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Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy)

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Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy)

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dc.contributor.author Baró Zarzo, José Luis es_ES
dc.contributor.author Cortijo Ruiz, Jovita es_ES
dc.coverage.spatial east=-3.5906963; north=37.1766561; name=Puerta del Vino en la Alhambra, Granada, Espanya es_ES
dc.date.accessioned 2023-12-21T11:05:26Z
dc.date.available 2023-12-21T11:05:26Z
dc.date.issued 2023-05-22
dc.identifier.isbn 9788413960265
dc.identifier.uri http://hdl.handle.net/10251/201010
dc.description.abstract [EN] Orientalism, as a variant of exoticism in the Romantic period, adopted a series of topics linked to distant countries and oriental cultures, including Spanish lands, especially Andalusian. This phenomenon was especially prolific in the world of the arts around the Alhambra, «doubly romantic for its medieval and oriental origin» (Raquejo, 1989).Alhambrism was developed by traveling writers in the early 19th century, eager for suggestive scenarios in which to recreate their poems and stories. Later it spread to the plastic arts, with painters such as François Antoine Bossuet, John Frederick Lewis, David Roberts, Gustave Doré or Jenaro Pérez Villaamil. In the case of architecture, Alhambrism was nourished by parallel sources. On the one hand, the awakening to the conservation of the Alhambra as a monument witness to a dreamy period in the history of Spain, and the first interventions by Rafael Contreras, still under babbling and unscientific criteria. On the other hand, the impulse to decorativism through the seminal studies of Owen Jones and Jules Goury, convinced that «in the Alhambra the exemplary paradigm of the most perfect ornamental and chromatic system of all historical styles had existed was hidden» (Villafranca).Music also found fertile ground for creativity in the Alhambra between the mid-19th and early 20th centuries, within the nationalist romantic movement. However, it was mainly the Spanish composers who chose the Alhambra to reflect the national identity: Tárrega, Turina, Albéniz, Bretón, De Monasterio, to which we should add a Debussy influenced by Falla.The communication aims ultimately to investigate through analysis the musical resources used by the last-mentioned composer, Claude Debussy, to evoke with sounds the architecture and the sensual atmosphere of the Alhambra in one of the most representative works of Alhambrism in music: La Puerta del Vino (The Wine Gate). es_ES
dc.format.extent 10 es_ES
dc.language Inglés es_ES
dc.publisher Editorial Universitat Politècnica de València es_ES
dc.relation.ispartof Proceedings - 3rd Valencia International Biennial of Research in Architecture, VIBRArch
dc.rights Reconocimiento - No comercial - Compartir igual (by-nc-sa) es_ES
dc.subject Romanticism es_ES
dc.subject Nationalism es_ES
dc.subject Exoticism es_ES
dc.subject Orientalism es_ES
dc.subject Granada (Spain) es_ES
dc.title Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy) es_ES
dc.type Capítulo de libro es_ES
dc.type Comunicación en congreso es_ES
dc.identifier.doi 10.4995/VIBRArch2022.2022.15464
dc.rights.accessRights Abierto es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Composición Arquitectónica - Departament de Composició Arquitectònica es_ES
dc.contributor.affiliation Universitat Politècnica de València. Escuela Técnica Superior de Arquitectura - Escola Tècnica Superior d'Arquitectura es_ES
dc.description.bibliographicCitation Baró Zarzo, JL.; Cortijo Ruiz, J. (2023). Architecture and Music around the Alhambra. Reminiscences of a dreamlike world: La Puerta del Vino (Debussy). Editorial Universitat Politècnica de València. 360-369. https://doi.org/10.4995/VIBRArch2022.2022.15464 es_ES
dc.description.accrualMethod OCS es_ES
dc.relation.conferencename 3rd Valencia International Biennial of Research in Architecture, VIBRArch es_ES
dc.relation.conferencedate Noviembre 09-11, 2022 es_ES
dc.relation.conferenceplace Valencia, España es_ES
dc.relation.publisherversion http://ocs.editorial.upv.es/index.php/VIBRArch/VIBRArch2022/paper/view/15464 es_ES
dc.description.upvformatpinicio 360 es_ES
dc.description.upvformatpfin 369 es_ES
dc.type.version info:eu-repo/semantics/publishedVersion es_ES
dc.relation.pasarela OCS\15464 es_ES


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