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  El imperio no contraataca. Propaganda y dibujo animado en Alemania (1939-1945) 

  de Luelmo Jareño, José María (Universitat Politècnica de València, 2024-03-04)

  [EN] In contrast to the war scene, where it unleashed hostilities and maintained the initiative on several fronts at the same time, the National Socialist regime was hardly able to match the Allied countries in the political ...
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  El auge de la no ficción animada: contexto tecnocultural 

  Ehrlich, Nea (Universitat Politècnica de València, 2024-03-04)

  [EN] Why is animation such a central aesthetic in today s epistemic environment and when did viewers begin to accept animation s veracity, despite looking nothing like photorealism or anything one would witness directly? ...
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  Animación en entornos inmersivos: ampliación de las teorías de la autenticidad en contextos educativos, históricos y políticos 

  Rall, Hannes; Weber, Wibke; Harper, Emma (Universitat Politècnica de València, 2024-03-04)

  [EN] This paper examines and discusses potential factors that may trigger authenticity in animated immersive environments. Our discussion draws upon three forms of authenticity, categorized as objective, constructive or ...
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  Del videojuego al anime: Hakuoki Shinsengumi Kitan y la modelización de la cultura otaku 

  Mauna, Florencia (Universitat Politècnica de València, 2024-03-04)

  [EN] This article is part of the reflection on the Japanese animated series Hakuoki Shinsegumi Kitan (Idea Factory, 2010), an adaptation of an otome video game saga with the name of Hakouki. The narrative places us in the ...
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  El proceso creativo detrás de la física y mecánica del movimiento animado 

  Lamosa, Ángel-José-F.; López-Chao, Vicente (Universitat Politècnica de València, 2024-03-04)

  [EN] This article delves into an in-depth exploration and enhancement of the principle of follow through and overlapping action. The primary objective is to present a pragmatic and all-encompassing approach that systematically ...

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