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RiuNet: Repositorio Institucional de la Universidad Politécnica de Valencia

EGA. Vol 19, No 23 (2014): Conversando con... JUAN NAVARRO BALDEWEG: Enviados recientemente

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    Documentos gráficos en torno a la formación de los estudiantes de arquitectura en la posguerra española (1940-1953) 
    Oliva Meyer, Justo (Universitat Politècnica de València, 2014-05-15)
    [EN] In this paper we address the academic curriculum in architecture during the postwar period in Spain. The autarkical regime established in those years implied the isolation of Spanish architecture regarding international ...
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    Dibujo y método conceptual en la arquitectura suiza 
    Fernández-Morales, Angélica; Bigas Vidal, Montse; Font Basté, Gloria; Bravo Farré, Lluis (Universitat Politècnica de València, 2014-05-15)
    [EN] The article analyzes the drawings of several renowned Swiss architects (Herzog & de Meuron, Peter Zumthor, Peter Märkli, Marianne Burkhalter and Christian Kerez) and defends the existence of several common features, ...
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    Corografías contemporáneas de granada. La investigación a través del dibujo y sus resultados inesperados 
    Espigares Rooney, Blanca (Universitat Politècnica de València, 2014-05-15)
    [EN] Architectural drawing has always been used as a tool of expression as well as for study and exploration. The aim of this research work is to find an approach to chart chorographies of the historic urban landscape of ...
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    Arquitecturas efímeras con herramientas paramétricas 
    Viamonte Fernández, María Pilar; Peinado Checa, Zaira Joanna (Universitat Politècnica de València, 2014-05-15)
    [EN] The society in which we live has become a digital society in recent years and architectural design has evolved greatly with the advent of new computational creation tools, one of them being parametric design. These ...
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    Anamorfosis, su historia y evolución 
    Cabezos Bernal, Pedro Manuel; Cisneros Vivó, Juan José; Soler Sanz, Felipe (Universitat Politècnica de València, 2014-05-15)
    [EN] The illusionist painting has always fascinated human beings. The art of trompe l’oeil has been generally considered as an anamorphosis if it is painted over curved or flat surfaces, oblique with respect to the viewer, ...