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EGA. Vol 17, No 19 (2012): Conversando con... OSCAR NIEMEYER: Enviados recientemente

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    ESPEJOS ROTOS "LA IMAGEN SIN FORMA" 
    Celaya, Patxi (Editorial Universitat Politècnica de València, 2012-06-30)
    [EN] What is has no name. What has a name is not. The question of the reflection of reality is on the base of our own cultures. The construction of the language, the patrimony of the artistic reflection of the above mentioned ...
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    EL GRECO CARTÓGRAFO: VISTA Y PLANO DE TOLEDO (1608-1614) 
    Calduch Cervera, Juan (Editorial Universitat Politècnica de València, 2012-06-30)
    [EN] El Greco¿s painting View and Plan of Toledo and, especially, the outlined plan included in it is one of the first drawn floor plans of Spanish cities. Its accuracy and quality is only comparable to the military plans ...
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    EL ENSANCHE DE LA PLAZA DE LA CATEDRAL DE OVIEDO DE 1927. Estudio y restitución gráfica 
    Alonso, Marta (Editorial Universitat Politècnica de València, 2012-06-30)
    [EN] Among the internal reform processes made in the early twentieth century in Oviedo, one of the most important is the transformation undertaken in the Cathedral Square, with the demolition of the houses opposite the ...
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    EL DIBUJO ANÓNIMO DE LA ANTIGUA TABARKA, TÚNEZ 
    Juan Vidal, Francisco (Editorial Universitat Politècnica de València, 2012-06-30)
    [EN] Kept in the Simancas General Archive is an original manuscript drawing, which is anonymous and of uncertain age. It portrays a general, long distance view of the island of Tabarka (MPD, XIV-15, belonging to the State ...
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    DIBUJANDO ESCULTURAS DE CHILLIDA Y OTEIZA 
    Álvarado Tordesillas, Antonio (Editorial Universitat Politècnica de València, 2012-06-30)
    [EN] Under the pretext of surveying some sculptures of Chillida and Oteiza, and thus contribute to its planimetric drawing, the author asks himself whether the drawing is part of the creative process of each sculptor. On ...