- -

Siento luego existo: animación stop-motion en el contexto de la ética del cuidado

RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

Compartir/Enviar a

Citas

Estadísticas

  • Estadisticas de Uso

Siento luego existo: animación stop-motion en el contexto de la ética del cuidado

Mostrar el registro sencillo del ítem

Ficheros en el ítem

dc.contributor.author Orfila, Jorgelina es_ES
dc.contributor.author Ortega-Grimaldo, Francisco es_ES
dc.date.accessioned 2023-11-07T12:07:12Z
dc.date.available 2023-11-07T12:07:12Z
dc.date.issued 2023-09-13
dc.identifier.issn 2173-6049
dc.identifier.uri http://hdl.handle.net/10251/199427
dc.description.abstract [EN] Since 2019, the collective AnimationDuo has organized workshops (Animation-Making Workshops) for vulnerable groups that combine service to the community and research to study the affordances of the stop-motion process. The program consists of practical experiences structured around the theory of the ethics of care and specific aspects of Martin Heidegger's reflections on matter, things, and objects (utensils). The essay argues that, by fostering a mode of relating to the more-than-human world that emphasizes the importance of tactility and touch, the process of creating a stop-motion animation stimulates alternative ways of understanding the material world and its interactions with human beings that have the potential to improve the wellbeing of its creators. es_ES
dc.description.abstract [ES] Desde el 2019, el colectivo académico AnimationDuo organiza talleres (Animation-Making Workshops) dirigidos a grupos en situación de vulnerabilidad, que combinan el servicio a la comunidad con un proyecto de investigación que estudia las cualidades y competencias del proceso de animación stop-motion. El programa consiste en experiencias prácticas estructuradas a partir de la teoría de la ética del cuidado y aspectos puntuales de las reflexiones de Martin Heidegger sobre la materia, las cosas, y los objetos (utensilios). El ensayo argumenta que, al fomentar un modo de relación con el mundo más-que-humano que enfatiza la importancia del tacto, el proceso de animación stop-motion estimula formas alternativas de entender el mundo material y sus interacciones con ser humano que tienen el potencial de mejorar el bienestar de sus creadores. es_ES
dc.language Español es_ES
dc.publisher Universitat Politècnica de València es_ES
dc.relation.ispartof Con A de animación es_ES
dc.rights Reconocimiento - No comercial - Compartir igual (by-nc-sa) es_ES
dc.subject Stop-motion animation es_ES
dc.subject Care ethics es_ES
dc.subject Embodiment es_ES
dc.subject Touch es_ES
dc.subject Materiality es_ES
dc.subject Thing/object es_ES
dc.subject Animación stop-motion es_ES
dc.subject Ética del cuidado es_ES
dc.subject Corporeización (embodiment) es_ES
dc.subject Tacto es_ES
dc.subject Materialidad es_ES
dc.subject Cosa/objeto es_ES
dc.title Siento luego existo: animación stop-motion en el contexto de la ética del cuidado es_ES
dc.title.alternative I touch therefore I am: stop-motion animation in the context of the ethics of care es_ES
dc.type Artículo es_ES
dc.identifier.doi 10.4995/caa.2023.19781
dc.rights.accessRights Abierto es_ES
dc.description.bibliographicCitation Orfila, J.; Ortega-Grimaldo, F. (2023). Siento luego existo: animación stop-motion en el contexto de la ética del cuidado. Con A de animación. (17):14-33. https://doi.org/10.4995/caa.2023.19781 es_ES
dc.description.accrualMethod OJS es_ES
dc.relation.publisherversion https://doi.org/10.4995/caa.2023.19781 es_ES
