., & Butler, B. (2011). On Expanded Cinema. In A. L. Rees, D. Curtis, D. White, & S. Ball (Eds.), Expanded cinema: art, performance, film. London: Tate Publishing.

O’Rourke, K. (2016). Walking and Mapping. Artists as Cartographers. Cambridge, Massachusetts, London, England: MIT Press.

Rhodes, L. (2011). Unfolding a Tale: On the Impossibility of Recovering the Original Meanings. In A. L. Rees, D. Curtis, D. White, & S. Ball (Eds.), Expanded cinema: art, performance, film. London: Tate Publishing.

Sherwin, G., & Loo, L. (2011). “Live Cinema.” In A. L. Rees, D. Curtis, D. White, & S. Ball (Eds.), Expanded cinema: art, performance, film. London: Tate Publishing.

Youngblood, G. (2007). Expanded Cinema. Community Media: International Perspectives. New York: P. Dutton & Co.

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