Tiempo y miradas. El espacio como elemento matérico de la incidencia temporal.

Abstract

[ES] El proyecto se centra en explorar conceptos complejos a nivel retórico, creando un trabajo pictórico-visual, el cual hace al espectador sujeto partícipe en la creación de la obra. Tiempo y espacio conviven, pero siempre en presencia de miradas individuales que inciden y moldean la materialidad del tiempo. A su vez, supedita recursos visuales que remiten a conceptos de analogía, fragmentación, reflejo, en una única pieza. Lo material es imprescindible, ya que cada aspecto (espejo, pigmento, tierra) empleado está sujeto a una retórica concreta. Paralelamente, se realiza una investigación documental de referentes que inciden y alimentan esta manera de trabajar, apropiando y rescatando ideas de cada uno de ellos. Elementos que componen la obra: el espejo como muestra de un tiempo constante e inamovible; la tierra, significando erosión y mutabilidad del espacio; el color negro 98% absorción de la luz, produce vacío al no haber reflejo. El objetivo es obtener una pieza pictórica con características de instalación, donde el espectador se ve involucrado al observar la obra desde diferentes puntos de vista y su propio reflejo. Materialidad, tiempo, la propia imagen, el contraste reflejo/oscuridad, son los ítems principales de esta investigación/instalación.

[EN] The project focuses on exploring complex rhetorical concepts, creating a pictorial-visual work that makes the viewer an active participant in the creation of the piece. Time and space coexist, but always in the presence of individual gazes that impact and shape the materiality of time. Simultaneously, it employs visual elements that refer to concepts of analogy, fragmentation, and reflection in a single piece. Materiality is essential, as each element (mirror, pigment, earth) used is subject to a specific rhetoric. Additionally, there is a documentary investigation of references that influence and nourish this way of working, appropriating and rescuing ideas from each of them.

Elements composing the artwork include the mirror as a representation of constant and immovable time; the earth, signifying erosion and the mutability of space; and the color black with 98% light absorption, creating a void in the absence of reflection. The objective is to create a pictorial piece with installation characteristics, where the viewer is engaged in observing the work from different perspectives and their own reflection.

Materiality, time, the self-image, the contrast between reflection and darkness are the main items of this research/installation.

The project focuses on exploring complex rhetorical concepts, creating a pictorial-visual work that makes the viewer an active participant in the creation of the piece. Time and space coexist, but always in the presence of individual gazes that impact and shape the materiality of time. Simultaneously, it employs visual elements that refer to concepts of analogy, fragmentation, and reflection in a single piece. Materiality is essential, as each element (mirror, pigment, earth) used is subject to a specific rhetoric. Additionally, there is a documentary investigation of references that influence and nourish this way of working, appropriating and rescuing ideas from each of them.

Elements composing the artwork include the mirror as a representation of constant and immovable time; the earth, signifying erosion and the mutability of space; and the color black with 98% light absorption, creating a void in the absence of reflection. The objective is to create a pictorial piece with installation characteristics, where the viewer is engaged in observing the work from different perspectives and their own reflection.

Materiality, time, the self-image, the contrast between reflection and darkness are the main items of this research/installation.