dc.description.upvformatpinicio 14 es_ES
dc.description.upvformatpfin 33 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.description.issue 17 es_ES
dc.identifier.eissn 2173-3511
dc.relation.pasarela OJS\19781 es_ES
dc.description.references AMERICAN PSYCHOLOGICAL ASSOCIATION, "Resilience," (https://www.apa.org/topics/resilience [acceso: mayo, 2023]). es_ES
dc.description.references BREMNER Andrew J., SPENCE C., 2017. "The Development of Tactile Perception", en Advances in Child Development and Behavior 52, pp. 227-268. https://doi.org/10.1016/bs.acdb.2016.12.002 es_ES
dc.description.references BUTLER, Judith, 2004. Precarious life : the powers of mourning and violence, London/New York: Verso (Radical thinkers). es_ES
dc.description.references COHEN, Joshua, JOHNSON, Lauren, ORR, Penny (eds.), 2015. Video and Filmmaking as Psychotherapy: Research and Practice, Nueva York/ Londres: Routledge. https://doi.org/10.4324/9781315769851 es_ES
dc.description.references ELBRECHT, Cornelia, ANTCLIFF, Liz. R., 2014. "Being Touched through Touch. Trauma Treatment through Haptic Perception at the Clay Field: A Sensorimotor Art Therapy", en International Journal of Art Therapy, 19 (1), pp.19-30. https://doi.org/10.1080/17454832.2014.880932 es_ES
dc.description.references ENGSTER, Daniel, 2029. "Care Ethics, Dependency, and Vulnerability", en Ethics and Social Welfare 13 (2), pp. 100-114. https://doi.org/10.1080/17496535.2018.1533029 es_ES
dc.description.references FINEMAN, Martha Albertson, 2021. "What Vulnerability Theory Is and Is Not" (https://scholarblogs.emory.edu/vulnerability/2021/02/01/is-and-is-not/ [acceso: junio, 2022]). es_ES
dc.description.references GANTT, Linda, TINNIN, Louis W., 2009. "Support for a Neurobiological View of Trauma with Implications of Art Therapy", en The Arts in Psychotherapy 36, 48-53. https://doi.org/10.1016/j.aip.2008.12.005 es_ES
dc.description.references HARAWAY, Donna, 2012. "Awash in Urine: DES and Premarin® in Multispecies Response-ability", en Women's studies quarterly, 40 (1/2), pp. 301-316. https://doi.org/10.1353/wsq.2012.0005 es_ES
dc.description.references HARAWAY, Donna, 2016. Staying with the trouble: making kin in the Chthulucene, Durham: Duke University Press (Experimental futures: technological lives, scientific arts, anthropological voices). https://doi.org/10.2307/j.ctv11cw25q es_ES
dc.description.references HARMAN, Graham, 2010. "Technology, Objects and Things", en Cambridge Journal of Economics 34, pp. 17-25. https://doi.org/10.1093/cje/bep021 es_ES
dc.description.references HEIDEGGER, Martin, 1962 [1927]. Being and Time, trad. inglés John Macquarrie y Edward Robinson, San Francisco: HarperSan Francisco (Sein und Zeit, Tübingen: Neomarious Verlag). es_ES
dc.description.references HEIDEGGER, Martin, 1977 [1938, 1952]. "The Age of the World Picture" en The question concerning technology and other essays, trad. inglés William Lovitt, Nueva York: Harper & Row, pp.115¬-154 ("Die Zeit des Weltbildes" en Holzwege, Frankfurt am Main: Vittorio Klostermann). es_ES
dc.description.references HEIDEGGER, Martin, 2012 [1949, 1994]. "Insight Into That Which Is", en Bremen and Freiburg Lectures: Insight Into That Which Is and Basic Principles of Thinking, traducido al inglés por Andrew Mitchell, Bloomington, IN: Indiana University Press, pp. 3-75 (Bremer und Freiburger Vorträge: 1. Einblick in Das Was Ist: Bremer Vorträge, 2. Grundsätze des Denkens: Freiburger Vorträge 1957, Gesamtausgabe vol. 79, JAEGER, Petra (ed.), Frankfurt am Main: Vittorio Klostermann). es_ES
