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dc.contributor.author | Orfila, Jorgelina | es_ES |
dc.contributor.author | Ortega-Grimaldo, Francisco | es_ES |
dc.date.accessioned | 2023-11-07T12:07:12Z | |
dc.date.available | 2023-11-07T12:07:12Z | |
dc.date.issued | 2023-09-13 | |
dc.identifier.issn | 2173-6049 | |
dc.identifier.uri | http://hdl.handle.net/10251/199427 | |
dc.description.abstract | [EN] Since 2019, the collective AnimationDuo has organized workshops (Animation-Making Workshops) for vulnerable groups that combine service to the community and research to study the affordances of the stop-motion process. The program consists of practical experiences structured around the theory of the ethics of care and specific aspects of Martin Heidegger's reflections on matter, things, and objects (utensils). The essay argues that, by fostering a mode of relating to the more-than-human world that emphasizes the importance of tactility and touch, the process of creating a stop-motion animation stimulates alternative ways of understanding the material world and its interactions with human beings that have the potential to improve the wellbeing of its creators. | es_ES |
dc.description.abstract | [ES] Desde el 2019, el colectivo académico AnimationDuo organiza talleres (Animation-Making Workshops) dirigidos a grupos en situación de vulnerabilidad, que combinan el servicio a la comunidad con un proyecto de investigación que estudia las cualidades y competencias del proceso de animación stop-motion. El programa consiste en experiencias prácticas estructuradas a partir de la teoría de la ética del cuidado y aspectos puntuales de las reflexiones de Martin Heidegger sobre la materia, las cosas, y los objetos (utensilios). El ensayo argumenta que, al fomentar un modo de relación con el mundo más-que-humano que enfatiza la importancia del tacto, el proceso de animación stop-motion estimula formas alternativas de entender el mundo material y sus interacciones con ser humano que tienen el potencial de mejorar el bienestar de sus creadores. | es_ES |
dc.language | Español | es_ES |
dc.publisher | Universitat Politècnica de València | es_ES |
dc.relation.ispartof | Con A de animación | es_ES |
dc.rights | Reconocimiento - No comercial - Compartir igual (by-nc-sa) | es_ES |
dc.subject | Stop-motion animation | es_ES |
dc.subject | Care ethics | es_ES |
dc.subject | Embodiment | es_ES |
dc.subject | Touch | es_ES |
dc.subject | Materiality | es_ES |
dc.subject | Thing/object | es_ES |
dc.subject | Animación stop-motion | es_ES |
dc.subject | Ética del cuidado | es_ES |
dc.subject | Corporeización (embodiment) | es_ES |
dc.subject | Tacto | es_ES |
dc.subject | Materialidad | es_ES |
dc.subject | Cosa/objeto | es_ES |
dc.title | Siento luego existo: animación stop-motion en el contexto de la ética del cuidado | es_ES |
dc.title.alternative | I touch therefore I am: stop-motion animation in the context of the ethics of care | es_ES |
dc.type | Artículo | es_ES |
dc.identifier.doi | 10.4995/caa.2023.19781 | |
dc.rights.accessRights | Abierto | es_ES |
dc.description.bibliographicCitation | Orfila, J.; Ortega-Grimaldo, F. (2023). Siento luego existo: animación stop-motion en el contexto de la ética del cuidado. Con A de animación. (17):14-33. https://doi.org/10.4995/caa.2023.19781 | es_ES |
dc.description.accrualMethod | OJS | es_ES |
dc.relation.publisherversion | https://doi.org/10.4995/caa.2023.19781 | es_ES |
dc.description.upvformatpinicio | 14 | es_ES |
dc.description.upvformatpfin | 33 | es_ES |
dc.type.version | info:eu-repo/semantics/publishedVersion | es_ES |
dc.description.issue | 17 | es_ES |
dc.identifier.eissn | 2173-3511 | |
dc.relation.pasarela | OJS\19781 | es_ES |
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