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EGA. Revista de Expresión Gráfica Arquitectónica
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EGA. Vol 19, No 23 (2014): Conversando con... JUAN NAVARRO BALDEWEG
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EGA. Vol 19, No 23 (2014): Conversando con... JUAN NAVARRO BALDEWEG: Enviados recientemente

Mostrando ítems 6-10 de 23

Proceso de ideación de la casa Rudofsky, Frigiliana. El dibujo en la dimensión patrimonial de la obra arquitectónica

Loren Méndez, Mar; Pinzón Ayala, Daniel (Universitat Politècnica de València, 2014-05-15)

[EN] Bernard Rudofsky is undoubtedly one of the most innovative and versatile creators of architecture and design of the 20th century. This article offers a detailed study of the drawings of his house in Frigiliana, an ...
La alegoría como lenguaje: narración y representación en Daniel Libeskind

Escoda Pastor, Carmen (Universitat Politècnica de València, 2014-05-15)

[EN] One of the most commonly used resources as a project strategy in contemporary architecture is allegory, understood in terms of “speaking about the other.” Allegory transforms what one feels or experiences, in architecture ...
Fincas y cazaderos reales en el entorno del monasterio de San Lorenzo de El Escorial: tradición medieval e influencia flamenca

Chias Navarro, Pilar (Universitat Politècnica de València, 2014-05-15)

[EN] The Flemish influence on the ambitious building program of King Philip II of Spain focused the interest of some reseachers. But the inheritance from the Emperor Charles V and his predecessors of the Crown of of Castile ...
El paralelo. Bosquejo de un método gráfico

Muñoz de Pablo, María José; Martínez Díaz, Ángel (Universitat Politècnica de València, 2014-05-15)

[EN] The graphic parallel has been –and remains– an exceptional method of knowing, learning, researching and disseminating the urban and architectural form. Here we try to outline the principles governing its design and ...
El dibujo del Diorama de Le Corbusier y Pierre Jeanneret en 1922

Velásquez, Víctor (Universitat Politècnica de València, 2014-05-15)

[EN] The drawing of the contemporary city for 3 million inhabitants, elaborated by Le Corbusier and Pierre Jeanneret in 1922, in time, has become the canonic image of the project. The drawing was contained in a cylindrical ...