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SOTERO. PROCESO DE CREACIÓN DE UN DOCUMENTAL, CONTEXTUALIZACIÓN Y ANÁLISIS

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SOTERO. PROCESO DE CREACIÓN DE UN DOCUMENTAL, CONTEXTUALIZACIÓN Y ANÁLISIS

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dc.contributor.advisor Adelantado Mateu, María Eulalia es_ES
dc.contributor.author Ortuño Gregorio, Clara María es_ES
dc.date.accessioned 2017-01-03T08:14:07Z
dc.date.available 2017-01-03T08:14:07Z
dc.date.created 2016-09-27
dc.date.issued 2017-01-03 es_ES
dc.identifier.uri http://hdl.handle.net/10251/76175
dc.description.abstract [EN] This project starts randomly produced by a camera that does not pro - perly correspond to a photography. They are found paintings to be digita - lly recorded crossing the screen, leaving the pixel searching for a tangible universe, a physical space, palpable. Moving between digital and analog world. The light in RGB format becomes CMYK format by print, transfer and the painter’s hand. The project is developed to find ways of representa - tion of digital images that emit light, materializing through the pigment. The image is constantly changing due to they are traces of each process which compose it. These traces come from some random processes, when they leave the screen they are located on a physical surface that acquire pictorical qualities. As Juan Martin Prada reflects on “ dar piel a la imagen mediante la impresión” : in a specific way the image goes from emit light to receive and reflect it. es_ES
dc.description.abstract [ES] This project starts randomly produced by a camera that does not pro - perly correspond to a photography. They are found paintings to be digita - lly recorded crossing the screen, leaving the pixel searching for a tangible universe, a physical space, palpable. Moving between digital and analog world. The light in RGB format becomes CMYK format by print, transfer and the painter’s hand. The project is developed to find ways of representa - tion of digital images that emit light, materializing through the pigment. The image is constantly changing due to they are traces of each process which compose it. These traces come from some random processes, when they leave the screen they are located on a physical surface that acquire pictorical qualities. As Juan Martin Prada reflects on “ dar piel a la imagen mediante la impresión” : in a specific way the image goes from emit light to receive and reflect it. es_ES
dc.format.extent 42 es_ES
dc.language Español es_ES
dc.publisher Universitat Politècnica de València es_ES
dc.rights Reconocimiento - No comercial - Sin obra derivada (by-nc-nd) es_ES
dc.subject familia es_ES
dc.subject retrato es_ES
dc.subject audiovisual es_ES
dc.subject producción es_ES
dc.subject documental es_ES
dc.subject DOCUMENTAL DE CREACIÓN es_ES
dc.subject.classification COMUNICACION AUDIOVISUAL Y PUBLICIDAD es_ES
dc.subject.classification HISTORIA DEL ARTE es_ES
dc.subject.other Grado en Bellas Artes-Grau en Belles Arts es_ES
dc.title SOTERO. PROCESO DE CREACIÓN DE UN DOCUMENTAL, CONTEXTUALIZACIÓN Y ANÁLISIS es_ES
dc.type Proyecto/Trabajo fin de carrera/grado es_ES
dc.rights.accessRights Abierto es_ES
dc.contributor.affiliation Universitat Politècnica de València. Facultad de Bellas Artes - Facultat de Belles Arts es_ES
dc.contributor.affiliation Universitat Politècnica de València. Departamento de Comunicación Audiovisual, Documentación e Historia del Arte - Departament de Comunicació Audiovisual, Documentació i Història de l'Art es_ES
dc.description.bibliographicCitation Ortuño Gregorio, CM. (2016). SOTERO. PROCESO DE CREACIÓN DE UN DOCUMENTAL, CONTEXTUALIZACIÓN Y ANÁLISIS. http://hdl.handle.net/10251/76175. es_ES
dc.description.accrualMethod TFGM es_ES
dc.relation.pasarela TFGM\43185 es_ES


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