dc.description.references HELD, Virginia, 2004. "Care and Justice in the Global Context", en Ratio Juris 17 (2): 141-55. https://doi.org/10.1111/j.1467-9337.2004.00260.x es_ES
dc.description.references HUSBANDS, Lilly, 2019. "Craft as Critique in Experimental Animation", en RUDDELL, Caroline, y WARD, P. The Crafty Animator, Cham: Springer International Publishing (Palgrave animation), pp. 45-69. https://doi.org/10.1007/978-3-030-13943-8_3 es_ES
dc.description.references LOREY, Isabell, 2018. "Precarisation and care-citizenship", en Griffith Law Review, 27 (4), pp. 426-438. https://doi.org/10.1080/10383441.2018.1595339 es_ES
dc.description.references MACKENZIE, Catriona, Rogers, Wendy, y Dodds, Susan, 2014. "Introduction: What is Vulnerability, and Why Does It Matter for Moral Theory?", en Vulnerability: New Essays in Ethics and Feminist Philosophy, Oxford, New York: Oxford University Press, pp.1-29. es_ES
dc.description.references MILLNER, Jacqueline, Moore, Catriona, 2022. "Craftivism: A material ethics of care", in Contemporary Art and Feminism, London/New York: Routledge, pp.129-167. https://doi.org/10.4324/9781003045175-4 es_ES
dc.description.references PATERSON, Mark, 2007. The Senses of Touch: Haptics, Affects and Technologies, Oxford: Berg. es_ES
dc.description.references PETTERSEN, Tove, 2012. "Conceptions of Care: Altruism, Feminism, and Mature Care", Hypatia 27 (2), pp. 366¬-389. https://doi.org/10.1111/j.1527-2001.2011.01197.x es_ES
dc.description.references PUIG DE LA BELLACASA, María, 2017. Matters of Care, Minneapolis: University of Minnesota Press (Posthumanities). es_ES
dc.description.references ROBINSON, Fiona, 1999. Globalizing care: ethics, feminist theory, and international relations, Westview Press (Feminist theory and politics), Boulder: Westview Press. es_ES
dc.description.references RUDDELL, Caroline, y WARD, Paul, 2019. "Introduction", en The Crafty Animator, Cham: Springer International Publishing (Palgrave animation), pp. 1-29. https://doi.org/10.1007/978-3-030-13943-8_1 es_ES
dc.description.references TORRE, Dan, TORRE, Lienors, 2019. "Materiality, experimental process and animated identity" en HARRIS, Miriam, HUSBANDS, Lilly, y TABERHAM, Paul (eds). Experimental Animation, Milton: Taylor & Francis Group, pp. 85-101. https://doi.org/10.4324/9781315203430-9 es_ES
dc.description.references TRONTO, Joan C., 2013. Caring Democracy, New York: NYU Press. es_ES
dc.description.references ULMER, Jasmine.B. 2017. "Posthumanism as research methodology: inquiry in the Anthropocene", en International journal of qualitative studies in education 30 (9), pp. 832-848. https://doi.org/10.1080/09518398.2017.1336806 es_ES
dc.description.references WELLS, Paul, 1998. Understanding Animation, Londres, Nueva York: Routledge. es_ES
dc.description.references WELLS, Paul, 2014. "Chairy Tales: Object and Materiality in Animation", en Alphaville: Journal of Film and Screen Media 8 (Winter). (https://www.alphavillejournal.com/Issue8/HTML/AbstractWells.html, [acceso: junio, 2020]). https://doi.org/10.33178/alpha.8.01 es_ES
dc.description.references WELLS, Paul, 2016. "The Animation Manifesto: Or, What's animation ever Done for Us?", en Metro magazine 188, pp. 95-100. es_ES
dc.description.references WILSON, Frank R., 1998. The Hand: How Its Use Shapes the Brain, Language, and Human Culture, New York: Pantheon Books. es_ES


Este ítem aparece en la(s) siguiente(s) colección(ones)

Mostrar el registro sencillo del ítem