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Añadidos recientemente

RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

EGA. Vol 18, No 22 (2013): Conversando con... JUAN NAVARRO BALDEWEG: Enviados recientemente

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    Cartografías semánticas mediante redes neuronales: los mapas auto-organizados (SOM) como representación de patrones y campos 
    Abarca-Alvarez, Francisco Javier; Osuna Pérez, Fernando (Universitat Politècnica de València, 2013-11-06)
    [EN] The Science of Artificial Intelligence provides us with techniques to improve our understanding and characterization of the coherences and patterns which constitute reality. Among these, artificial neural networks and ...
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    Arquitecturas de piedra seca, un levantamiento problemático 
    Rossi, Gabriele; Leserri, Massimo (Universitat Politècnica de València, 2013-11-06)
    [EN] The term “dry stone architecture” refers to special building solutions that not only do not use any binding materials but also indicates special and very common buildings with specific technological/constructional and ...
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    Alejandro de la Sota. Genealogía de un boceto 
    Cortina Maruenda, Francisco Javier; Cabanes Ginés, Miguel; Gilabert Sanz, Salvador (Universitat Politècnica de València, 2013-11-06)
    [EN] Alejandro de la Sota is definitely one of the great masters of contemporary Spanish architecture. Long forgotten and reviled, the last few years have restored him into his proper place in the history of architectural ...
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    Leyes universales de la belleza; ¿verosímiles o verdaderas? 
    Cabezas, Lino Manuel; Oliver, Joan Carles (Universitat Politècnica de València, 2013-11-06)
    [EN] This work is intended to analyze and eventually assess the meaning of some theories of proportion, often posed from false premises of objectivity and scientific certainty. We seek to make evident the symbolic character ...
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    Las sombras que Letarouilly no copió 
    Martínez Mindeguia, Francisco (Universitat Politècnica de València, 2013-11-06)
    [EN] Paul-Marie Letarouilly copied the geometry of a drawing of Francesco Panini, but he omitted the shadows that had the drawing. He did it because he believed that the architect’s drawing did not need them, as Alberti, ...